Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
This recording took place in the Studio 2 of the Bayerischer Rundfunk in Munich, in February 2016. Dina Ugorskaja pursued the finishing process of the master with great impulse and unbelievable energy during a time when her health was abating. This project will stay simply as a singular milestone.
Prokofiev and Shostakovich were ambivalent toward one another. Prokofiev accused Shostakovich of "devouring everything" (the fact that the younger composer dared to incorporate the street genres of entertainment music into his classical compositions) and affirmed that Shostakovich had no gift for melody. Shostakovich, for his part, occasionally found Prokofiev's music too crude, too clearly illustrative. Yet, in spite of the largely unfair criticism they directed toward one another, each one never let his counterpart entirely out of his sight, or, to be more exact, of his ears. Ever since the 1920s their music was featured on joint recital programmes. The young Shostakovich acknowledged Prokofiev's influence on certain of his own works. Prokofiev, when abroad, encouraged "chemical exchange between Russia and Europe" and promoted Shostakovich's works in particular, even expressing the wish that his younger colleague be allowed to perform abroad, too. Natalia Prishepenko and the late Dina Ugorskaja present stunningly personal and virtuosic performances of two of their violin sonatas. © CAvi-Music
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Sergei Prokofiev, Composer - Dina Ugorskaja, Piano, MainArtist, AssociatedPerformer - Natalia Prishepenko, Violin, MainArtist, AssociatedPerformer
℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Sergei Prokofiev, Composer - Dina Ugorskaja, Piano, MainArtist, AssociatedPerformer - Natalia Prishepenko, Violin, MainArtist, AssociatedPerformer
℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Sergei Prokofiev, Composer - Dina Ugorskaja, Piano, MainArtist, AssociatedPerformer - Natalia Prishepenko, Violin, MainArtist, AssociatedPerformer
℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Sergei Prokofiev, Composer - Dina Ugorskaja, Piano, MainArtist, AssociatedPerformer - Natalia Prishepenko, Violin, MainArtist, AssociatedPerformer
℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Dmitri Shostakovich, Composer - Dina Ugorskaja, Piano, MainArtist, AssociatedPerformer - Natalia Prishepenko, Violin, MainArtist, AssociatedPerformer
℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Dmitri Shostakovich, Composer - Dina Ugorskaja, Piano, MainArtist, AssociatedPerformer - Natalia Prishepenko, Violin, MainArtist, AssociatedPerformer
℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Dmitri Shostakovich, Composer - Dina Ugorskaja, Piano, MainArtist, AssociatedPerformer - Natalia Prishepenko, Violin, MainArtist, AssociatedPerformer
℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Chronique
This recording took place in the Studio 2 of the Bayerischer Rundfunk in Munich, in February 2016. Dina Ugorskaja pursued the finishing process of the master with great impulse and unbelievable energy during a time when her health was abating. This project will stay simply as a singular milestone.
Prokofiev and Shostakovich were ambivalent toward one another. Prokofiev accused Shostakovich of "devouring everything" (the fact that the younger composer dared to incorporate the street genres of entertainment music into his classical compositions) and affirmed that Shostakovich had no gift for melody. Shostakovich, for his part, occasionally found Prokofiev's music too crude, too clearly illustrative. Yet, in spite of the largely unfair criticism they directed toward one another, each one never let his counterpart entirely out of his sight, or, to be more exact, of his ears. Ever since the 1920s their music was featured on joint recital programmes. The young Shostakovich acknowledged Prokofiev's influence on certain of his own works. Prokofiev, when abroad, encouraged "chemical exchange between Russia and Europe" and promoted Shostakovich's works in particular, even expressing the wish that his younger colleague be allowed to perform abroad, too. Natalia Prishepenko and the late Dina Ugorskaja present stunningly personal and virtuosic performances of two of their violin sonatas. © CAvi-Music
À propos
- 1 disque(s) - 7 piste(s)
- Durée totale : 00:59:23
- 1 Livret Numérique
- Artistes principaux : Natalia Prishepenko Dina Ugorskaja
- Compositeur : Various Composers
- Label : Deutsche Grammophon GmbH, Berlin
- Genre : Classique
© 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin ℗ 2020 Bayerischer Rundfunk / Deutsche Grammophon GmbH, Berlin
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.