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Crossfade|Crossfade

Crossfade

Crossfade

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Hometown Crossfade fans will recognize the majority of this eponymous major-label debut, as it's been retooled from the band's self-released 2001 effort, when they were still known as Sugardaddy Superstar. Columbia's signing of the band makes sense, as Crossfade combines the most marketable elements of Nickelback and P.O.D. (check "No Giving Up"), throwing in the brooding aggression of Cold and Disturbed as bonus glue. Its occasional flirtation with synths and sampling is negligible, as discordant guitars dominate the album's mix. Speaking of cold, that's also the name of the 'Fade's first single. Ed Sloan has a powerful voice, and he sells the track's somewhat generic chorus ("What I really meant to say/Is that I'm sorry for the way I am") by really lighting into the melody. He goes on to apologize for his "screwed-up side" as dull power chords lurch in the background. "So Far Away" and "Disco" follow a similar formula, marrying thick, glowering riffs to rousing choruses; that Disturbed feel really drifts in on the latter, where you half expect an "Oh wah ah ah ah!" yawp after its payoff chorus chant. Crossfade actually runs into trouble with tracks like this or "Death Trend Setta," where they try too hard to soak their considerable rock power in played-out angry guy raps. The band is more successful with cuts like "Starless," the aforementioned "Cold," or even the atmospheric "Deep End," where Sloan hits huge vocal hooks over serviceably powerful riffs. "Dead Skin" is another relative highlight of Crossfade. Musically it's an awkward facsimile of Staind's embittered melodrama, but its tale of addiction and relationship destruction feels like the record's emotional core.

© Johnny Loftus /TiVo

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1
Starless
00:03:55

Crossfade, Associated Performer, Main Artist, Associated Performer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Randy Staub, Mixing Engineer - Brian Geiger, Drums, Percussion - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

2
Cold
00:03:14

Crossfade, Associated Performer, Main Artist, Associated Performer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Randy Staub, Mixing Engineer - Brian Geiger, Drums, Percussion - George Marino, Mastering Engineer - Mitch James, Bass Guitar

(P) 2003 Columbia Records, a division of Sony Music Entetainment

3
So Far Away
00:03:25

Crossfade, Associated Performer, Main Artist, Associated Performer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Randy Staub, Mixing Engineer - Brian Geiger, Drums, Percussion - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

4
Colors
00:03:18

Crossfade, Associated Performer, Engineer, Main Artist, Associated Performer, Engineer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Brian Geiger, Drums, Percussion - Randy Staub, Mixing Engineer - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

5
Death Trend Setta
00:03:34

Crossfade, Associated Performer, Engineer, Main Artist, Associated Performer, Engineer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Brian Geiger, Drums, Percussion - Randy Staub, Mixing Engineer - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

6
The Deep End
00:03:23

Crossfade, Associated Performer, Engineer, Main Artist, Associated Performer, Engineer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Brian Geiger, Drums, Percussion - Randy Staub, Mixing Engineer - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

7
No Giving Up
00:03:34

Crossfade, Associated Performer, Engineer, Main Artist, Associated Performer, Engineer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Brian Geiger, Drums, Percussion - Randy Staub, Mixing Engineer - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

8
Dead Skin
00:03:50

Crossfade, Associated Performer, Engineer, Main Artist, Associated Performer, Engineer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Brian Geiger, Drums, Percussion - Randy Staub, Mixing Engineer - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

9
Disco
00:02:57

Crossfade, Associated Performer, Engineer, Main Artist, Associated Performer, Engineer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Brian Geiger, Drums, Percussion - Randy Staub, Mixing Engineer - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

10
The Unknown
00:02:59

Crossfade, Associated Performer, Engineer, Main Artist, Associated Performer, Engineer - Ed Sloan, Composer, Engineer, Guitar, Lyricist, Producer - Tony Byroads - Brian Geiger, Drums, Percussion - Randy Staub, Mixing Engineer - Mitch James, Bass Guitar

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

Chronique

Hometown Crossfade fans will recognize the majority of this eponymous major-label debut, as it's been retooled from the band's self-released 2001 effort, when they were still known as Sugardaddy Superstar. Columbia's signing of the band makes sense, as Crossfade combines the most marketable elements of Nickelback and P.O.D. (check "No Giving Up"), throwing in the brooding aggression of Cold and Disturbed as bonus glue. Its occasional flirtation with synths and sampling is negligible, as discordant guitars dominate the album's mix. Speaking of cold, that's also the name of the 'Fade's first single. Ed Sloan has a powerful voice, and he sells the track's somewhat generic chorus ("What I really meant to say/Is that I'm sorry for the way I am") by really lighting into the melody. He goes on to apologize for his "screwed-up side" as dull power chords lurch in the background. "So Far Away" and "Disco" follow a similar formula, marrying thick, glowering riffs to rousing choruses; that Disturbed feel really drifts in on the latter, where you half expect an "Oh wah ah ah ah!" yawp after its payoff chorus chant. Crossfade actually runs into trouble with tracks like this or "Death Trend Setta," where they try too hard to soak their considerable rock power in played-out angry guy raps. The band is more successful with cuts like "Starless," the aforementioned "Cold," or even the atmospheric "Deep End," where Sloan hits huge vocal hooks over serviceably powerful riffs. "Dead Skin" is another relative highlight of Crossfade. Musically it's an awkward facsimile of Staind's embittered melodrama, but its tale of addiction and relationship destruction feels like the record's emotional core.

© Johnny Loftus /TiVo

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