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Ronnie McNeir|Ronnie McNeir

Ronnie McNeir

Ronnie McNeir

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Langue disponible : anglais

Studio wiz Ronnie McNeir's one and only album for RCA -- his follow-up, another self-titled set released on Motown subsidiary Prodigal, didn't come until 1975 -- was laid down when the singer was in his early twenties. McNeir's combination of keyboard flair and sweet and low-key tenor was already in effect, as was a fully developed knack for the conceptual. These 11 songs aren't just sharply conceived songs of heartache and gratitude; they flow into and out of one another as a full piece, sometimes connected by brief interludes -- romantic dialogue with Kim Weston, for instance. A surprising level of maturity is there as well, with "Daddy's Coming Home" standing out the most in that respect. Deeply regretful about having to be away in order to provide, he addresses a son who is also caught in the middle of a broken relationship: "Me and your mama, we just couldn't get along/Please don't hold it against me, 'cause I'll never do you wrong." By no means a commercial success, the album was perhaps too subtle and low-profile for its own good, lacking that one bold single with a snappy chorus to help it stick out, but it is sturdily constructed. It's a fine companion piece to the debut from another Detroit product, the first self-titled album from Leon Ware, also released in 1972. (Ware coincidentally co-wrote this album's "Trouble's a Loser.") [Dusty Groove issued the album on CD for the first time in 2009.]

© Andy Kellman /TiVo

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Ronnie McNeir

Ronnie McNeir

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1
Extra Extra
00:04:47

William Stevenson, Producer - Moore, Composer - Stevenson, Composer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

2
Daddy's Coming Home
00:02:58

William Stevenson, Producer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

3
The Tears In My Heart
00:03:21

William Stevenson, Producer - Moore, Composer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

4
Gone Away
00:03:39

William Stevenson, Producer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

5
Troubles' A Loser
00:03:00

William Stevenson, Producer - Ronnie McNeir, Arranger, MainArtist, AssociatedPerformer - Ware Stevenson, Composer

(P) 1972

6
Young Girl
00:03:49

William Stevenson, Producer - Moore, Composer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

7
You Better Make Sure
00:02:29

William Stevenson, Producer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

8
I'm So Thankful
00:02:49

William Stevenson, Producer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

9
In Summertime
00:02:47

William Stevenson, Producer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

10
Keep Your Hands Off My Lady
00:03:53

Ronnie McNeir, Composer, Lyricist, Producer, Arranger, MainArtist, AssociatedPerformer

(P) 1972 BMG Music

11
Girl You're Gonna Lose Your Groove
00:02:51

William Stevenson, Producer - Moore, Composer - Ronnie McNeir, Composer, Arranger, MainArtist, AssociatedPerformer

(P) 1972

Chronique

Studio wiz Ronnie McNeir's one and only album for RCA -- his follow-up, another self-titled set released on Motown subsidiary Prodigal, didn't come until 1975 -- was laid down when the singer was in his early twenties. McNeir's combination of keyboard flair and sweet and low-key tenor was already in effect, as was a fully developed knack for the conceptual. These 11 songs aren't just sharply conceived songs of heartache and gratitude; they flow into and out of one another as a full piece, sometimes connected by brief interludes -- romantic dialogue with Kim Weston, for instance. A surprising level of maturity is there as well, with "Daddy's Coming Home" standing out the most in that respect. Deeply regretful about having to be away in order to provide, he addresses a son who is also caught in the middle of a broken relationship: "Me and your mama, we just couldn't get along/Please don't hold it against me, 'cause I'll never do you wrong." By no means a commercial success, the album was perhaps too subtle and low-profile for its own good, lacking that one bold single with a snappy chorus to help it stick out, but it is sturdily constructed. It's a fine companion piece to the debut from another Detroit product, the first self-titled album from Leon Ware, also released in 1972. (Ware coincidentally co-wrote this album's "Trouble's a Loser.") [Dusty Groove issued the album on CD for the first time in 2009.]

© Andy Kellman /TiVo

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