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Langue disponible : anglais
Gregor Joseph Werner (1693-1766) was Kapellmeister at the Eszterházy court in Eisenstadt, and on his death he was succeeded by Joseph Haydn. A surviving manuscript score of his oratorio Der gute Hirt is preserved in the music collection of the National Library of Hungary in Budapest. Werner’s oratorio is a “sepolcro” oratorio originating from the Viennese court tradition. This particular musical-dramatic form of the Holy Week oratorio performed around the holy sepulcher of Catholic churches, became fashionable throughout the Habsburg empire during the last third of the 17th century.
This genre, a staged musical performance presenting the burial of Jesus Christ, was a part of church music practice in Central Europe as late as the 1730s. On 28 March 1739, the Good Friday service held in the Palace Chapel in Eisenstadt was centered around a musical drama setting of Gregor Werner’s own text based on the Parable of the Good Shepherd in the Gospel of Luke, thereby commemorating Jesus Christ’s death on the cross at Golgotha. The single lost sheep is the symbol of man who, having revolted and lost his secure place in Paradise, can be guided back to the path of salvation only through the sacrifice of the all-forgiving Good Shepherd/Jesus, the Father’s only son, who will never leave him. © Accent
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Der Gute Hirt, Act I (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act I Scene 1 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act I Scene 2 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act I Scene 3 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act I Scene 4 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act I Scene 5 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
DISQUE 2
Der Gute Hirt, Act II Scene 1 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Adriána Kalafszky, Artist
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act II Scene 2 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act II Scene 3 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act II Scene 4 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Zoltan Megyesi, Artist, MainArtist - Lóránt Najbauer, Artist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act II Scene 5 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Zoltan Megyesi, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Zoltan Megyesi, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Der Gute Hirt, Act II Scene 6 (Gregor Joseph Werner)
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Purcell Choir, Choir, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist
(C) 2020 Accent (P) 2020 Accent
Gregor Joseph Werner, Composer - Purcell Choir, Choir, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor
(C) 2020 Accent (P) 2020 Accent
Chronique
Gregor Joseph Werner (1693-1766) was Kapellmeister at the Eszterházy court in Eisenstadt, and on his death he was succeeded by Joseph Haydn. A surviving manuscript score of his oratorio Der gute Hirt is preserved in the music collection of the National Library of Hungary in Budapest. Werner’s oratorio is a “sepolcro” oratorio originating from the Viennese court tradition. This particular musical-dramatic form of the Holy Week oratorio performed around the holy sepulcher of Catholic churches, became fashionable throughout the Habsburg empire during the last third of the 17th century.
This genre, a staged musical performance presenting the burial of Jesus Christ, was a part of church music practice in Central Europe as late as the 1730s. On 28 March 1739, the Good Friday service held in the Palace Chapel in Eisenstadt was centered around a musical drama setting of Gregor Werner’s own text based on the Parable of the Good Shepherd in the Gospel of Luke, thereby commemorating Jesus Christ’s death on the cross at Golgotha. The single lost sheep is the symbol of man who, having revolted and lost his secure place in Paradise, can be guided back to the path of salvation only through the sacrifice of the all-forgiving Good Shepherd/Jesus, the Father’s only son, who will never leave him. © Accent
À propos
- 2 disque(s) - 22 piste(s)
- Durée totale : 01:24:33
- 1 Livret Numérique
- Artistes principaux : Orfeo Orchestra
- Compositeur : Gregor Joseph Werner
- Label : Accent
- Genre : Classique
(C) 2020 Accent (P) 2020 Accent
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