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La Reverdie|Bestiarium

Bestiarium

La Reverdie

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La Reverdie, an Italian early music ensemble focusing on secular repertoire, is made up of four sisters who both sing and play a variety of instruments. The pieces on this album, all with animals and nature as the subject, range from ninth century chant through songs and madrigals of the fourteenth and fifteenth centuries. One of the strengths of the group is its sensitivity to the stylistic differences in this repertoire that spans half a millennium and the breadth of a continent. The folk songs have an entirely appropriate rustic boisterousness, and the later madrigals are sung with absolutely pure tone and refinement. The pieces the group has selected have a buoyant lightness and the performers sing and play with appealing intimacy and naturalness. The diversity of musical styles, the use of both solos and vocal ensembles, and the ingenious and beautifully varied accompaniments (which include bowed and plucked strings, harp, percussion, and winds) make this an especially attractive collection for fans of early music. One drawback of the album is the lack of translations of the texts. For the reader not familiar with Latin or Medieval French, German Italian, or even English, except for the songs using imitative animal sounds, it's difficult to tell what the subject of each song is. Regardless, the music itself is such a pleasure that listening without any textual understanding offers ample rewards. The sound is warm and intimate, with a nice amount of resonance.
© TiVo

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La Reverdie

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1
Ar bleizi-mor
00:02:13

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

2
O tu qui servas
00:03:05

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

3
L'autrier jost'una sebissa
00:03:52

La Reverdie, Performer - Marcabru, Composer

1997 Cantus Records 1997 Cantus Records

4
Chançonnete / A la cheminée / Veritatem
00:02:01

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

5
Ich was ein Chint so wolgetan
00:02:45

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

6
Na coire ar na sleibhtibh
00:02:41

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

7
Fuwëles in the Frith
00:02:22

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

8
Bryd One Brere
00:03:09

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

9
Oseletto selvaggio
00:03:44

La Reverdie, Performer - Jacopo Da Bologna, Composer

1997 Cantus Records 1997 Cantus Records

10
Aquila altera / Creatura gentile / Uccel di Dio
00:02:12

La Reverdie, Performer - Jacopo Da Bologna, Composer

1997 Cantus Records 1997 Cantus Records

11
Aquila altera (Codex faenza)
00:02:23

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

12
I' fu' già bianch'uccel
00:03:18

La Reverdie, Performer - Donato Da Firenze, Composer

1997 Cantus Records 1997 Cantus Records

13
Chosì pensoso
00:02:25

La Reverdie, Performer - Francesco Landino, Composer

1997 Cantus Records 1997 Cantus Records

14
Con bracchi assai
00:03:10

La Reverdie, Performer - Giovanni Da Firenze, Composer

1997 Cantus Records 1997 Cantus Records

15
Lucida pecorella
00:04:13

La Reverdie, Performer - Donato Da Firenze, Composer

1997 Cantus Records 1997 Cantus Records

16
L'aspido sordo
00:02:27

La Reverdie, Performer - Donato Da Firenze, Composer

1997 Cantus Records 1997 Cantus Records

17
En Ma Forest
00:02:36

La Reverdie, Performer - Anonymous, Composer

1997 Cantus Records 1997 Cantus Records

18
Par mantes foys
00:02:16

La Reverdie, Performer - Jean Vaillant, Composer

1997 Cantus Records 1997 Cantus Records

19
Wolauff, Gesell!
00:02:13

La Reverdie, Performer - Oswald von Wolkenstein, Composer

1997 Cantus Records 1997 Cantus Records

20
Ir alten weib un Frewt ew
00:03:15

La Reverdie, Performer - Oswald von Wolkenstein, Composer

1997 Cantus Records 1997 Cantus Records

Albumbeschreibung

La Reverdie, an Italian early music ensemble focusing on secular repertoire, is made up of four sisters who both sing and play a variety of instruments. The pieces on this album, all with animals and nature as the subject, range from ninth century chant through songs and madrigals of the fourteenth and fifteenth centuries. One of the strengths of the group is its sensitivity to the stylistic differences in this repertoire that spans half a millennium and the breadth of a continent. The folk songs have an entirely appropriate rustic boisterousness, and the later madrigals are sung with absolutely pure tone and refinement. The pieces the group has selected have a buoyant lightness and the performers sing and play with appealing intimacy and naturalness. The diversity of musical styles, the use of both solos and vocal ensembles, and the ingenious and beautifully varied accompaniments (which include bowed and plucked strings, harp, percussion, and winds) make this an especially attractive collection for fans of early music. One drawback of the album is the lack of translations of the texts. For the reader not familiar with Latin or Medieval French, German Italian, or even English, except for the songs using imitative animal sounds, it's difficult to tell what the subject of each song is. Regardless, the music itself is such a pleasure that listening without any textual understanding offers ample rewards. The sound is warm and intimate, with a nice amount of resonance.
© TiVo

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