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Susanne Beer|Beer, Susanne: Cello Diverse

Beer, Susanne: Cello Diverse

Susanne Beer

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Text in englischer Sprache verfügbar

With a list of impressive orchestral credentials as lengthy as cellist Susanne Beer, one might expect great things of standard repertoire works for cello and piano. At the very least, Beer's extensive background as an orchestral cellist would seem to all but guarantee a technically proficient and well-in tune performance. Imagine the shock, then, of hearing her shockingly weak performance of Stravinsky's Suite Italienne, one of many arrangements of "Pulcinella" the composer made. Intonation ranges from adequate to poor, and sound quality is forced and brutal, and the balance between piano and cello is sub-par. The situation slightly improves with the Debussy sonata. Here, Beer's sound quality is much improved over the Stravinsky. Intonation is also closer to what might be expected, though far from flawless. Balance issues with the piano remain, however, and Beer's lower register is often buried. The dense piano scoring of Brahms' Second Cello Sonata makes these balance issues even more insurmountable. The overall impression for the album is one of haste, lack of refinement, sufficient rehearsal time, and attention to detail resulting in a startlingly amateurish disc.
© TiVo

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Beer, Susanne: Cello Diverse

Susanne Beer

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Suite Italienne

1
I. Introduction (Version for cello and piano)
00:02:26

Gareth Hancock, Performer - Susanne Beer, Performer - Igor Stravinsky, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

2
II. Serenata (Version for cello and piano)
00:03:33

Gareth Hancock, Performer - Susanne Beer, Performer - Igor Stravinsky, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

3
III. Aria (Version for cello and piano)
00:06:02

Gareth Hancock, Performer - Susanne Beer, Performer - Igor Stravinsky, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

4
IV. Tarantella (Version for cello and piano)
00:01:18

Gareth Hancock, Performer - Susanne Beer, Performer - Igor Stravinsky, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

5
V. Minuetto e Finale (Version for cello and piano)
00:05:07

Gareth Hancock, Performer - Susanne Beer, Performer - Igor Stravinsky, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

Cello Sonata in D Minor, L. 135 (Claude Debussy)

6
I. Prologue
00:04:39

Gareth Hancock, Performer - Susanne Beer, Performer - Claude Debussy, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

7
II. Serenade -
00:03:19

Gareth Hancock, Performer - Susanne Beer, Performer - Claude Debussy, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

8
III. Finale
00:03:47

Susanne Beer, Performer - Gareth Hancock, Performer - Claude Debussy, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

Cello Sonata No. 2 in F major, Op. 99 (Johannes Brahms)

9
I. Allegro vivace
00:09:23

Susanne Beer, Performer - Gareth Hancock, Performer - Johannes Brahms, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

10
II. Adagio affettuoso
00:07:34

Gareth Hancock, Performer - Susanne Beer, Performer - Johannes Brahms, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

11
III. Allegro passionato
00:06:35

Gareth Hancock, Performer - Susanne Beer, Performer - Johannes Brahms, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

12
IV. Allegro molto
00:04:45

Susanne Beer, Performer - Gareth Hancock, Performer - Johannes Brahms, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

The Mission (Ennio Morricone)

13
Gabriel's Oboe (Arr. For cello and piano)
00:02:36

Susanne Beer, Performer - Gareth Hancock, Performer - Ennio Morricone, Composer

(C) 2013 Divine Art (P) 2013 Divine Art

Albumbeschreibung

With a list of impressive orchestral credentials as lengthy as cellist Susanne Beer, one might expect great things of standard repertoire works for cello and piano. At the very least, Beer's extensive background as an orchestral cellist would seem to all but guarantee a technically proficient and well-in tune performance. Imagine the shock, then, of hearing her shockingly weak performance of Stravinsky's Suite Italienne, one of many arrangements of "Pulcinella" the composer made. Intonation ranges from adequate to poor, and sound quality is forced and brutal, and the balance between piano and cello is sub-par. The situation slightly improves with the Debussy sonata. Here, Beer's sound quality is much improved over the Stravinsky. Intonation is also closer to what might be expected, though far from flawless. Balance issues with the piano remain, however, and Beer's lower register is often buried. The dense piano scoring of Brahms' Second Cello Sonata makes these balance issues even more insurmountable. The overall impression for the album is one of haste, lack of refinement, sufficient rehearsal time, and attention to detail resulting in a startlingly amateurish disc.
© TiVo

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