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Bootsy Collins|Ahh...The Name Is Bootsy, Baby!

Ahh...The Name Is Bootsy, Baby!

Bootsy Collins

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Bootsy Collins' debut solo album, Stretchin' Out in Bootsy's Rubber Band, was an extremely tough act to follow, but thankfully, there are no signs of a sophomore slump (either creatively or commercially) on his second album, Ahh...The Name Is Bootsy, Baby! Most P-funk addicts consider this 1977 LP essential listening, and it isn't hard to see why they feel that way. Everything on the album is excellent; that is true of up-tempo smokers like "The Pinocchio Theory" and the title song as well as slow, moody, eerie offerings such as "What's a Telephone Bill?" and "Munchies for Your Love." The lyrics are consistently humorous and clever, the grooves are consistently infectious. You can think of Ahh...The Name Is Bootsy, Baby! as a meeting of the funk minds -- Collins produced this record with his mentor, George Clinton, who co-wrote all of the material. So Clinton has a lot of input and gives Ahh...The Name Is Bootsy, Baby! the distinctive P-funk sound that Parliament/Funkadelic was known for. But at the same time, he encourages Collins' originality -- Bootsy's Rubber Band sounds like a Parliament/Funkadelic spin-off (which is exactly what it was), but not a Parliament/Funkadelic clone. Without question, Ahh...The Name Is Bootsy, Baby! is essential listening for lovers of hard 1970s funk.

© Alex Henderson /TiVo

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Ahh...The Name Is Bootsy, Baby!

Bootsy Collins

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1
Ahh...The Name Is Bootsy, Baby (LP Version)
00:06:52

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar - Glen Goins, Guitar - Rick Gardner, Trumpet - PARKER, Writer - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

2
The Pinocchio Theory (LP Version)
00:06:06

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar - Glen Goins, Guitar - Rick Gardner, Trumpet - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

3
Rubber Duckie (LP Version)
00:03:21

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar - Glen Goins, Guitar - Rick Gardner, Trumpet - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals, Writer - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

4
Preview Side Too (LP Version)
00:01:01

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar - Glen Goins, Guitar - Rick Gardner, Trumpet - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals, Writer - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

5
What's a Telephone Bill?
00:05:59

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar - Glen Goins, Guitar - Rick Gardner, Trumpet - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals, Writer - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

6
Munchies for Your Love (LP Version)
00:09:37

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar, Writer - Glen Goins, Guitar - Rick Gardner, Trumpet - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals, Writer - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

7
Can't Stay Away (LP Version)
00:05:28

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar - Glen Goins, Guitar - Rick Gardner, Trumpet - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

8
Reprise: We Want Bootsy (LP Version)
00:00:22

Bootsy Collins, Guitar, Vocals, Bass, MainArtist - William Collins, Producer, Writer - Gary Shider, Guitar - Glen Goins, Guitar - Rick Gardner, Trumpet - PARKER, Writer - Randy Brecker, Trumpet - Fred Wesley, Trombone - MACEO PARKER, Saxophone - Robert Johnson, Vocals - George Clinton, Producer, Writer - Bernie Worrell, Keyboards - Boogie, Drums - Gary Cooper, Drums, Vocals - PHELPS COLLINS, Guitar, Bass - Frankie Kash Waddy, Drums - Brecker Brothers, Horn - Michael Hampton, Guitar - Leslyn Bailey, Vocals - Sonny Talbert, Keyboards - CASPER, Drums, Guitar, Bass - Joel Johnson, Keyboards - Richard Griffith, Horn

© 1977 Warner Records Inc. ℗ 1976 Warner Records Inc.

Albumbeschreibung

Bootsy Collins' debut solo album, Stretchin' Out in Bootsy's Rubber Band, was an extremely tough act to follow, but thankfully, there are no signs of a sophomore slump (either creatively or commercially) on his second album, Ahh...The Name Is Bootsy, Baby! Most P-funk addicts consider this 1977 LP essential listening, and it isn't hard to see why they feel that way. Everything on the album is excellent; that is true of up-tempo smokers like "The Pinocchio Theory" and the title song as well as slow, moody, eerie offerings such as "What's a Telephone Bill?" and "Munchies for Your Love." The lyrics are consistently humorous and clever, the grooves are consistently infectious. You can think of Ahh...The Name Is Bootsy, Baby! as a meeting of the funk minds -- Collins produced this record with his mentor, George Clinton, who co-wrote all of the material. So Clinton has a lot of input and gives Ahh...The Name Is Bootsy, Baby! the distinctive P-funk sound that Parliament/Funkadelic was known for. But at the same time, he encourages Collins' originality -- Bootsy's Rubber Band sounds like a Parliament/Funkadelic spin-off (which is exactly what it was), but not a Parliament/Funkadelic clone. Without question, Ahh...The Name Is Bootsy, Baby! is essential listening for lovers of hard 1970s funk.

© Alex Henderson /TiVo

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