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Vicki Sue Robinson|Never Gonna Let You Go (Expanded Edition)

Never Gonna Let You Go (Expanded Edition)

Vicki Sue Robinson

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Langue disponible : anglais

When "Turn the Beat Around" became a major hit in 1976, many of the people who heard that disco-soul classic on the radio bought the single and skipped Vicki Sue Robinson's debut album, Never Gonna Let You Go. But those who did hear the rest of the LP found that most of the other tracks were decent, if unremarkable. Club DJs, unlike radio DJs, didn't play "Turn the Beat Around" exclusively -- some of them found "We Can Do Almost Anything" useful and the exuberant, sunny title track (which is arguably the second best song on the album) enjoyed a lot of club exposure. But much of the LP isn't aimed at the dance floor; "When You're Lovin' Me," "Lack of Respect," and "Wonderland of Love" are competent Northern soul items with a strong Philadelphia influence. At times Never Gonna Let You Go sounds like it might have been recorded at Philly's Sigma Sound Studios, but in fact, the album was recorded entirely in New York. Never Gonna Let You Go is uneven, but its plusses exceed its minuses -- and despite its flaws, it indicated that Robinson had a great deal of potential.

© Alex Henderson /TiVo

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Never Gonna Let You Go (Expanded Edition)

Vicki Sue Robinson

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1
Turn the Beat Around
00:05:33

Vicki Sue Robinson, Associated Performer, Main Artist - Gerald Jackson, Composer, Lyricist - Peter Jackson, Composer, Lyricist - Warren Schatz, Arranger, Producer

(P) 1976 RCA Records, a division of Sony Music Entertainment

2
Common Thief
00:05:38

Vicki Sue Robinson, Associated Performer, Main Artist - Bill House, Composer

(P) 1976 RCA Records, a division of Sony Music Entertainment

3
Never Gonna Let You Go
00:04:20

Vicki Sue Robinson, Associated Performer, Main Artist - Warren Schatz, Composer, Lyricist

(P) 1975 RCA Records, a division of Sony Music Entertainment

4
Wonderland of Love
00:03:46

Vicki Sue Robinson, Associated Performer, Main Artist - Lawrence Smith, Composer - Dorothy Pettit, Composer

(P) 1976 RCA Records, a division of Sony Music Entertainment

5
We Can Do Almost Anything
00:03:12

Vicki Sue Robinson, Associated Performer, Main Artist - Mark Barkan, Composer

(P) 1975 RCA Records, a division of Sony Music Entertainment

6
Lack of Respect
00:03:02

Vicki Sue Robinson, Associated Performer, Main Artist - Bill Seldman, Composer

(P) 1976 RCA Records, a division of Sony Music Entertainment

7
When You're Lovin' Me
00:04:18

Vicki Sue Robinson, Associated Performer, Composer, Main Artist - Warren Schatz, Composer

(P) 1976 RCA Records, a division of Sony Music Entertainment

8
Act of Mercy
00:04:22

Vicki Sue Robinson, Associated Performer, Main Artist - Rick Chambers, Composer - A. Kenneth Bernstein, Composer

(P) 1976 RCA Records, a division of Sony Music Entertainment

9
Turn the Beat Around (7" Single Edit)
00:03:25

Vicki Sue Robinson, Associated Performer, Main Artist - Pete Jackson, Composer, Lyricist - Gerald Jackson, Composer, Lyricist - Warren Schatz, Arranger, Producer

(P) 1976 RCA Records, a division of Sony Music Entertainment

10
Turn the Beat Around (Radio Edit)
00:04:07

Vicki Sue Robinson, Associated Performer, Main Artist - Gerald Jackson, Composer, Lyricist - Peter Jackson, Composer, Lyricist - Warren Schatz, Arranger, Producer

(P) 1976 RCA Records, a division of Sony Music Entertainment

Chronique

When "Turn the Beat Around" became a major hit in 1976, many of the people who heard that disco-soul classic on the radio bought the single and skipped Vicki Sue Robinson's debut album, Never Gonna Let You Go. But those who did hear the rest of the LP found that most of the other tracks were decent, if unremarkable. Club DJs, unlike radio DJs, didn't play "Turn the Beat Around" exclusively -- some of them found "We Can Do Almost Anything" useful and the exuberant, sunny title track (which is arguably the second best song on the album) enjoyed a lot of club exposure. But much of the LP isn't aimed at the dance floor; "When You're Lovin' Me," "Lack of Respect," and "Wonderland of Love" are competent Northern soul items with a strong Philadelphia influence. At times Never Gonna Let You Go sounds like it might have been recorded at Philly's Sigma Sound Studios, but in fact, the album was recorded entirely in New York. Never Gonna Let You Go is uneven, but its plusses exceed its minuses -- and despite its flaws, it indicated that Robinson had a great deal of potential.

© Alex Henderson /TiVo

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