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Électronique - Paru le 1 juin 1999 | London Music Stream - Because Music

Armand Van Helden's most varied release to date, 2 Future 4 U includes a few predictable (though no less enjoyable) club tracks like "The Boogie Monster" and "Flowerz," plus the suitably enormous anthem "U Don't Know Me." The songs that make this mini-LP truly worthwhile, however, take Van Helden's club formulas into unfamiliar territory with amazing results. He attaches a darker-than-dark tech-step bassline to "Alienz," making a paranoid house stormer out of what could have been just a so-so anthem. "Rock Da Spot" detours into turntablist territory with a guest slot by Mr. Len of underground rappers Company Flow. The warm keys and downtempo vibe of "Summertime" make for yet another radically distinct moment on a release capable of pleasing anyone and everyone. © John Bush /TiVo
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Dance - Paru le 1 janvier 1998 | London Music Stream

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Dance - Paru le 25 novembre 2013 | Southern Fried Records

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Dance - Paru le 14 octobre 2013 | Southern Fried Records

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House - Paru le 17 mai 1996 | Henry Street Music

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Électronique - Paru le 6 juin 2000 | London Music Stream - Because Music

Killing Puritans is another guest-heavy, genre-bending full-length to file alongside Armand Van Helden's last full LP, 1998's 2 Future 4 U. Harking back to the glory days of late-'80s acid house, it's heavy on dark club jams that work around a simplistic sample with diva theatrics and rapper freestyles. As such, most of these tracks work much better on the dancefloor than the living room. On the breakout single, "Little Black Spiders," Van Helden spends eight minutes running through different filters on a metal riff (from the Scorpions' "Bad Boys Running Wild") while his guest vocalist Fiona Marr repeats the title. Van Helden increases listeners' attention spans during the rest of the album though, hitting peaks with the rolling disco charm of "Full Moon" (featuring an excellent performance by Common) and the electro-scratch nightmare "Koochy," which matches a near-pornographic cell-phone vocal with a scratch-heavy treatment of the main riff from "Cars" by Gary Numan. "Hybridz" has another prominent sample -- the bass and rhythm track from the acid house anthem "No Way Out" by Armando -- while Van Helden's alien alias, the Mongoloids, scats over the top. Though it lacks a massive club hit the likes of "U Don't Know Me," Killing Puritans remains an enjoyable look at several different flavors of the domestic dance scene. © John Bush /TiVo
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House - Paru le 20 septembre 1996 | Henry Street Music

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Dance - Paru le 2 août 2005 | [PIAS] Recordings Catalogue

You would've made 2004's New York: A Mix Odyssey too if you were a former world-class house DJ who no one had heard from in a while. It was obvious, shameless, and pandering (electroclash, new wave -- all the easy marks), but it was also the jam. 2005's Nympho is equally shameless, and it gives even more props to the kind of dirty sex where no one knows anyone else's name. The big Mix Odyssey hit single "Hear My Name" is reprised, and Van Helden taps Spalding Rockwell again for the less successful, weird femme-Ministry thump of "Jenny." Evidently Mary Louise Perlman and Nicole Lombardi weren't available for "Come Play with Me" -- it features vocals from Misshapes models Créme Blush, instead. But it doesn't really matter who's singing on Nympho, from Van Helden himself (as Virgin Killer) to Aussie/New Yorker Jessy Moss, because the album is unblinking in its meaning. This music is about new positions and plunking cowbells, and guitar chords ringing out over insistent house hi-hats. Persistent, too, in the case of the incessantly repetitive "When the Lights Go Down" and "Into Your Eyes." It really feels like Van Helden isn't trying very hard with Nympho -- any DJ with record-collection savvy and downtown connections might make the same record, and speaking of Ministry's heyday, some of Nympho could even be My Life with the Thrill Kill Kult. (See "Juicy Juicy.") But like he did with Mix Odyssey, Van Helden makes you forget the music's repetitive shamelessness in favor of getting sweaty in an underlit upstairs club somewhere, or even trying to emulate the activities the songs suggest. If that's the case, you're going to need a stretch limo, unisex lingerie, and a PA system that's all volume and treble. © Johnny Loftus /TiVo
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Dance - Paru le 11 septembre 2020 | Ministry of Sound Recordings

Dance - Paru le 1 avril 1994 | Henry Street - INgrooves

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Dance - Paru le 30 mars 2018 | All Around The World

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Électronique - Paru le 3 octobre 1997 | London Music Stream - Because Music

Just as Armand Van Helden began to be acknowledged as one of the forefathers of Britain's favorite new dance form of the moment, speed garage, he released Enter the Meatmarket, a tribute to his background in hip-hop and Latino house. In fact, it's an old-school rap album through and through, with a carload of classic "hands in the air" samples from the likes of Fat Boys and Dana Dane plus an appearance by Funkmaster Flex on the devastating "6 Minutes of Funk." But while Van Helden's production skills are solid throughout, Enter the Meatmarket suffers from its lack of true vocals. It's so close to a hip-hop album that the listener can't help but feel that something's missing without the raps. © John Bush /TiVo
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Électronique - Paru le 5 mars 2020 | Parametric

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Dance - Paru le 29 septembre 2017 | All Around The World

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House - Paru le 3 décembre 2014 | Eightball Records Digital

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Électronique - Paru le 2 octobre 2001 | London Music Stream - Because Music

"...KHAN's the sound of a global rhythm traveler searching for destined greatness..." © TiVo
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Dance - Paru le 28 février 2010 | Southern Fried Records

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House - Paru le 15 mai 2020 | Ultra Records

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House - Paru le 2 septembre 2007 | [PIAS] Recordings

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Dance - Paru le 6 mai 2007 | Southern Fried Records