Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Louis Sclavis has for decades dazzled and provoked listeners with his literate, ambitious musical projects that examine not only the many dimensions and directions of the sonic spectrum, but also his Renaissance-like embrace of literature, foreign cultures, and now, visual art. With a new quartet collaborating with him -- only cellist Vincent Courtois is retained from his previous outing, L'Affrontement des Prétendants -- Sclavis turns his eyes, ears, and spirit toward an investigation of the paintings of the French artist Ernest Pignon-Ernest on Napoli's Walls. Pignon-Ernest, born in 1942, is a curious and wonderfully captivating artist, since he works not on canvas but on public surfaces. From 1987-1995 he worked in Naples, digging through a knotty, tragic history that involved both Oriental and Occidental cultures and the aftermath of volcanoes, disease, defeat at the hands of many armies, and the poetry of its people through it all. Sclavis (playing both clarinets and saxophones), Courtois (on cello), Médéric Collignon (on pocket trumpet, electronics, voices, and horn), and Danish guitarist Hasse Poulsen engage Pignon-Ernest head-on. They explore the various musical traditions of Naples, but also of the entire region through the language of the postmodern, as improvisation, formal composition, ethnomusicology, and an aesthetic that attempts to illustrate the visual aurally. This is accomplished by stitching together the region's popular and antiquated song forms (from folk to opera to madrigals), jazz (through a Mingus-like engagement with history and the dissemination of cultural mores), sophisticated and striated harmonic sensibilities, and a nuanced aesthetic of dissonance. There are ten selections on Napoli's Walls, all but one of them dedicated to a person or place and all of them warm and utterly engaged in time and place, whether the piece has humor in its articulation, such as on the title track or "Kennedy in Napoli," with its wondrous counterpoint, or is more elegiac as in "Divinaziona Moderna, Pt. 1" and "Guetteur d'Inaperçu." The classical thematics and structure of "Les Apparences," with its lilting cello line that counters the pocket trumpet in creating a theme to which Sclavis adds his trademark rounded tone on clarinet, is among the most striking moments on the set, especially as Poulsen's guitar breaks the dynamic and then shifts it into a meditative improvisation. Simply put, Napoli's Walls is an album that moves jazz from its rarefied 21st century ghetto and engages it in a different dimension, as it offers the visual as another song form and place of investigation for sonic inquiry as well as dissemination for antiquated and popular culture. And far from being merely academic, this record is full of sensual pleasure and an utterly accessible, often deeply moving articulation of a new musical language.
© Thom Jurek /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Composer, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Gerard De Haro, Engineer, StudioPersonnel - Mederic Collignon, Percussion, AssociatedPerformer - Louis Sclavis, Composer, Producer, Clarinet, MainArtist, AssociatedPerformer - Vincent Courtois, Cello, AssociatedPerformer - Hasse Poulsen, Guitar, AssociatedPerformer - Gilles Olivesi, Engineer, StudioPersonnel
℗ 2003 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Chronique
Louis Sclavis has for decades dazzled and provoked listeners with his literate, ambitious musical projects that examine not only the many dimensions and directions of the sonic spectrum, but also his Renaissance-like embrace of literature, foreign cultures, and now, visual art. With a new quartet collaborating with him -- only cellist Vincent Courtois is retained from his previous outing, L'Affrontement des Prétendants -- Sclavis turns his eyes, ears, and spirit toward an investigation of the paintings of the French artist Ernest Pignon-Ernest on Napoli's Walls. Pignon-Ernest, born in 1942, is a curious and wonderfully captivating artist, since he works not on canvas but on public surfaces. From 1987-1995 he worked in Naples, digging through a knotty, tragic history that involved both Oriental and Occidental cultures and the aftermath of volcanoes, disease, defeat at the hands of many armies, and the poetry of its people through it all. Sclavis (playing both clarinets and saxophones), Courtois (on cello), Médéric Collignon (on pocket trumpet, electronics, voices, and horn), and Danish guitarist Hasse Poulsen engage Pignon-Ernest head-on. They explore the various musical traditions of Naples, but also of the entire region through the language of the postmodern, as improvisation, formal composition, ethnomusicology, and an aesthetic that attempts to illustrate the visual aurally. This is accomplished by stitching together the region's popular and antiquated song forms (from folk to opera to madrigals), jazz (through a Mingus-like engagement with history and the dissemination of cultural mores), sophisticated and striated harmonic sensibilities, and a nuanced aesthetic of dissonance. There are ten selections on Napoli's Walls, all but one of them dedicated to a person or place and all of them warm and utterly engaged in time and place, whether the piece has humor in its articulation, such as on the title track or "Kennedy in Napoli," with its wondrous counterpoint, or is more elegiac as in "Divinaziona Moderna, Pt. 1" and "Guetteur d'Inaperçu." The classical thematics and structure of "Les Apparences," with its lilting cello line that counters the pocket trumpet in creating a theme to which Sclavis adds his trademark rounded tone on clarinet, is among the most striking moments on the set, especially as Poulsen's guitar breaks the dynamic and then shifts it into a meditative improvisation. Simply put, Napoli's Walls is an album that moves jazz from its rarefied 21st century ghetto and engages it in a different dimension, as it offers the visual as another song form and place of investigation for sonic inquiry as well as dissemination for antiquated and popular culture. And far from being merely academic, this record is full of sensual pleasure and an utterly accessible, often deeply moving articulation of a new musical language.
© Thom Jurek /TiVo
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 00:59:36
- Artistes principaux : Louis Sclavis
- Compositeur : Various Composers
- Label : ECM
- Genre : Jazz
© 2003 ECM Records GmbH ℗ 2003 ECM Records GmbH
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.