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Charlie Parker|Swedish Schnapps + The Great Quintet Sessions 1949-51 (Vol. 5)

Swedish Schnapps + The Great Quintet Sessions 1949-51 (Vol. 5)

Charlie Parker

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Musicians like to observe that for all his notoriety as the wellspring of bebop, Charlie "Bird" Parker's music was loaded with the blues. SWEDISH SCHNAPPS is as good a place as any to make that connection with Parker's music, including as it does two of his most enduring bop heads based on the blues, "Au Privave" and "Blues For Alice." While you wouldn't mistake either composition for a Muddy Waters tune, both relate Bird's off-kilter accents and serpentine melodicism at walking tempos that let you hear what's actually going by, instead of leaving you astonished but bemused. To really drive the point home, there's "K.C. Blues," which finds the altoist at his hollerin' best, and "Lover Man," certainly one of the bluesiest 32-bar standards around.
© TiVo

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Swedish Schnapps + The Great Quintet Sessions 1949-51 (Vol. 5)

Charlie Parker

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1
Si Si
Charlie Parker Quintet
00:02:38

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Charlie Parker Quintet, MainArtist - Kenny Clarke, Drums, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Roy Brown, Double Bass, AssociatedPerformer - Norman Granz, Producer - Red Rodney, Trumpet, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

2
Swedish Schnapps (Alternate Take 3)
Charlie Parker Quintet
00:03:14

RAY BROWN, Double Bass, AssociatedPerformer - Charlie Parker Quintet, MainArtist - Kenny Clarke, Drums, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Charlie Shavers, ComposerLyricist - Norman Granz, Producer - Red Rodney, Trumpet, AssociatedPerformer

℗ 1991 UMG Recordings, Inc.

3
Swedish Schnapps
Charlie Parker Quintet
00:03:10

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Charlie Parker Quintet, MainArtist - Kenny Clarke, Drums, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Roy Brown, Double Bass, AssociatedPerformer - Norman Granz, Producer - Red Rodney, Trumpet, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

4
Back Home Blues (Take 1 Alternate Take)
Charlie Parker Quintet
00:02:35

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Charlie Parker Quintet, MainArtist - Kenny Clarke, Drums, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Roy Brown, Double Bass, AssociatedPerformer - Norman Granz, Producer - Red Rodney, Trumpet, AssociatedPerformer

℗ 1991 UMG Recordings, Inc.

5
Back Home Blues (Take 2 / Alternaet Take)
Charlie Parker Quintet
00:02:46

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Charlie Parker Quintet, MainArtist - Kenny Clarke, Drums, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Roy Brown, Double Bass, AssociatedPerformer - Norman Granz, Producer - Red Rodney, Trumpet, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

6
Lover Man
Charlie Parker
00:03:21

Charlie Parker, Alto Saxophone, MainArtist, AssociatedPerformer - Kenny Clarke, Drums, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Roy Brown, Bass, AssociatedPerformer - James Sherman, ComposerLyricist - James Davis, ComposerLyricist - Roger J. "Ram" Ramirez, ComposerLyricist - Norman Granz, Producer - Red Rodney, Trumpet, AssociatedPerformer

℗ 1951 UMG Recordings, Inc.

7
Blues For Alice
Charlie Parker Quintet
00:02:46

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Charlie Parker Quintet, MainArtist - Kenny Clarke, Drums, AssociatedPerformer - John Lewis, Piano, AssociatedPerformer - Roy Brown, Double Bass, AssociatedPerformer - Norman Granz, Producer - Red Rodney, Trumpet, AssociatedPerformer

℗ 1991 UMG Recordings, Inc.

8
Au Privave (Take 2)
Charlie Parker and His Orchestra
00:02:38

Miles Davis, Trumpet, AssociatedPerformer - Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Charlie Parker and his Orchestra, MainArtist - Teddy Kotick, Double Bass, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Norman Granz, Producer

℗ 1991 UMG Recordings, Inc.

9
Au Privave
Charlie Parker and His Orchestra
00:02:42

Miles Davis, Trumpet, AssociatedPerformer - Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Charlie Parker and his Orchestra, MainArtist - Teddy Kotick, Double Bass, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Norman Granz, Producer

℗ 1991 UMG Recordings, Inc.

10
She Rote
Charlie Parker
00:03:08

Miles Davis, Trumpet, AssociatedPerformer - Charlie Parker, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Teddy Kotick, Bass, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Norman Granz, Producer

℗ 1951 UMG Recordings, Inc.

11
She Rote
Charlie Parker and His Orchestra
00:03:05

Miles Davis, Trumpet, AssociatedPerformer - Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Charlie Parker and his Orchestra, MainArtist - Teddy Kotick, Double Bass, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Norman Granz, Producer

℗ 1954 UMG Recordings, Inc.

12
K.C. Blues
Charlie Parker
00:03:24

Miles Davis, Trumpet, AssociatedPerformer - Charlie Parker, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Teddy Kotick, Bass, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Norman Granz, Producer

℗ 1951 UMG Recordings, Inc.

13
Star Eyes
Charlie Parker and His Orchestra
00:03:33

Miles Davis, Trumpet, AssociatedPerformer - Charlie Parker, Alto Saxophone, AssociatedPerformer - Gene DePaul, ComposerLyricist - Don Raye, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Charlie Parker and his Orchestra, MainArtist - Teddy Kotick, Double Bass, AssociatedPerformer - Walter Bishop, Jr., Piano, AssociatedPerformer - Norman Granz, Producer

℗ 1955 UMG Recordings, Inc.

14
Segment
Charlie Parker
00:03:19

Charlie Parker, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Kenny Dorham, Trumpet, AssociatedPerformer - Max Roach, Drums, AssociatedPerformer - Al Haig, Piano, AssociatedPerformer - Norman Granz, Producer - Tommy Porter, Bass, AssociatedPerformer

℗ 1949 UMG Recordings, Inc.

15
Diverse - Tune X (Alternate)
Charlie Parker and His Orchestra
00:03:15

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Kenny Dorham, Trumpet, AssociatedPerformer - Max Roach, Drums, AssociatedPerformer - Al Haig, Piano, AssociatedPerformer - Charlie Parker and his Orchestra, MainArtist - Norman Granz, Producer - Tommy Porter, Double Bass, AssociatedPerformer

℗ 1988 UMG Recordings, Inc.

16
Passport - Tune Y (Rare)
Charlie Parker and His Orchestra
00:02:54

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Kenny Dorham, Trumpet, AssociatedPerformer - Max Roach, Drums, AssociatedPerformer - Al Haig, Piano, AssociatedPerformer - Charlie Parker and his Orchestra, MainArtist - Norman Granz, Producer - Tommy Porter, Double Bass, AssociatedPerformer

℗ 1988 UMG Recordings, Inc.

17
Passport - Tune Z (Common)
Charlie Parker and His Orchestra
00:02:58

Charlie Parker, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Kenny Dorham, Trumpet, AssociatedPerformer - Max Roach, Drums, AssociatedPerformer - Al Haig, Piano, AssociatedPerformer - Charlie Parker and his Orchestra, MainArtist - Norman Granz, Producer - Tommy Porter, Double Bass, AssociatedPerformer

℗ 1988 UMG Recordings, Inc.

Chronique

Musicians like to observe that for all his notoriety as the wellspring of bebop, Charlie "Bird" Parker's music was loaded with the blues. SWEDISH SCHNAPPS is as good a place as any to make that connection with Parker's music, including as it does two of his most enduring bop heads based on the blues, "Au Privave" and "Blues For Alice." While you wouldn't mistake either composition for a Muddy Waters tune, both relate Bird's off-kilter accents and serpentine melodicism at walking tempos that let you hear what's actually going by, instead of leaving you astonished but bemused. To really drive the point home, there's "K.C. Blues," which finds the altoist at his hollerin' best, and "Lover Man," certainly one of the bluesiest 32-bar standards around.
© TiVo

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