Catégories :
Panier 0

Votre panier est vide

Crossfade|Crossfade

Crossfade

Crossfade

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Hometown Crossfade fans will recognize the majority of this eponymous major-label debut, as it's been retooled from the band's self-released 2001 effort, when they were still known as Sugardaddy Superstar. Columbia's signing of the band makes sense, as Crossfade combines the most marketable elements of Nickelback and P.O.D. (check "No Giving Up"), throwing in the brooding aggression of Cold and Disturbed as bonus glue. Its occasional flirtation with synths and sampling is negligible, as discordant guitars dominate the album's mix. Speaking of cold, that's also the name of the 'Fade's first single. Ed Sloan has a powerful voice, and he sells the track's somewhat generic chorus ("What I really meant to say/Is that I'm sorry for the way I am") by really lighting into the melody. He goes on to apologize for his "screwed-up side" as dull power chords lurch in the background. "So Far Away" and "Disco" follow a similar formula, marrying thick, glowering riffs to rousing choruses; that Disturbed feel really drifts in on the latter, where you half expect an "Oh wah ah ah ah!" yawp after its payoff chorus chant. Crossfade actually runs into trouble with tracks like this or "Death Trend Setta," where they try too hard to soak their considerable rock power in played-out angry guy raps. The band is more successful with cuts like "Starless," the aforementioned "Cold," or even the atmospheric "Deep End," where Sloan hits huge vocal hooks over serviceably powerful riffs. "Dead Skin" is another relative highlight of Crossfade. Musically it's an awkward facsimile of Staind's embittered melodrama, but its tale of addiction and relationship destruction feels like the record's emotional core.

© Johnny Loftus /TiVo

Plus d'informations

Crossfade

Crossfade

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de CHF 14,99/mois

1
Starless (Album Version)
00:03:55

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Engineer - Ed Sloan, Lyricist - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

2
Cold (Album Version)
00:03:14

Tony Byroads, Vocal - Tony Byroads, Background Vocal - George Marino, Mastering Engineer - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Engineer - Ed Sloan, Lyricist - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2003 Columbia Records, a division of Sony Music Entetainment

3
So Far Away (Album Version)
00:03:25

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Engineer - Ed Sloan, Lyricist - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

4
Colors (Album Version)
00:03:18

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Lyricist - Ed Sloan, Engineer - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

5
Death Trend Setta (Album Version)
00:03:34

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Lyricist - Ed Sloan, Engineer - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

6
The Deep End (Album Version)
00:03:23

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Lyricist - Ed Sloan, Engineer - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

7
No Giving Up (Album Version)
00:03:34

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Lyricist - Ed Sloan, Engineer - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

8
Dead Skin (Album Version)
00:03:50

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Lyricist - Ed Sloan, Engineer - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

9
Disco (Album Version)
00:02:57

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Lyricist - Ed Sloan, Engineer - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

10
The Unknown (Album Version)
00:02:59

Tony Byroads, Vocal - Tony Byroads, Background Vocal - Ed Sloan, Producer - Ed Sloan, Composer - Ed Sloan, Vocal - Ed Sloan, Lyricist - Ed Sloan, Engineer - Ed Sloan, Guitar - Mitch James, Background Vocal - Mitch James, Acoustic Bass - Randy Staub, Mixing Engineer - Crossfade, Engineer - Crossfade, Performer - Brian Geiger, Background Vocal - Brian Geiger, Percussion - Brian Geiger, Drums

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

Chronique

Hometown Crossfade fans will recognize the majority of this eponymous major-label debut, as it's been retooled from the band's self-released 2001 effort, when they were still known as Sugardaddy Superstar. Columbia's signing of the band makes sense, as Crossfade combines the most marketable elements of Nickelback and P.O.D. (check "No Giving Up"), throwing in the brooding aggression of Cold and Disturbed as bonus glue. Its occasional flirtation with synths and sampling is negligible, as discordant guitars dominate the album's mix. Speaking of cold, that's also the name of the 'Fade's first single. Ed Sloan has a powerful voice, and he sells the track's somewhat generic chorus ("What I really meant to say/Is that I'm sorry for the way I am") by really lighting into the melody. He goes on to apologize for his "screwed-up side" as dull power chords lurch in the background. "So Far Away" and "Disco" follow a similar formula, marrying thick, glowering riffs to rousing choruses; that Disturbed feel really drifts in on the latter, where you half expect an "Oh wah ah ah ah!" yawp after its payoff chorus chant. Crossfade actually runs into trouble with tracks like this or "Death Trend Setta," where they try too hard to soak their considerable rock power in played-out angry guy raps. The band is more successful with cuts like "Starless," the aforementioned "Cold," or even the atmospheric "Deep End," where Sloan hits huge vocal hooks over serviceably powerful riffs. "Dead Skin" is another relative highlight of Crossfade. Musically it's an awkward facsimile of Staind's embittered melodrama, but its tale of addiction and relationship destruction feels like the record's emotional core.

© Johnny Loftus /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Speak No Evil

Wayne Shorter

Speak No Evil Wayne Shorter
À découvrir également
Par Crossfade

We All Bleed

Crossfade

We All Bleed Crossfade

Innocent Days

Crossfade

Innocent Days Crossfade

Piano Carapuli

Crossfade

Piano Carapuli Crossfade

your name carved into my arm

Crossfade

Falling Away

Crossfade

Falling Away Crossfade

Playlists

Dans la même thématique...

Oh Mercy

Bob Dylan

Oh Mercy Bob Dylan

Mirror To The Sky

Yes

The Steven Wilson Remixes

Yes

Greatest Hits

Journey

Toto IV

Toto

Toto IV Toto