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John Hammond|Southern Fried

Southern Fried

John Hammond

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Langue disponible : anglais

Southern Fried differed little from other early Hammond albums in its repertoire, consisting entirely of covers of blues and R&B songs. As usual, the Chicago sound came in for especially heavy tribute, with versions of songs by Howlin' Wolf, Muddy Waters, and Chuck Berry, as well as a pass at "Mystery Train," though more vocal-oriented R&B got a nod with Chuck Willis' "It's Too Late" and some of the other tunes. Where this might have a leg up on some other early Hammond efforts -- and a leg up on blues cover albums in general -- is in the stellar band, featuring Muscle Shoals stalwarts like Eddie Hinton and Roger Hawkins. Allman Brothers fans, too, will want to keep an eye out for it as it features Duane Allman playing fine lead guitar on four tracks; certainly his peeling slide guitar solo on "Shake for Me" rates among his best work as a session man. Original the album isn't it, yet though Hammond isn't a great vocalist or interpreter, these are indeed very solid and joyful blues-rock versions of classic '50s-style electric blues. Horns on four of the songs add some soulful variety and spice to set this a little further apart from the ordinary blues-rock album.

© Richie Unterberger /TiVo

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Southern Fried

John Hammond

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1
Shake for Me (LP Version)
00:02:43

Duane Allman, Guitar - Marlin Greene, Producer - Eddie Hinton, Guitar - Roger Hawkins, Drums - David Hood, Bass Guitar - BARRY BECKETT, Keyboards - WILLIE DIXON, Writer - John Hammond, Producer, Guitar, Vocals, Harmonica, MainArtist

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Cryin' for My Baby (LP Version)
00:02:41

Duane Allman, Guitar - Marlin Greene, Producer - Eddie Hinton, Guitar - Roger Hawkins, Drums - David Hood, Bass Guitar - BARRY BECKETT, Keyboards - John Hammond, Producer, Guitar, Vocals, Harmonica, MainArtist - Harrold Burrage, Writer

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
I'm Tore Down (LP Version)
00:02:55

Duane Allman, Guitar - Marlin Greene, Bass - Eddie Hinton, Guitar, Piano - Roger Hawkins, Drums - David Hood, Bass - BARRY BECKETT, Keyboards - John Hammond, Guitar, Vocals, Harmonica, MainArtist - Jimmie Johnson, Guitar

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Don't Go No Further (LP Version)
00:02:44

Duane Allman, Guitar - Marlin Greene, Bass - Eddie Hinton, Guitar, Piano - Roger Hawkins, Drums - David Hood, Bass - BARRY BECKETT, Keyboards - John Hammond, Guitar, Vocals, Harmonica, MainArtist - Jimmie Johnson, Guitar

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
I'm Leavin' You (LP Version)
00:03:21

Duane Allman, Guitar - Marlin Greene, Producer - Eddie Hinton, Guitar - Roger Hawkins, Drums - CHESTER BURNETT, Writer - David Hood, Bass Guitar - BARRY BECKETT, Keyboards - John Hammond, Producer, Guitar, Vocals, Harmonica, MainArtist

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
It's Too Late (LP Version)
00:03:07

Duane Allman, Guitar - Marlin Greene, Bass - Eddie Hinton, Guitar, Piano - Roger Hawkins, Drums - David Hood, Bass - BARRY BECKETT, Keyboards - John Hammond, Guitar, Vocals, Harmonica, MainArtist - Jimmie Johnson, Guitar

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
Nadine (LP Version)
00:03:44

Duane Allman, Guitar - Marlin Greene, Bass - Eddie Hinton, Guitar, Piano - Roger Hawkins, Drums - David Hood, Bass - BARRY BECKETT, Keyboards - John Hammond, Guitar, Vocals, Harmonica, MainArtist - Jimmie Johnson, Guitar

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Mystery Train (LP Version)
00:03:00

Duane Allman, Guitar - Marlin Greene, Bass - Eddie Hinton, Guitar, Piano - Roger Hawkins, Drums - David Hood, Bass - BARRY BECKETT, Keyboards - John Hammond, Guitar, Vocals, Harmonica, MainArtist - Jimmie Johnson, Guitar

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
My Time After Awhile (LP Version)
00:04:03

Duane Allman, Guitar - Marlin Greene, Bass - Eddie Hinton, Guitar, Piano - Roger Hawkins, Drums - David Hood, Bass - BARRY BECKETT, Keyboards - John Hammond, Guitar, Vocals, Harmonica, MainArtist - Jimmie Johnson, Guitar

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
I Can't Be Satisfied (LP Version)
00:03:16

Duane Allman, Guitar - Marlin Greene, Bass - Eddie Hinton, Guitar, Piano - Roger Hawkins, Drums - David Hood, Bass - BARRY BECKETT, Keyboards - John Hammond, Guitar, Vocals, Harmonica, MainArtist - Jimmie Johnson, Guitar

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
You'll Be Mine (LP Version)
00:02:42

Duane Allman, Guitar - Marlin Greene, Producer - Eddie Hinton, Guitar - Roger Hawkins, Drums - David Hood, Bass Guitar - BARRY BECKETT, Keyboards - WILLIE DIXON, Writer - John Hammond, Producer, Guitar, Vocals, Harmonica, MainArtist

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

12
Riding in the Moonlight (LP Version)
00:02:29

Duane Allman, Guitar - Marlin Greene, Producer - Eddie Hinton, Guitar - Roger Hawkins, Drums - David Hood, Bass Guitar - BARRY BECKETT, Keyboards - WILLIE DIXON, Writer - C. Burnett, Composer, Writer - John Hammond, Producer, Guitar, Vocals, Harmonica, MainArtist

© 2004 Atlantic Recording Corp. Manufactured and Marketed by Warner Strategic Marketing ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Chronique

Southern Fried differed little from other early Hammond albums in its repertoire, consisting entirely of covers of blues and R&B songs. As usual, the Chicago sound came in for especially heavy tribute, with versions of songs by Howlin' Wolf, Muddy Waters, and Chuck Berry, as well as a pass at "Mystery Train," though more vocal-oriented R&B got a nod with Chuck Willis' "It's Too Late" and some of the other tunes. Where this might have a leg up on some other early Hammond efforts -- and a leg up on blues cover albums in general -- is in the stellar band, featuring Muscle Shoals stalwarts like Eddie Hinton and Roger Hawkins. Allman Brothers fans, too, will want to keep an eye out for it as it features Duane Allman playing fine lead guitar on four tracks; certainly his peeling slide guitar solo on "Shake for Me" rates among his best work as a session man. Original the album isn't it, yet though Hammond isn't a great vocalist or interpreter, these are indeed very solid and joyful blues-rock versions of classic '50s-style electric blues. Horns on four of the songs add some soulful variety and spice to set this a little further apart from the ordinary blues-rock album.

© Richie Unterberger /TiVo

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