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Henry Rollins|Big Ugly Mouth/Short Walk On a Long Pier

Big Ugly Mouth/Short Walk On a Long Pier

Henry Rollins

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What's amazing about this two-disc reissue set is how it marks the evolution of Henry Rollins' spoken word performances from his earliest show in 1985, '86, and '87, to when he finally starts to get a bit more loose and comfortable behind the microphone in the early '90s. Short Walk on a Long Pier is an 18-piece collection of Rollins' first recordings (originally released on cassette only) and it's largely Rollins reading from his notebooks in a very awkward, dry, and direct fashion. The difference between Short Walk and Big Ugly Mouth is like night and day. On the latter, Rollins obviously has a few more shows under his belt and has gained immeasurable amounts of confidence in not only his anecdotes, but in his delivery and structure as a storyteller. Rather than just reading his notebook pieces, he goes off the marker and interacts with the audience more, making this a great marker for what Rollins would eventually become: one of the most popular and engaging spoken word performers in the industry.
© Rob Theakston /TiVo

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Big Ugly Mouth/Short Walk On a Long Pier

Henry Rollins

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1
Peach
00:08:52

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

2
Boy On a Train
00:07:46

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

3
Dehumanized
00:05:27

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

4
Hiya Handsome
00:04:51

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

5
Short Story
00:07:18

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

6
Touch and Go
00:08:31

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

7
New Age Blues
00:04:48

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

8
First Class
00:06:43

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

9
Change
00:07:30

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

10
New York Story
00:05:44

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

11
Joe Cole Phone Sex God
00:03:08

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

DISC 2

1
Island
00:02:21

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

2
Standing Still
00:04:50

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

3
Talking to Fool/Alienation
00:09:10

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

4
Do It Alone
00:04:24

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

5
Bus Driver
00:04:04

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

6
John Cooper Clark
00:01:40

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

7
The Balls Are in Your Court
00:05:47

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

8
What a Gal
00:01:31

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

9
Hunting Wabbits
00:00:42

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

10
Olivia
00:01:54

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

11
Madonna
00:02:04

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

12
Hymie
00:01:30

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

13
Football
00:01:28

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

14
Barefoot & Pregnant
00:01:44

Henry Rollins, Composer, MainArtist

2012 2.13.61 2012 2.13.61

Albumbeschreibung

What's amazing about this two-disc reissue set is how it marks the evolution of Henry Rollins' spoken word performances from his earliest show in 1985, '86, and '87, to when he finally starts to get a bit more loose and comfortable behind the microphone in the early '90s. Short Walk on a Long Pier is an 18-piece collection of Rollins' first recordings (originally released on cassette only) and it's largely Rollins reading from his notebooks in a very awkward, dry, and direct fashion. The difference between Short Walk and Big Ugly Mouth is like night and day. On the latter, Rollins obviously has a few more shows under his belt and has gained immeasurable amounts of confidence in not only his anecdotes, but in his delivery and structure as a storyteller. Rather than just reading his notebook pieces, he goes off the marker and interacts with the audience more, making this a great marker for what Rollins would eventually become: one of the most popular and engaging spoken word performers in the industry.
© Rob Theakston /TiVo

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