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Don Ellis|Shock Treatment

Shock Treatment

DON ELLIS

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Langue disponible : anglais

Don Ellis was such a talented trumpeter, composer, and organizer that everything he recorded as a leader has at least some unusual moments worth exploring. His big bands were characterized by big brassy arrangements, odd meters that somehow always swung, lots of trumpet solos by Ellis, and an often visceral excitement. Although not equal to his best records such as Electric Bath, this late recording of Ellis' band is filled with all these traits, and thus exudes lots of excitement and electricity. At this stage in his career, the trumpeter seemed to be searching for a breakthrough, perhaps on a popular level. This manifests itself with occasional Age of Aquarius vocals and spacy harmonies that appeal to a broad audience. Even the more commercial tracks delight with unconventional characteristics, despite their somewhat compromising nature. There is plenty of the "old" Ellis in full view, however, as the band rocks with its well-known and only half in jest "Beat Me Daddy, Seven to the Bar." Ellis was an emotionally powerful and technically proficient player, something that is sometimes overlooked; his feature on "I Remember Clifford" is a minor tour de force. The trumpeter wrote regularly for his band, but also attracted some outstanding composers, such as Hank Levy and Howlett Smith. While the soloists (other than Ellis, of course) were not always of the caliber of some of the competition, they were at a somewhat disadvantage in that they had to learn to play in strange time signatures -- not an easy task.

© Steven Loewy /TiVo

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Shock Treatment

Don Ellis

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1
A New Kind of Country
00:04:10

John Hammond, Producer - Hank Levy, Composer, Lyricist - DON ELLIS, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

2
Night City
00:02:56

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer - Bill MacFadden, Composer, Lyricist - Kelly MacFadden, Composer, Lyricist

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

3
Homecoming
00:03:02

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

4
Mercy Maybe Mercy
00:03:20

John Hammond, Producer - Hank Levy, Composer, Lyricist - DON ELLIS, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

5
Zim
00:03:59

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

6
Opus 5
00:09:19

Howlett Smith, Composer, Lyricist - John Hammond, Producer - DON ELLIS, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

7
Star Children
00:03:21

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

8
Beat Me, Daddy, Seven to the Bar
00:06:12

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

9
Milo's Theme
00:04:24

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

10
Seven Up
00:03:59

Howlett Smith, Composer, Lyricist - John Hammond, Producer - DON ELLIS, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

11
The Tihai
00:08:44

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment

12
Zim (Alternate Take)
00:04:00

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 2001 Sony Music Entertainment

13
I Remember Clifford
00:05:25

Benny Golson, Composer, Lyricist - John Hammond, Producer - DON ELLIS, MainArtist, AssociatedPerformer

(P) 2001 Sony Music Entertainment

14
Rasty
00:02:52

John Hammond, Producer - DON ELLIS, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 2001 Sony Music Entertainment

Chronique

Don Ellis was such a talented trumpeter, composer, and organizer that everything he recorded as a leader has at least some unusual moments worth exploring. His big bands were characterized by big brassy arrangements, odd meters that somehow always swung, lots of trumpet solos by Ellis, and an often visceral excitement. Although not equal to his best records such as Electric Bath, this late recording of Ellis' band is filled with all these traits, and thus exudes lots of excitement and electricity. At this stage in his career, the trumpeter seemed to be searching for a breakthrough, perhaps on a popular level. This manifests itself with occasional Age of Aquarius vocals and spacy harmonies that appeal to a broad audience. Even the more commercial tracks delight with unconventional characteristics, despite their somewhat compromising nature. There is plenty of the "old" Ellis in full view, however, as the band rocks with its well-known and only half in jest "Beat Me Daddy, Seven to the Bar." Ellis was an emotionally powerful and technically proficient player, something that is sometimes overlooked; his feature on "I Remember Clifford" is a minor tour de force. The trumpeter wrote regularly for his band, but also attracted some outstanding composers, such as Hank Levy and Howlett Smith. While the soloists (other than Ellis, of course) were not always of the caliber of some of the competition, they were at a somewhat disadvantage in that they had to learn to play in strange time signatures -- not an easy task.

© Steven Loewy /TiVo

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