Ottavio Dantone - Accademia Bizantina Bach: The Art of Fugue

Bach: The Art of Fugue

Ottavio Dantone - Accademia Bizantina

Hi-Res 24 Bit – 96.00 kHz

Inkl.: 1 Digitales Booklet

Erschienen am 10. November 2017 bei Decca

Künstler: Ottavio Dantone

Genre: Klassik

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Details der Tracks anzeigen

Album : 1 Disk - 20 Tracks Gesamte Laufzeit : 01:16:46

    Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra (Johann Sebastian Bach)
  1. 1 1. Contrapunctus 1

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  2. 2 2. Contrapunctus 2

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  3. 3 3. Contrapunctus 3

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  4. 4 4. Contrapunctus 4

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  5. 5 5. Contrapunctus 5

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  6. 6 6. Contrapunctus 6 a 4, im Stile francese

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  7. 7 7. Contrapunctus 7 a 4, per Augment et Diminut

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  8. 8 8. Contrapunctus 8 a 3

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  9. 9 9. Contrapunctus 9 a 4, alla Duodecima

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  10. 10 10. Contrapunctus 10 a 4, alla Decima

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  11. 11 11. Contrapunctus 11 a 4

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  12. 12 12. Contrapunctus 12 a 4 (Rectus)

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  13. 13 13. Contrapunctus 12 a 4 (Inversus)

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  14. 14 14. Contrapunctus a 3 (Inversus)

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  15. 15 15. Fuga a 2 Clav. (Rectus del Contrapunctus a 3)

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  16. 16 16. Canon per Augmentationem in Contrario Motu

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  17. 17 17. Canon in Hypodiapason

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  18. 18 18. Canon alla Decima, Contrappunto alla Terza

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  19. 19 19. Canon alla Duodecima, in Contrappunto alla Quinta

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

  20. 20 20. Fuga a 3 Soggetti

    Johann Sebastian Bach, Composer - Roberto Chinellato, Recording Engineer - Fabio Framba, Recording Producer - Accademia Bizantina, Orchestra, MainArtist - Ottavio Dantone, Conductor, MainArtist Copyright : ℗ 2017 Accademia Bizantina

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Decca

Der Name „ Decca“ kommt von einem tragbaren Grammophon namens „Decca Dulcephone“ und wurde 1914 von dem Musikinstrument-Fabrikanten Barnett Samuel and Sons patentiert. Wilfred S. Samuel hat den Namen, der eine Fusion des Wortes „Mecca“ mit der Initiale D von „Dulcephone“ darstellt, erfunden. Die Firma, später umbenannt in „The Decca Gramophone Company“ und ebenfalls unter dem Namen „The Supreme Record Company“ bekannt, wird 1929 von dem ehemaligen Börsenmakler Edward Lewis gekauft. 1939 ist Decca neben EMI die einzige Plattenfirma Großbritanniens. Innerhalb weniger Jahre wird sie zum zweitgrößten Label der Welt und zählt in den 30er bis 40er Jahren zu ihrem Katalog...

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