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Fischer-z|Red Skies Over Paradise

Red Skies Over Paradise

Fischer-Z

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Langue disponible : anglais

With keyboardist Skolnick gone, FZ continued as a trio, recording this wonderfully dark album filled with political intrigue and emotional hang-ups (making personal feelings political and vice versa). Eschewing some of their earlier quirkiness, Watts and Co. were far more direct and serious. Whether he was portraying the crazed fan ("Marliese"), the guilty survivor of a suicide ("Wristcutter's Lullabye"), or providing social and political commentary ("Berlin," "Red Skies Over Paradise," "Cruise Missiles"), Watts' lyrics were biting, but the melodies didn't hit home quite as often as the previous album. The overwhelming response that this album received in Europe paved the way for Watts to leave home and go solo. Thus endeth Fischer-Z's original lineup.

© Steve Schnee /TiVo

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Red Skies Over Paradise

Fischer-z

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1
Berlin
00:04:37

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

2
Marliese
00:03:52

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

3
Red Skies over Paradise (A Brighton Dream)
00:04:37

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

4
In England
00:02:45

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

5
You'll Never Find Brian Here
00:02:12

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

6
Battalions of Strangers
00:05:08

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

7
Song and Dance Brigade
00:03:06

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

8
The Writer
00:03:24

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

9
Bathroom Scenario
00:03:51

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

10
Wristcutters Lullaby
00:02:50

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

11
Cruise Missiles
00:04:20

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

12
Luton to Lisbon / Multinationals Bite
00:01:57

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

13
Multi Nationals Bite
00:03:36

John Watts, Composer - Fischer-z, Performance, MainArtist

© 1981 Parlophone Records Ltd, a Warner Music Group Company ℗ 1981 Parlophone Records Ltd, a Warner Music Group Company

Chronique

With keyboardist Skolnick gone, FZ continued as a trio, recording this wonderfully dark album filled with political intrigue and emotional hang-ups (making personal feelings political and vice versa). Eschewing some of their earlier quirkiness, Watts and Co. were far more direct and serious. Whether he was portraying the crazed fan ("Marliese"), the guilty survivor of a suicide ("Wristcutter's Lullabye"), or providing social and political commentary ("Berlin," "Red Skies Over Paradise," "Cruise Missiles"), Watts' lyrics were biting, but the melodies didn't hit home quite as often as the previous album. The overwhelming response that this album received in Europe paved the way for Watts to leave home and go solo. Thus endeth Fischer-Z's original lineup.

© Steve Schnee /TiVo

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