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Spokane|Able Bodies

Able Bodies

Spokane

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Text in englischer Sprache verfügbar

It's become an oft-told tale that in the middle of recording this album, the members of the Virginia group Spokane were in a car accident from which they fortunately escape unscathed (despite flipping several times). That experience seems to have cast an ominous shadow across this album, and Lord knows what musings on mortality it provoked in leader Rick Alverson (also of Drunk). Able Bodies is a disconcertingly dirge-like collection fraught with an utter sense of dislocation. The arrangements can be ponderously slowcore at times, moving with an almost glacial weight. However, the string section of cellist Molly Kien and violinist Maggie Polk adds an old-timey and haunting emotional quality that saves the songs from the quicksands of way-too-heaviness. Also adding depth to the arrangements is Alverson's often stirringly poetic imagery (try "I set my thin trunk of ribs in a room/My full set of teeth by a horsehair broom" on for size). This can be disconcertingly haunting listening, but if one cares to immerse themselves in the moody world of Spokane, the rewards are surprising and many.
© Erik Hage /TiVo

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Able Bodies

Spokane

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1
New Days Close
00:04:08

Spokane, Artist, MainArtist

2002 Jagjaguwar 2002 Jagjaguwar

2
Quiet Normal Life
00:04:12

Spokane, Artist, MainArtist

2002 Jagjaguwar 2002 Jagjaguwar

3
On The Stair
00:08:16

Spokane, Artist, MainArtist

2002 Jagjaguwar 2002 Jagjaguwar

4
Grown
00:04:10

Spokane, Artist, MainArtist

2002 Jagjaguwar 2002 Jagjaguwar

5
In Houses
00:03:26

Spokane, Artist, MainArtist

2002 Jagjaguwar 2002 Jagjaguwar

6
Able Bodies
00:02:09

Spokane, Artist, MainArtist

2002 Jagjaguwar 2002 Jagjaguwar

7
The Made Bed
00:05:17

Spokane, Artist, MainArtist

2002 Jagjaguwar 2002 Jagjaguwar

Albumbeschreibung

It's become an oft-told tale that in the middle of recording this album, the members of the Virginia group Spokane were in a car accident from which they fortunately escape unscathed (despite flipping several times). That experience seems to have cast an ominous shadow across this album, and Lord knows what musings on mortality it provoked in leader Rick Alverson (also of Drunk). Able Bodies is a disconcertingly dirge-like collection fraught with an utter sense of dislocation. The arrangements can be ponderously slowcore at times, moving with an almost glacial weight. However, the string section of cellist Molly Kien and violinist Maggie Polk adds an old-timey and haunting emotional quality that saves the songs from the quicksands of way-too-heaviness. Also adding depth to the arrangements is Alverson's often stirringly poetic imagery (try "I set my thin trunk of ribs in a room/My full set of teeth by a horsehair broom" on for size). This can be disconcertingly haunting listening, but if one cares to immerse themselves in the moody world of Spokane, the rewards are surprising and many.
© Erik Hage /TiVo

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