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Peter Hammill|The Future Now

The Future Now

Peter Hammill

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16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

The Future Now is one of Peter Hammill's best and most disconcerting albums since the mid-'70s. Filled with beautiful piano ballads, strange experiments, and anthemic rock songs, it stands as multi-faceted as the artist -- who, incidentally, shaved half of his facial hair for the eye-catching cover shot. Hammill has never mastered the art of the opening track, and this album marks no exception: "Pushing Thirties" is a bland, surprise-less rock song. Once you pass that gate though, wonders succeed one another in your ears. In the ballad department, "If I Could" shines like a diamond. This beautiful love song about a man who will never be able to keep his wife from leaving would remain a regular feature in Hammill's concerts for the next 25 years, but no later recording matches this studio version. "The Mousetrap (Caught In)" -- the story of an actor performing the same play for the last 30 years -- is another highlight. Unstable fuzz guitar (reminiscent of Robert Fripp, although he is not credited as a guest) give "Trappings" and "Mediaevil" a strange atmosphere, while backward vocals turn "The Cut" into the most sinister song in Hammill's book since "German Overalls." "A Motor-Bike in Africa" combines electronic percussion, studio effects, a mantra-like narrative, and a pinch of English humor to uncertain results. Amidst all these good songs is another gemstone, although it has not been polished yet; "The Future Now" is too lyrical in this incarnation, too tamed and polite, although it still has the power to send shivers down your spine with its imperative chorus. The Future Now is an artist album. It requires dedication but rewards a hundredfold.

© François Couture /TiVo

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The Future Now

Peter Hammill

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1
Pushing Thirty (2006 Digital Remaster)
00:04:21

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

2
The Second Hand (2006 Digital Remaster)
00:03:28

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

3
Trappings (2006 Digital Remaster)
00:03:33

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

4
The Mousetrap (Caught In) (2006 Digital Remaster)
00:04:06

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

5
Energy Vampires (2006 Digital Remaster)
00:02:56

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

6
If I Could (2006 Digital Remaster)
00:04:42

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

7
The Future Now (2006 Digital Remaster)
00:04:13

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

8
Still In The Dark (2006 Digital Remaster)
00:03:41

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

9
Mediaeval (2006 Digital Remaster)
00:03:06

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

10
A Motor-Bike In Afrika (2006 Digital Remaster)
00:03:11

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

11
The Cut (2006 Digital Remaster)
00:04:21

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

12
Palinurus (Castaway) (2006 Digital Remaster)
00:04:09

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

13
If I Could (From Skeletons Of Songs Bootleg) (2006 Digital Remaster)
00:04:41

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

14
The Mousetrap (Caught In)
00:04:50

Pat Moran, Mix Engineer, StudioPersonnel - Peter Hammill, Composer, Producer, Engineer, Performer, MainArtist, AssociatedPerformer, StudioPersonnel

(C) 2006 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 2006 Virgin Records Ltd ℗ 2006 Virgin Records Limited

Chronique

The Future Now is one of Peter Hammill's best and most disconcerting albums since the mid-'70s. Filled with beautiful piano ballads, strange experiments, and anthemic rock songs, it stands as multi-faceted as the artist -- who, incidentally, shaved half of his facial hair for the eye-catching cover shot. Hammill has never mastered the art of the opening track, and this album marks no exception: "Pushing Thirties" is a bland, surprise-less rock song. Once you pass that gate though, wonders succeed one another in your ears. In the ballad department, "If I Could" shines like a diamond. This beautiful love song about a man who will never be able to keep his wife from leaving would remain a regular feature in Hammill's concerts for the next 25 years, but no later recording matches this studio version. "The Mousetrap (Caught In)" -- the story of an actor performing the same play for the last 30 years -- is another highlight. Unstable fuzz guitar (reminiscent of Robert Fripp, although he is not credited as a guest) give "Trappings" and "Mediaevil" a strange atmosphere, while backward vocals turn "The Cut" into the most sinister song in Hammill's book since "German Overalls." "A Motor-Bike in Africa" combines electronic percussion, studio effects, a mantra-like narrative, and a pinch of English humor to uncertain results. Amidst all these good songs is another gemstone, although it has not been polished yet; "The Future Now" is too lyrical in this incarnation, too tamed and polite, although it still has the power to send shivers down your spine with its imperative chorus. The Future Now is an artist album. It requires dedication but rewards a hundredfold.

© François Couture /TiVo

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