Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Bee Gees|To Whom It May Concern

To Whom It May Concern

Bee Gees

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

The next to last of the Bee Gee's "old-style" albums is one of their most fully realized works, with pleasing and memorable songs from beginning to end, and for a change this time, it's the single ("Run to Me"), rather than the surrounding tracks, that suffers from predictability. Another in a string of haunting ballads, it has a more plaintive, whining quality, and less of an ethereal feel than its predecessor, "How Can You Mend a Broken Heart" -- not that "Run to Me" isn't a lovely song, but it was possible to tire of hearing it on the radio faster than their prior singles. By contrast, the album's other tracks are all intensely melodic and varied enough in tempo and texture to make for very satisfying listening, "You Know It's for You" calling to mind Paul McCartney at his most accessible; the group plunges into relatively hard rock, with a heavy guitar sound, on "Bad Bad Dreams," and a country-ish sound on "Road to Alaska," before returning to a kind of post-psychedelic mode in "Sweet Song of Summer." The Bee Gees were pushing their credibility as a cohesive band more than ever, emphasizing Barry Gibb and Maurice Gibb's contributions to their instrumental sound and retaining guitarist Alan Kendall, who had debuted with them on the Trafalgar album and who would play with them for the next two decades. As it turned out, To Whom It May Concern was also the commercial swan song for the trio in this phase of their career, and the last of their albums to be released by Atlantic Records in the United States, something of an artistic peak before a period of massive change in their sound and future.

© Bruce Eder /TiVo

Plus d'informations

To Whom It May Concern

Bee Gees

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Run To Me
00:03:12

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

2
We Lost The Road
00:03:27

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

3
Never Been Alone
00:03:11

Robin Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

4
Paper Mache, Cabbages & Kings
00:04:59

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

5
I Can Bring Love
00:02:07

Barry Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

6
I Held A Party
00:02:35

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

7
Please Don't Turn Out The Lights
00:02:00

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

8
Sea Of Smiling Faces
00:03:08

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

9
Bad Bad Dreams
00:03:47

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

10
You Know It's For You
00:02:56

Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

11
Alive
00:04:03

Barry Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

12
Road To Alaska
00:02:39

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

13
Sweet Song Of Summer
00:05:05

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

Chronique

The next to last of the Bee Gee's "old-style" albums is one of their most fully realized works, with pleasing and memorable songs from beginning to end, and for a change this time, it's the single ("Run to Me"), rather than the surrounding tracks, that suffers from predictability. Another in a string of haunting ballads, it has a more plaintive, whining quality, and less of an ethereal feel than its predecessor, "How Can You Mend a Broken Heart" -- not that "Run to Me" isn't a lovely song, but it was possible to tire of hearing it on the radio faster than their prior singles. By contrast, the album's other tracks are all intensely melodic and varied enough in tempo and texture to make for very satisfying listening, "You Know It's for You" calling to mind Paul McCartney at his most accessible; the group plunges into relatively hard rock, with a heavy guitar sound, on "Bad Bad Dreams," and a country-ish sound on "Road to Alaska," before returning to a kind of post-psychedelic mode in "Sweet Song of Summer." The Bee Gees were pushing their credibility as a cohesive band more than ever, emphasizing Barry Gibb and Maurice Gibb's contributions to their instrumental sound and retaining guitarist Alan Kendall, who had debuted with them on the Trafalgar album and who would play with them for the next two decades. As it turned out, To Whom It May Concern was also the commercial swan song for the trio in this phase of their career, and the last of their albums to be released by Atlantic Records in the United States, something of an artistic peak before a period of massive change in their sound and future.

© Bruce Eder /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

It's Time

Michael Bublé

It's Time Michael Bublé

Sultans Of Swing - The Very Best Of Dire Straits

Dire Straits

Sailing To Philadelphia

Mark Knopfler

Sailing To Philadelphia Mark Knopfler

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Bee Gees

Greatest

Bee Gees

Greatest Bee Gees

Bee Gees VS ABBA

Bee Gees

Bee Gees VS ABBA Bee Gees

Spirits Having Flown

Bee Gees

The Ultimate Bee Gees

Bee Gees

Timeless - The All-Time Greatest Hits

Bee Gees

Playlists

Dans la même thématique...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Tubular Bells

Mike Oldfield

Tubular Bells Mike Oldfield

Tea For The Tillerman

Cat Stevens

Tea For The Tillerman Cat Stevens

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift