Milt Jackson
Before Milt Jackson, there were only two major vibraphonists: Lionel Hampton and Red Norvo. Jackson soon surpassed both of them in significance and, despite the rise of other players (including Bobby Hutcherson and Gary Burton), still won the popularity polls throughout the decades. Jackson (or "Bags" as he was long called) was at the top of his field for 50 years, playing bop, blues, and ballads with equal skill and sensitivity. In its essence, Jackson did for the vibes what Dizzy Gillespie did for the trumpet -- revolutionize its approach. He slowed the speed on the instrument's oscillator, changed its vibrato and perfected slow, cleverly paced blues solos. His floating solos with long, sustained notes and darting rhythms became a bop staple. A former singer, guitarist and pianist, Jackson was an extremely versatile player, cutting big-band dates, working with orchestras, and fighting to maintain a successful solo career yet retain his ties with the Modern Jazz Quartet, the group he co-founded with pianist John Lewis in 1952.
Milt Jackson started on guitar when he was seven, and piano at 11; a few years later, he switched to vibes. He actually made his professional debut singing in a touring gospel quartet. After Dizzy Gillespie discovered him playing in Detroit, he offered him a job with his sextet and (shortly after) his innovative big band (1946). Jackson recorded with Gillespie, and was soon in great demand. During 1948-1949, he worked with Charlie Parker, Thelonious Monk, Howard McGhee, and the Woody Herman Orchestra. After playing with Gillespie's sextet (1950-1952), which at one point included John Coltrane, Jackson recorded with a quartet comprised of John Lewis, Percy Heath, and Kenny Clarke (1952), which soon became a regular group called the Modern Jazz Quartet. Although he recorded regularly as a leader (including dates in the 1950s with Miles Davis and/or Thelonious Monk, Coleman Hawkins, John Coltrane, and Ray Charles), Milt Jackson stayed with the MJQ through 1974, becoming an indispensable part of their sound. By the mid-'50s, Lewis became the musical director and some felt that Bags was restricted by the format, but it actually served him well, giving him some challenging settings. And he always had an opportunity to jam on some blues numbers, including his "Bags' Groove." However, in 1974, Jackson felt frustrated by the MJQ (particularly financially) and broke up the group. He recorded frequently for Pablo in many all-star settings in the 1970s, and after a seven-year vacation, the MJQ came back in 1981. In addition to the MJQ recordings, Milt Jackson cut records as a leader throughout his career for many labels including Savoy, Blue Note (1952), Prestige, Atlantic, United Artists, Impulse, Riverside, Limelight, Verve, CTI, Pablo, Music Masters, and Qwest. He died of liver cancer on October 9, 1999, at the age of 76.
© Scott Yanow /TiVo
-
Reunion Blues (Remastered Anniversary Edition)
Jazz - Paru chez MPS le 1 janv. 1972
24-Bit 88.2 kHz - Stereo -
-
-
Saga Jazz: Early MJQ
Jazz - Paru chez Saga le 27 janv. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Quintet / Sextet
Jazz - Paru chez Prestige le 17 sept. 2020
24-Bit 192.0 kHz - Stereo -
Sunflower (CTI Records 40th Anniversary Edition)
Jazz fusion & Jazz rock - Paru chez Masterworks Jazz le 1 janv. 1973
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Bags Meets Wes! [Keepnews Collection]
Jazz - Paru chez Riverside le 1 janv. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Ray Brown/Milt Jackson
Jazz - Paru chez Verve Reissues le 1 janv. 1965
16-Bit CD Quality 44.1 kHz - Stereo -
A Celebration Of Duke
Sarah Vaughan, Zoot Sims, Joe Pass, Milt Jackson, Ray Brown, Mickey Roker
Jazz vocal - Paru chez Pablo le 1 janv. 1980
16-Bit CD Quality 44.1 kHz - Stereo -
Oscar Peterson Trio et Milt Jackson (Mono Version)
Jazz - Paru chez BNF Collection le 1 janv. 1962
24-Bit 96.0 kHz - Stereo -
-
The Very Tall Band: Live At The Blue Note (Live At The Blue Note, New York City, NY / November 24-26, 1998)
Oscar Peterson, Ray Brown, Milt Jackson
Jazz - Paru chez Telarc le 1 janv. 1962
16-Bit CD Quality 44.1 kHz - Stereo -
Bags Meets Wes
Jazz - Paru chez Original Jazz Classics le 1 janv. 1961
16-Bit CD Quality 44.1 kHz - Stereo -
Jackson, Johnson, Brown & Company
Milt Jackson, J.J. Johnson, Ray Brown
Jazz - Paru chez Fantasy Records le 1 janv. 1983
16-Bit CD Quality 44.1 kHz - Stereo -
Ballads & Blues
Jazz - Paru chez Rhino Atlantic le 20 févr. 1957
16-Bit CD Quality 44.1 kHz - Stereo -
What's Up?: The Very Tall Band (Live At The Blue Note, New York City, NY / November 24-26, 1998)
Oscar Peterson, Ray Brown, Milt Jackson
Jazz - Paru chez Telarc le 27 févr. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Soul Brothers/Soul Meeting
Soul - Paru chez Rhino Atlantic le 14 févr. 1989
16-Bit CD Quality 44.1 kHz - Stereo -
The Ballad Artistry Of Milt Jackson
Jazz - Paru chez Rhino Atlantic le 14 nov. 2018
16-Bit CD Quality 44.1 kHz - Stereo -