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tenThing|She Composes Like A Man

She Composes Like A Man

tenThing & Tine Thing Helseth

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Langue disponible : anglais

The brass chamber recital is not as common an item on recordings as it was in the days of the Canadian Brass and Philip Jones, but this one is so absolutely appealing that it might revive the fortunes of the whole genre. Trumpeter Tine Thing Helseth and her tenThing Brass Ensemble, an all-female group, have the liveliness that makes for a good entry in this genre, and the arrangements by Jarle Storløkken are fluent in the language of brass. Yet the lion's share of the credit here must go to Helseth herself, who presumably chose the pieces for arrangement. As the album title suggests, all the music is by women (the title apparently comes from a remark made about British composer Ethel Smyth, but probably all the composers heard something like it at one time or another). Into this framework, Helseth fits a marvelously imaginative yet logical sequence of events. There is music that is surprising she even knew, such as the organ piece Adoration of Florence Beatrice Price, which is not much played in Europe, and a Salvation Army hymn by Joy Webb. The program goes back to Maria Theresia von Paradis and forward to Grazyna Bacewicz, with stops along the way at truly unusual items like the modernist folk song setting of Rissolty Rossolty by Ruth Crawford Seeger. There is a kind of ebullient creativity to these selections, which probably does more for the cause of programming more music by women than any number of soberer releases. This album made classical best-seller lists in the spring of 2024.

© James Manheim /TiVo

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She Composes Like A Man

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1
Oberek No. 1 (arr. for brass ensemble by Jarle Storløkken)
00:01:43

tenThing, Ensemble, MainArtist - Grazyna Bacewicz, Composer - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

2
Deux Morceaux (arr. for brass ensemble by Jarle Storløkken): I. Nocturne
00:02:55

Lili Boulanger, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

3
Deux Morceaux (arr. for brass ensemble by Jarle Storløkken): II. Cortège
00:01:26

Lili Boulanger, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

4
Adoration (arr. for brass ensemble by Jarle Storløkken)
00:02:54

tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Florence Beatrice Price, Composer - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

5
6 Lieder, Op. 1: No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken)
00:02:37

tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Fanny Mendelssohn, Composer - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

6
Rondeau, Op. 97 (arr. for brass ensemble by Jarle Storløkken)
00:03:13

Cecile Chaminade, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

7
Mazovian Dance (arr. for brass ensemble by Jarle Storløkken)
00:03:04

tenThing, Ensemble, MainArtist - Grazyna Bacewicz, Composer - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

8
In the Stillness (arr. for brass ensemble by Jarle Storløkken)
00:02:09

Copyright Control, MusicPublisher - tenThing, Ensemble, MainArtist - Sally Beamish, Composer - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

9
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): I. Serenade
00:02:47

tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer - Agathe Backer Grøndahl, Composer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

10
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): II. Au Bal
00:04:48

tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer - Agathe Backer Grøndahl, Composer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

11
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): III. Humoresque
00:03:48

tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer - Agathe Backer Grøndahl, Composer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

12
Sicilienne (arr. for brass ensemble by Roger Harvey)
00:02:30

Maria Theresia von Paradis, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

13
Rissolty Rossolty (arr. for brass ensemble by Jarle Storløkken)
00:02:57

Ruth Crawford Seeger, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

14
Share My Yoke (arr. for brass ensemble by Sebastian Haukås)
00:03:56

tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer - Joy Webb, Composer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

15
Voices Sing of Immortality (arr. for brass ensemble by Jarle Storløkken)
00:04:36

Ethel Smyth, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

16
Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken): No. 1, Abendfeier in Venedig
00:02:49

Clara Schumann, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

17
Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken): No. 2, Vorwärts
00:01:31

Clara Schumann, Composer - tenThing, Ensemble, MainArtist - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

18
La toute petite s'endort (arr. for brass ensemble by Jarle Storløkken)
00:01:55

tenThing, Ensemble, MainArtist - Mel Bonis, Composer - Tine Thing Helseth, MainArtist - Thomas Wolden, MasteringEngineer, RecordingEngineer - Vegard Landaas, StudioProducer, DigitalEditingEngineer

(C) 2024 LAWO Classics (P) 2024 LAWO Classics

Chronique

The brass chamber recital is not as common an item on recordings as it was in the days of the Canadian Brass and Philip Jones, but this one is so absolutely appealing that it might revive the fortunes of the whole genre. Trumpeter Tine Thing Helseth and her tenThing Brass Ensemble, an all-female group, have the liveliness that makes for a good entry in this genre, and the arrangements by Jarle Storløkken are fluent in the language of brass. Yet the lion's share of the credit here must go to Helseth herself, who presumably chose the pieces for arrangement. As the album title suggests, all the music is by women (the title apparently comes from a remark made about British composer Ethel Smyth, but probably all the composers heard something like it at one time or another). Into this framework, Helseth fits a marvelously imaginative yet logical sequence of events. There is music that is surprising she even knew, such as the organ piece Adoration of Florence Beatrice Price, which is not much played in Europe, and a Salvation Army hymn by Joy Webb. The program goes back to Maria Theresia von Paradis and forward to Grazyna Bacewicz, with stops along the way at truly unusual items like the modernist folk song setting of Rissolty Rossolty by Ruth Crawford Seeger. There is a kind of ebullient creativity to these selections, which probably does more for the cause of programming more music by women than any number of soberer releases. This album made classical best-seller lists in the spring of 2024.

© James Manheim /TiVo

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