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Patty Loveless|On Your Way Home

On Your Way Home

Patty Loveless

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Langue disponible : anglais

Who says country music is dead? Patty Loveless and her producer, husband Emory Gordy, Jr. obviously don't give a damn about what's popular in the morally reprehensible and artistically bankrupt world of Nash Vegas (anti)culture this week. On Your Way Home picks up where the rootsy heart of Loveless' awesome Mountain Soul left off -- with a solid, emotionally moving, honestly delivered set of honest-to-God country songs written by fine contemporary songwriters. These 11 songs lend a glimmering hope that the major labels in the heart of the beast of modern country haven't been totally swallowed by aesthetic greedy blindness. The album opens with "Draggin' My Heart Around," by Paul Kennerley and Marty Stuart, full of guitars -- both acoustic and electric, caressed by a lonesome fiddle and pedal steel, and a honky tonk two-step rhythm. The tale is classic, about a man doing his woman wrong and the woman in near despair, but the delivery is up-tempo and defiant. The old folksy mountain groan that opens "Nothin' but the Lonely," a seemingly transformed old fiddle tune, takes the listener back to a time out of space, a color out of time, a place where the song revealed someone's truth. Not their production values. And then there's that sheen of country boogie and rockabilly in the Al Anderson/Gary Nicholson/Jessie Alexander-penned "I Wanna Believe," driven as much by a pair of fiddles as an electric guitar and a subtle double-time beat. As for ballads, like the title track, leave it to Matraca Berg and whomever she happens to be writing with -- in this case the wonderful Ronnie Samoset -- to deliver the consummate broken yet determined break-up song every time. In Loveless' voice, this song is an issue of profound truth for the protagonist; she is the one waiting up for the lies and excuses. In fact, in each of these songs Loveless offers everyday life as episodic revelation and epiphany. Her voice is a full million miles deep, full of mystery, pathos, and a hard-won tenderness. Nowhere is this more evident than in Roger Brown's Celtic-flavored country waltz "Born Again Fool." Here Loveless is the storyteller, offering both empathy and plainspoken wisdom about a man who actually believes a woman can save him from himself. There is no "I told you so" doublespeak here, and both people in the tale contain elements of victimization and perpetration. The shuffling honky tonk of "Lookin' for a Heartache" -- written by Jim Lauderdale with Buddy and Julie Miller -- swings with pure Texas aplomb. Likewise, Rodney Crowell's "Lovin' All Night" is shuffling, scuffling rootsy rock & roll disguised as up-tempo honky tonk. The final song on the disc, "The Grandpa I Know," is caressed by a dobro and mandolins and falls like a prayer from Loveless' mouth. Turning away from the shell left by a recently departed loved one is disregarded in favor of vibrant, reverent memory. In a lesser singer's voice, this cut might seem corny or superficial; in that loose, untamable grain in Loveless' instrument, it is an epitaph that holds the story of an entire life. Ultimately, On Your Way Home is further proof that in her midforties, Loveless is a singer who has just reached the pinnacle of musical and artistic greatness she has worked so hard for and has become a vocalist entitled to a legacy in the rich lineage of historic country music. It's alive and well in her care.

© Thom Jurek /TiVo

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On Your Way Home

Patty Loveless

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1
Draggin' My Heart Around (Album Version)
00:03:26

Patty Loveless, Performer - Paul Kennerley, Composer - Paul Kennerley, Lyricist - Marty Stuart, Composer - Marty Stuart, Lyricist - Stuart Duncan, Fiddle - Harry Stinson, Background Vocal - Harry Stinson, Drums - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Biff Watson, Acoustic Baritone Guitar

(P) 2003 Sony Music Entertainment

2
Nothin' Like The Lonely (Album Version)
00:03:34

Caryl Mack Parker, Composer - Caryl Mack Parker, Lyricist - Craig Fuller, Composer - Craig Fuller, Lyricist - Patty Loveless, Performer - Emory Gordy, Jr., Bass - Scott Parker, Composer - Scott Parker, Lyricist - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Stuart Duncan, Fiddle - Biff Watson, Acoustic Baritone Guitar - Deanie Richardson, Mandolin - Emory Gordy Jr., Producer - Russ Pahl, Banjo - Harry Stinson, Background Vocal - Harry Stinson, Drums

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

3
I Wanna Believe (Album Version)
00:03:59

Patty Loveless, Performer - Mike Compton, Mandolin - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Jessi Alexander, Composer - Jessi Alexander, Lyricist - Stuart Duncan, Fiddle - Biff Watson, Acoustic Baritone Guitar - Emory Gordy Jr., Producer - Gary Nicholson, Composer - Gary Nicholson, Lyricist - Russ Pahl, Steel Guitar - Russ Pahl, 12 String Guitar - Harry Stinson, Background Vocal - Harry Stinson, Drums - Al Anderson, Composer - Al Anderson, Lyricist

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

4
On Your Way Home (Album Version)
00:03:55

Patty Loveless, Performer - Ronnie Samoset, Composer - Ronnie Samoset, Lyricist - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Electric Guitar - Stuart Duncan, Fiddle - Matraca Berg, Composer - Matraca Berg, Lyricist - Biff Watson, Acoustic Baritone Guitar - Russ Pahl, Steel Guitar - Harry Stinson, Drums

(P) 2003 Sony Music Entertainment

5
I Don't Wanna Be That Strong (Album Version)
00:03:36

Tim Mensy, Composer - Tim Mensy, Lyricist - Tony Haselden, Composer - Tony Haselden, Lyricist - Patty Loveless, Performer - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Stuart Duncan, Fiddle - Biff Watson, Acoustic Baritone Guitar - Russ Pahl, Steel Guitar - Harry Stinson, Background Vocal - Harry Stinson, Drums

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

6
Born-Again Fool (Album Version)
00:04:48

Tim Hensley, Mandolin - Patty Loveless, Performer - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Stuart Duncan, Fiddle - Biff Watson, Acoustic Baritone Guitar - Al Perkins, Steel Guitar - Harry Stinson, Background Vocal - Harry Stinson, Drums - ROGER BROWN, Composer - ROGER BROWN, Lyricist

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

7
Looking For A Heartache Like You (Album Version)
00:03:12

Patty Loveless, Performer - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Stuart Duncan, Fiddle - Buddy Miller, Composer - Buddy Miller, Lyricist - Julie Miller, Composer - Julie Miller, Lyricist - Jim Lauderdale, Composer - Jim Lauderdale, Lyricist - Biff Watson, Acoustic Baritone Guitar - Russ Pahl, Steel Guitar - Harry Stinson, Background Vocal - Harry Stinson, Drums

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

8
Higher Than The Wall (Album Version)
00:03:22

Chris Stapleton, Composer - Chris Stapleton, Lyricist - Patty Loveless, Performer - Stuart Duncan, Fiddle - Harry Stinson, Background Vocal - Harry Stinson, Drums - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Michael Henderson, Composer - Michael Henderson, Lyricist - Biff Watson, Acoustic Baritone Guitar

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

9
Lovin' All Night (Album Version)
00:03:37

Patty Loveless, Performer - Emory Gordy, Jr., Bass - Jedd Hughes, Electric Guitar - Rodney Crowell, Composer - Rodney Crowell, Lyricist - Stuart Duncan, Fiddle - Biff Watson, Acoustic Baritone Guitar - Emory Gordy Jr., Producer - Russ Pahl, Electric Guitar - Harry Stinson, Background Vocal - Harry Stinson, Drums

(P) 2003 Sony Music Entertainment

10
Last In A Long Lonesome Line (Album Version)
00:03:42

Bob DiPiero, Composer - Bob DiPiero, Lyricist - Patty Loveless, Performer - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Electric Guitar - Stuart Duncan, Fiddle - Biff Watson, Acoustic Baritone Guitar - Jeffrey Steele, Composer - Jeffrey Steele, Lyricist - Russ Pahl, Steel Guitar - Harry Stinson, Background Vocal - Harry Stinson, Drums - Al Anderson, Composer - Al Anderson, Lyricist

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

11
The Grandpa That I Know (Album Version)
00:05:19

Tim Mensy, Composer - Tim Mensy, Lyricist - Shawn Camp, Composer - Shawn Camp, Lyricist - Patty Loveless, Performer - Emory Gordy, Jr., Producer - Emory Gordy, Jr., Bass - Jedd Hughes, Background Vocal - Jedd Hughes, Acoustic Baritone Guitar - Stuart Duncan, Fiddle - Biff Watson, Acoustic Baritone Guitar - Deanie Richardson, Mandolin - Russ Pahl, Dobro - Harry Stinson, Background Vocal - Harry Stinson, Drums

(P) 2003 SONY BMG MUSIC ENTERTAINMENT

Chronique

Who says country music is dead? Patty Loveless and her producer, husband Emory Gordy, Jr. obviously don't give a damn about what's popular in the morally reprehensible and artistically bankrupt world of Nash Vegas (anti)culture this week. On Your Way Home picks up where the rootsy heart of Loveless' awesome Mountain Soul left off -- with a solid, emotionally moving, honestly delivered set of honest-to-God country songs written by fine contemporary songwriters. These 11 songs lend a glimmering hope that the major labels in the heart of the beast of modern country haven't been totally swallowed by aesthetic greedy blindness. The album opens with "Draggin' My Heart Around," by Paul Kennerley and Marty Stuart, full of guitars -- both acoustic and electric, caressed by a lonesome fiddle and pedal steel, and a honky tonk two-step rhythm. The tale is classic, about a man doing his woman wrong and the woman in near despair, but the delivery is up-tempo and defiant. The old folksy mountain groan that opens "Nothin' but the Lonely," a seemingly transformed old fiddle tune, takes the listener back to a time out of space, a color out of time, a place where the song revealed someone's truth. Not their production values. And then there's that sheen of country boogie and rockabilly in the Al Anderson/Gary Nicholson/Jessie Alexander-penned "I Wanna Believe," driven as much by a pair of fiddles as an electric guitar and a subtle double-time beat. As for ballads, like the title track, leave it to Matraca Berg and whomever she happens to be writing with -- in this case the wonderful Ronnie Samoset -- to deliver the consummate broken yet determined break-up song every time. In Loveless' voice, this song is an issue of profound truth for the protagonist; she is the one waiting up for the lies and excuses. In fact, in each of these songs Loveless offers everyday life as episodic revelation and epiphany. Her voice is a full million miles deep, full of mystery, pathos, and a hard-won tenderness. Nowhere is this more evident than in Roger Brown's Celtic-flavored country waltz "Born Again Fool." Here Loveless is the storyteller, offering both empathy and plainspoken wisdom about a man who actually believes a woman can save him from himself. There is no "I told you so" doublespeak here, and both people in the tale contain elements of victimization and perpetration. The shuffling honky tonk of "Lookin' for a Heartache" -- written by Jim Lauderdale with Buddy and Julie Miller -- swings with pure Texas aplomb. Likewise, Rodney Crowell's "Lovin' All Night" is shuffling, scuffling rootsy rock & roll disguised as up-tempo honky tonk. The final song on the disc, "The Grandpa I Know," is caressed by a dobro and mandolins and falls like a prayer from Loveless' mouth. Turning away from the shell left by a recently departed loved one is disregarded in favor of vibrant, reverent memory. In a lesser singer's voice, this cut might seem corny or superficial; in that loose, untamable grain in Loveless' instrument, it is an epitaph that holds the story of an entire life. Ultimately, On Your Way Home is further proof that in her midforties, Loveless is a singer who has just reached the pinnacle of musical and artistic greatness she has worked so hard for and has become a vocalist entitled to a legacy in the rich lineage of historic country music. It's alive and well in her care.

© Thom Jurek /TiVo

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