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Kevin Hays was already comfortable in the big leagues by the time he recorded Andalucia, his third album for Blue Note. But the fact that this outing featured the young pianist in a trio setting with bassist Ron Carter and drummer Jack DeJohnette turned heads nonetheless. Hays more than holds his own in the company of these two giants, and he's not a chops player, so his strong showing is all the more impressive. His rhythmic and harmonic ingenuity generates well-paced excitement throughout the set. Half the tunes are non-originals, and they include the standard "That's All," Ernesto Lecuona's "Andalucia (The Breeze and I)," Dizzy Gillespie's "Con Alma," and Ron Carter's "Einbahnstrasse." There's also an inventive reworking of the Beatles' "And I Love Her." But the five originals do more to reveal the full depth of Hays' musicality. "Agua," a driving boogaloo tune, kicks off the record. The other four are clustered consecutively in the middle of the program: first the calmly flowing "Mind," then the swinging Chick Corea tribute "Chickory Stick," the amorphous Billy Hart tribute "Hart," and the vigorous abstraction "Break." No matter what he's playing, Hays' soulful, uncluttered, unassuming style sets him apart among talented young jazz pianists.
© David R. Adler /TiVo
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JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, Composer, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Ernesto Lecuona, Composer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, MainArtist - Kazumi Yasui, Translator
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - ALAN BRANDT, Composer - BOB HAYMES, Composer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, Composer, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, Composer, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, Composer, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, Composer, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
Ron Carter, Composer - JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
JAMES FARBER, Recording Engineer, StudioPersonnel - Bob Belden, Producer - Dizzy Gillespie, Composer - Mark Wilder, Mastering Engineer, StudioPersonnel - Kevin Hays, MainArtist
(C) 1997 Blue Note Records ℗ 1997 Capitol Records, LLC
Albumbeschreibung
Kevin Hays was already comfortable in the big leagues by the time he recorded Andalucia, his third album for Blue Note. But the fact that this outing featured the young pianist in a trio setting with bassist Ron Carter and drummer Jack DeJohnette turned heads nonetheless. Hays more than holds his own in the company of these two giants, and he's not a chops player, so his strong showing is all the more impressive. His rhythmic and harmonic ingenuity generates well-paced excitement throughout the set. Half the tunes are non-originals, and they include the standard "That's All," Ernesto Lecuona's "Andalucia (The Breeze and I)," Dizzy Gillespie's "Con Alma," and Ron Carter's "Einbahnstrasse." There's also an inventive reworking of the Beatles' "And I Love Her." But the five originals do more to reveal the full depth of Hays' musicality. "Agua," a driving boogaloo tune, kicks off the record. The other four are clustered consecutively in the middle of the program: first the calmly flowing "Mind," then the swinging Chick Corea tribute "Chickory Stick," the amorphous Billy Hart tribute "Hart," and the vigorous abstraction "Break." No matter what he's playing, Hays' soulful, uncluttered, unassuming style sets him apart among talented young jazz pianists.
© David R. Adler /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:55:27
- Künstler: Kevin Hays
- Komponist: Various Composers
- Label: Blue Note Records
- Genre: Jazz
© 1997 Blue Note Records ℗ 1997 Blue Note Records
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