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Aisslinn Nosky|Mozart Violin Concertos, Vol. I  (Live)

Mozart Violin Concertos, Vol. I (Live)

Aisslinn Nosky, Handel and Haydn Society & Max Mandel

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It's no small feat to record Mozart Violin Concertos in such a way as to add something new and meaningful to the existing pile, but that's precisely what's been done with this first installment of a new recorded cycle from the period instrument Handel and Haydn Society and its concertmaster Aisslinn Nosky.

Live-recorded at Boston Symphony Hall, this programme presenting the third and fourth concertos alongside the Sinfonia Concertante is absolutely cracking. First to hit your ears is the combination of softly polished tone, crisp articulation and joyousness coming from the ensemble, further warmed by the hall's own glowing acoustic. Next comes the fluid elegance, personal warmth and droll humour from Nosky; in fact listen in closely and you'll hear her witty inflections being enjoyed by the audience too. Then there's the scoring details they're making you hear with fresh ears, such as the flutes dreamily floating their way over the top of the strings at the start of No. 3's Adagio.

As for the Sinfonia Concertante, it's not just the feeling of a genuinely sparkling conversation going on between Nosky and Orchestra of the Age of Enlightenment co-principal Max Mandel that has you reaching for the repeat button (although listen to the way they're bouncing off each other in the first movement's answering phases, and their deliciously cheeky joint glissandi). It's also the sheer degree of instinctive fluid flow and life to it all, to the extent that I'm not sure whether I've ever previously heard such a gloriously freewheeling, borderline-wild final movement.

If this is a taster of what's to come, then Volume 2 can't arrive soon enough. © Charlotte Gardner/Qobuz

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Mozart Violin Concertos, Vol. I (Live)

Aisslinn Nosky

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1
Violin Concerto No. 3 in G Major, K. 216: I. Allegro
00:09:33

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

2
Violin Concerto No. 3 in G Major, K. 216: II. Adagio
00:07:34

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

3
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau - Allegro
00:06:27

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

4
Violin Concerto No. 4 in D Major, K. 218: I. Allegro
00:08:00

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

5
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile
00:06:19

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

6
Violin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andante grazioso
00:06:50

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

7
Sinfonia Concertante in E-Flat Major for Violin and Viola, K. 364: I. Allegro maestoso
00:12:52

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Max Mandel, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

8
Sinfonia Concertante in E-Flat Major for Violin and Viola, K. 364: II. Andante
00:09:06

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Max Mandel, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

9
Sinfonia Concertante in E-Flat Major for Violin and Viola, K. 364: Presto
00:05:55

Wolfgang Amadeus Mozart, Composer - Handel And Haydn Society, Orchestra, MainArtist - Max Mandel, MainArtist - Barenreiter, MusicPublisher - Aisslinn Nosky, MainArtist

(C) 2021 The Sixteen Productions Ltd (P) 2021 The Sixteen Productions Ltd

Chronique

It's no small feat to record Mozart Violin Concertos in such a way as to add something new and meaningful to the existing pile, but that's precisely what's been done with this first installment of a new recorded cycle from the period instrument Handel and Haydn Society and its concertmaster Aisslinn Nosky.

Live-recorded at Boston Symphony Hall, this programme presenting the third and fourth concertos alongside the Sinfonia Concertante is absolutely cracking. First to hit your ears is the combination of softly polished tone, crisp articulation and joyousness coming from the ensemble, further warmed by the hall's own glowing acoustic. Next comes the fluid elegance, personal warmth and droll humour from Nosky; in fact listen in closely and you'll hear her witty inflections being enjoyed by the audience too. Then there's the scoring details they're making you hear with fresh ears, such as the flutes dreamily floating their way over the top of the strings at the start of No. 3's Adagio.

As for the Sinfonia Concertante, it's not just the feeling of a genuinely sparkling conversation going on between Nosky and Orchestra of the Age of Enlightenment co-principal Max Mandel that has you reaching for the repeat button (although listen to the way they're bouncing off each other in the first movement's answering phases, and their deliciously cheeky joint glissandi). It's also the sheer degree of instinctive fluid flow and life to it all, to the extent that I'm not sure whether I've ever previously heard such a gloriously freewheeling, borderline-wild final movement.

If this is a taster of what's to come, then Volume 2 can't arrive soon enough. © Charlotte Gardner/Qobuz

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