Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
From the mid-'50s through the early '60s, Rahsaan Roland Kirk's multi-instrument dexterity was treated as a bit of a novelty. After all, here was a blind guy with three or four horns wrapped around his neck—some of which were exotic, modified variations like the manzello, a B-flat soprano sax, or the stritch, an E-flat alto sax—who switched between them seamlessly (or sometimes, seeming to play them simultaneously). However, Kirk's playing and compositional approach was never frivolous or goofy; in fact, it became more and more dense, daring, and mature as time went on. His work with the likes of Charles Mingus, Roy Haynes, and even John Cage eventually brought around many of his critics, and by the late '60s, he had clearly carved out his own lane of dynamic, adventurous jazz that, by the time he signed to Atlantic Records in the early '70s, had exploded into an avant-soul superhighway. Kirk's ideas were voluminous and wide-ranging during this era, careening from deeply-felt experimental albums (Root Strata) to clear-eyed nostalgia (a swinging collaboration with '40s crooner Al Hibbler) to mind-blowing feats of physical jazz prowess (he played the entirety of one album all in one breath). The Case of the 3-Sided Dream is the both the culmination and the peak of those varying impulses: a concept album spread across three sides of a double album (side four was largely blank, apart from some recordings of Kirk on the telephone) designed not only to free him from his record contract but also to expand the possibilities of what a "jazz album" even was in the mid-'70s. This was, after all, the era in which "electric jazz" had abandoned its promise of revolution and instead settled for highly polished, soul-flecked fusion. The bold experiments of the free jazz scene had returned to the underground, and most of the titans of the '50s and '60s engaged in either misguided attempts to connect with commercial audiences or retro-minded purity contests. For Kirk to come out with an album featuring bonkers spoken-word interludes, rudimentary sampling, frenetic flute solos, musique concrète experiments, funk grooves, and multiple versions of various standards ... well, it very explicitly positioned him as one of the few major jazz musicians of the era trying to keep the genre moving forward without sacrificing its sense of adventure or political and personal empowerment. It's funky and fusion-y, sure, but it's also incredibly idiosyncratic and experimental. The concept is densely inscrutable, but also completely literal—it is about a dream and thus, plays out like a dream sequence, bouncing around from idea to idea, returning to some repeatedly while abandoning others immediately. This is most obvious in Kirk's approach to the standards; for instance, Scott Joplin's "The Entertainer"—a well-trod path if ever there was one—gets visited twice, once as a familiar, bluesy blowing session and then again as a psycho-latin-funk-freakout containing one of Kirk's best flute solos. He takes a similar approach to "Lover Man" (recast here as "Portrait of Those Beautiful Ladies"), but by placing these warped touchstones next to his own pieces—weirdo groove explorations like the two-part "Freaks for the Festival" and absolutely experimental material like the Moondog-esque "Echoes of Primitive Ohio & Chili Dogs"—Kirk is evoking both the traditions and forward motion of jazz while also putting the listener in a sort of disoriented dream state. It's a remarkable work indeed, and were he to not have suffered a debilitating stroke shortly after making it, one marvels at how much further he could have continued taking his ideas. © Jason Ferguson/Qobuz
Plus d'informationsVous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Composer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Patrick Milligan, Contributor - Joel Dorn, Producer - Mort Dixon, Writer - Ray Henderson, Writer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Chris Clarke, Contributor - FAYE Rosen, Contributor - Ginger Spangler, Contributor - Mark Pinkus, Contributor - Rahsaan Roland Kirk, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Patrick Milligan, Contributor - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Chris Clarke, Contributor - FAYE Rosen, Contributor - Ginger Spangler, Contributor - Mark Pinkus, Contributor - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Robert Higginbotham, Writer - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United State
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
William Salter, Bass - Ralph MacDonald, Percussion - William Eaton, Arranger - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Scott Joplin, Writer - Patrick Milligan, Contributor - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Chris Clarke, Contributor - FAYE Rosen, Contributor - Ginger Spangler, Contributor - Mark Pinkus, Contributor - Rahsaan Roland Kirk, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in the U.S.A by WEA Manufacturing Inc.
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in the U.S.A by WEA Manufacturing Inc.
William Salter, Bass - Ralph MacDonald, Percussion - William Eaton, Arranger - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Scott Joplin, Writer - Patrick Milligan, Contributor - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Chris Clarke, Contributor - FAYE Rosen, Contributor - Ginger Spangler, Contributor - Mark Pinkus, Contributor - Rahsaan Roland Kirk, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in the U.S.A by WEA Manufacturing Inc.
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in the U.S.A by WEA Manufacturing Inc.
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1993 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Patrick Milligan, Contributor - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Chris Clarke, Contributor - FAYE Rosen, Contributor - Ginger Spangler, Contributor - Mark Pinkus, Contributor - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1975 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Patrick Milligan, Contributor - Joel Dorn, Producer - Mort Dixon, Writer - Ray Henderson, Writer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Chris Clarke, Contributor - FAYE Rosen, Contributor - Ginger Spangler, Contributor - Mark Pinkus, Contributor - Rahsaan Roland Kirk, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1993 Atlantic Recording Corporation
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Composer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1993 Atlantic Recording Corporation
Joel Dorn, Producer - Rahsaan Roland Kirk, Writer, Voices, MainArtist - Bob Liftin, Engineer
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in the U.S.A by WEA Manufacturing Inc.
William Salter, Bass - Ralph MacDonald, Percussion - Pat Patrick, Saxophone - Cornell Dupree, Guitar - Richard Tee, Keyboards - Joel Dorn, Producer - Keith Loving, Guitar - Roland Kirk, Flute, Saxophone, Trumpet - Rahsaan Roland Kirk, Writer, MainArtist - Francisco Centeno, Bass - John Goldsmith, Drums - Lawrence Killian, Congas - Sonny Brown, Drums - Bob Liftin, Engineer - Metathias Pearson, Bass
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. ℗ 1969 Atlantic Recording Corporation
Chronique
From the mid-'50s through the early '60s, Rahsaan Roland Kirk's multi-instrument dexterity was treated as a bit of a novelty. After all, here was a blind guy with three or four horns wrapped around his neck—some of which were exotic, modified variations like the manzello, a B-flat soprano sax, or the stritch, an E-flat alto sax—who switched between them seamlessly (or sometimes, seeming to play them simultaneously). However, Kirk's playing and compositional approach was never frivolous or goofy; in fact, it became more and more dense, daring, and mature as time went on. His work with the likes of Charles Mingus, Roy Haynes, and even John Cage eventually brought around many of his critics, and by the late '60s, he had clearly carved out his own lane of dynamic, adventurous jazz that, by the time he signed to Atlantic Records in the early '70s, had exploded into an avant-soul superhighway. Kirk's ideas were voluminous and wide-ranging during this era, careening from deeply-felt experimental albums (Root Strata) to clear-eyed nostalgia (a swinging collaboration with '40s crooner Al Hibbler) to mind-blowing feats of physical jazz prowess (he played the entirety of one album all in one breath). The Case of the 3-Sided Dream is the both the culmination and the peak of those varying impulses: a concept album spread across three sides of a double album (side four was largely blank, apart from some recordings of Kirk on the telephone) designed not only to free him from his record contract but also to expand the possibilities of what a "jazz album" even was in the mid-'70s. This was, after all, the era in which "electric jazz" had abandoned its promise of revolution and instead settled for highly polished, soul-flecked fusion. The bold experiments of the free jazz scene had returned to the underground, and most of the titans of the '50s and '60s engaged in either misguided attempts to connect with commercial audiences or retro-minded purity contests. For Kirk to come out with an album featuring bonkers spoken-word interludes, rudimentary sampling, frenetic flute solos, musique concrète experiments, funk grooves, and multiple versions of various standards ... well, it very explicitly positioned him as one of the few major jazz musicians of the era trying to keep the genre moving forward without sacrificing its sense of adventure or political and personal empowerment. It's funky and fusion-y, sure, but it's also incredibly idiosyncratic and experimental. The concept is densely inscrutable, but also completely literal—it is about a dream and thus, plays out like a dream sequence, bouncing around from idea to idea, returning to some repeatedly while abandoning others immediately. This is most obvious in Kirk's approach to the standards; for instance, Scott Joplin's "The Entertainer"—a well-trod path if ever there was one—gets visited twice, once as a familiar, bluesy blowing session and then again as a psycho-latin-funk-freakout containing one of Kirk's best flute solos. He takes a similar approach to "Lover Man" (recast here as "Portrait of Those Beautiful Ladies"), but by placing these warped touchstones next to his own pieces—weirdo groove explorations like the two-part "Freaks for the Festival" and absolutely experimental material like the Moondog-esque "Echoes of Primitive Ohio & Chili Dogs"—Kirk is evoking both the traditions and forward motion of jazz while also putting the listener in a sort of disoriented dream state. It's a remarkable work indeed, and were he to not have suffered a debilitating stroke shortly after making it, one marvels at how much further he could have continued taking his ideas. © Jason Ferguson/Qobuz
À propos
- 1 disque(s) - 22 piste(s)
- Durée totale : 01:18:06
- Artistes principaux : Rahsaan Roland Kirk
- Compositeur : Rahsaan Roland Kirk
- Label : Rhino Atlantic
- Genre : Jazz
Marketed by Rhino Entertainment Company, a Warner Music Group Company., © 1975 Atlantic Recording Corporation. All Rights Reserved. Marketed by Rhino Entertainment Company, a Warner Music Group Company., ℗ 2021, 1975 Atlantic Recording Corporation. All Rights Reserved.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.