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Shannon Shaw|Shannon In Nashville

Shannon In Nashville

Shannon Shaw

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Après avoir écumé la côte ouest avec ses Clams, Shannon Shaw est partie à Nashville comme Dusty Springfield en 1968. Clin d’œil assuré à Dusty in Memphis, ce premier chapitre en solitaire marque le début d’une émancipation. Shannon & The Clams, c’est ce groupe d’Oakland, Californie, autant influencé par Primus que Devo, Missing Person ou Roy Orbison, maîtrisant l’art du déguisement, tournant des courts-métrages absurdes, invitant des journalistes dans leurs piaules exiguës et signés chez Burger Records. C’est une poésie écrite de punk, rockabilly, doo-wop et garage. Plus punk, plus débraillé, elle a aussi rejoint Hunx and His Punx à la demande de Seth Bogart. Seule, Shannon s’offre un autre décor.

Sa voix éraillée épouse la soul doo-wop des grands girl bands, Ronettes, Shirelles ou Shangri-Las, déjà en germe dans Onion des Clams produit par Dan Auerbach. Et si Shannon tient encore la basse, elle prend la place centrale. Fan des Clams, le chanteur des Black Keys a invité Shannon en un coup de fil dans son studio Easy Eye Sound. La blonde plantureuse s’est envolée, six morceaux en poche, rejoindre une clique de musiciens surdiplômés, histoire de réaliser le destin qui lui était promis. Les vieux ont enregistré avec Aretha, Elvis ou Dusty... De quoi la faire rougir. De quoi, surtout, rugir ses amours brisées et mélancoliques, faire péter les coutures de sa voix féline et son charisme de grande chanteuse. Mélodies scintillantes des sixties, arrangements cinétiques d’un bon James Bond, Auerbach a sculpté un album sur mesure. Classe et classique. Avec des touches légères de glockenspiel, vibraphones, carillons et une odeur douce de renfermé rétro. Dan a fait son Phil Spector, mis à profit le génie de Shaw et révélé la diva. © Charlotte Saintoin/Qobuz

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Shannon In Nashville

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1
Golden Frames
00:02:34

Bobby Wood, Chimes, Glockenspiel, Vibraphone, Wurlitzer - Gene Chrisman, Drums - Russ Pahl, Acoustic Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer, Mellotron - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

2
Bring Her the Mirror
00:02:49

Bobby Wood, Harpsichord, Organ, Piano - Pat McLaughlin, Writer - Gene Chrisman, Drums, Shaker - Russ Pahl, Acoustic Guitar, Electric Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

3
Broke My Own
00:02:59

Bobby Wood, Glockenspiel, Organ, Vibraphone, Writer - Gene Chrisman, Drums - Russ Pahl, Acoustic Guitar - Clint Maedgen, Saxophone - Dan Auerbach, Producer, Mixer, Electric Guitar, Percussion, Writer, Background Vocals - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Ronell Johnson, Cornet - Dave Roe, Upright Bass - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

4
Leather, Metal, Steel
00:02:39

Bobby Wood, Piano, Marimba, Congas, Wurlitzer - Pat McLaughlin, Writer - Gene Chrisman, Drums, Percussion - Russ Pahl, Acoustic Guitar, 12 String Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer, 12 String Guitar - Steve Herrman, Trumpet - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Matt Combs, Strings - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

5
Freddies 'n' Teddies
00:03:40

Richard Swift, Drums, Percussion, Piano, Writer, Background Vocals, Synthesizer - Dan Auerbach, Producer, Mixer, Electric Guitar, Percussion, Writer, Background Vocals, Bass, Mellotron - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

6
Love I Can't Explain
00:03:11

Bobby Wood, Chimes, Glockenspiel, Piano, Vibraphone, Wurlitzer - Gene Chrisman, Drums, Congas - Russ Pahl, Acoustic Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer, Mellotron - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - Dave Roe, Upright Bass - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

7
Cryin' My Eyes Out
00:03:08

Bobby Wood, Glockenspiel, Organ, Percussion, Piano, Vibraphone - Gene Chrisman, Drums, Percussion - Richard Swift, Writer - Russ Pahl, Acoustic Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Dave Roe, Upright Bass - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

8
Goodbye Summer
00:02:43

Jim Hoke, Saxophone - Richard Swift, Drums, Glockenspiel, Harpsichord, Percussion, Piano, Vibraphone, Writer, Background Vocals, Bass, Mellotron - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer - Steve Herrman, Trumpet - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

9
Cold Pillows
00:03:39

Bobby Wood, Glockenspiel, Organ, Piano, Vibraphone, Wurlitzer - Pat McLaughlin, Background Vocals - Gene Chrisman, Drums, Percussion - Mark Howard, Background Vocals - Russ Pahl, Acoustic Guitar, 12 String Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer, Background Vocals - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

10
Lord of Alaska
00:03:08

Bobby Wood, Percussion - Pat McLaughlin, Writer - Gene Chrisman, Drums - Russ Pahl, Electric Guitar - Clint Maedgen, Saxophone - Dan Auerbach, Producer, Mixer, Electric Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Ronell Johnson, Cornet, Trombone - Dave Roe, Upright Bass - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

11
I Might Consider
00:03:02

Bobby Wood, Chimes, Glockenspiel, Organ, Piano, Vibraphone, Writer, Wurlitzer - Gene Chrisman, Drums, Percussion - Russ Pahl, Electric Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer, Mellotron - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Dave Roe, Upright Bass - Matt Combs, Strings - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

12
Make Believe
00:02:29

Bobby Wood, Glockenspiel, Piano, Vibraphone - Gene Chrisman, Drums - Russ Pahl, Electric Guitar, 12 String Guitar - Dan Auerbach, Producer, Mixer, Electric Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Dave Roe, Upright Bass - Matt Combs, Strings - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

13
Coal on the Fire
00:02:53

Bobby Wood, Chimes, Glockenspiel, Harpsichord, Organ, Piano, Vibraphone, Wurlitzer - Gene Chrisman, Drums - Russ Pahl, Acoustic Guitar, Electric Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer, Sitar - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

Chronique

Après avoir écumé la côte ouest avec ses Clams, Shannon Shaw est partie à Nashville comme Dusty Springfield en 1968. Clin d’œil assuré à Dusty in Memphis, ce premier chapitre en solitaire marque le début d’une émancipation. Shannon & The Clams, c’est ce groupe d’Oakland, Californie, autant influencé par Primus que Devo, Missing Person ou Roy Orbison, maîtrisant l’art du déguisement, tournant des courts-métrages absurdes, invitant des journalistes dans leurs piaules exiguës et signés chez Burger Records. C’est une poésie écrite de punk, rockabilly, doo-wop et garage. Plus punk, plus débraillé, elle a aussi rejoint Hunx and His Punx à la demande de Seth Bogart. Seule, Shannon s’offre un autre décor.

Sa voix éraillée épouse la soul doo-wop des grands girl bands, Ronettes, Shirelles ou Shangri-Las, déjà en germe dans Onion des Clams produit par Dan Auerbach. Et si Shannon tient encore la basse, elle prend la place centrale. Fan des Clams, le chanteur des Black Keys a invité Shannon en un coup de fil dans son studio Easy Eye Sound. La blonde plantureuse s’est envolée, six morceaux en poche, rejoindre une clique de musiciens surdiplômés, histoire de réaliser le destin qui lui était promis. Les vieux ont enregistré avec Aretha, Elvis ou Dusty... De quoi la faire rougir. De quoi, surtout, rugir ses amours brisées et mélancoliques, faire péter les coutures de sa voix féline et son charisme de grande chanteuse. Mélodies scintillantes des sixties, arrangements cinétiques d’un bon James Bond, Auerbach a sculpté un album sur mesure. Classe et classique. Avec des touches légères de glockenspiel, vibraphones, carillons et une odeur douce de renfermé rétro. Dan a fait son Phil Spector, mis à profit le génie de Shaw et révélé la diva. © Charlotte Saintoin/Qobuz

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