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Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli|Neapolitan Cantatas: Hasse, Mancini, Porpora, Porsile

Neapolitan Cantatas: Hasse, Mancini, Porpora, Porsile

Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli

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Langue disponible : anglais

Naples was the eighth-largest city in the world in 1750, and it was a wealthy place of considerable cultural importance. Its noblemen and merchants had the money to hire composers from far away, like Johann Adolf Hasse (whom the Neapolitans called "Il caro Sassone," the dear Saxon), featured in the first slot on this release from the budget Dutch label Brilliant. The size of the repertory is shown by the fact that the performers here could put together not only an all-Neapolitan vocal program, but a specialized subset: all the pieces here feature a solo flute and are, in effect, duets for singer and flute. The variety of ways in which this is handled is attractive, as is the agile work of flutist Giuseppina Ledda, playing a copy of a 1750 flute from Turin. (All the instruments are modeled on historical examples.) Italian Baroque enthusiasts will also welcome the repertory in general, ranging from the only moderately known (Hasse, and Haydn's teacher Nicola Porpora) to the completely unknown (Giuseppe Porsile, represented by arias that serve as interludes between the little cantatas, Francesco Mancini, and even an anonymous work). The weakness is the countertenor voice of Antonello Dorigo, which has a raw, strained quality not at the top, as you might expect, but in its midrange. The countertenor voice is very much a matter of taste, and your mileage may vary. But sample one of the finales by Hasse or Porpora to make sure you know what you're getting into.

© TiVo

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Neapolitan Cantatas: Hasse, Mancini, Porpora, Porsile

Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli

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1
Passa da pena in pena: I. Aria. "Passa da pena in pena"
Antonello Dorigo & Giuseppina Ledda
00:04:16

Anonymous, Lyricist - Johann Adolf Hasse, Composer - Antonello Dorigo, Countertenor - Brilliant Classics, MusicPublisher - Antonello Dorigo & Giuseppina Ledda, MainArtist - Giuseppina Ledda, Flute

2019 Brilliant Classics 2019 Brilliant Classics

2
Passa da pena in pena: II. Recitativo. "Dunque che far dovrai"
Antonello Dorigo & Giuseppina Ledda
00:00:48

Anonymous, Lyricist - Johann Adolf Hasse, Composer - Antonello Dorigo, Countertenor - Brilliant Classics, MusicPublisher - Antonello Dorigo & Giuseppina Ledda, MainArtist - Giuseppina Ledda, Flute

2019 Brilliant Classics 2019 Brilliant Classics

3
Passa da pena in pena: III. Aria. "Sospiri del mio seno"
Antonello Dorigo & Giuseppina Ledda
00:05:22

Anonymous, Lyricist - Johann Adolf Hasse, Composer - Antonello Dorigo, Countertenor - Brilliant Classics, MusicPublisher - Antonello Dorigo & Giuseppina Ledda, MainArtist - Giuseppina Ledda, Flute

2019 Brilliant Classics 2019 Brilliant Classics

4
Il ritorno di ulisse alla patria dramma per musica: I. Aria with Flute. "La costanza con amore"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:04:08

Giuseppe Porsile, Composer - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Giovanni Andrea Moniglia, Lyricist - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

5
Freme il mar e col sussurro: I. Aria. "Freme il mar e col sussurro"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:04:35

Anonymous, Lyricist - Nicola Antonio Porpora, Composer - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

6
Freme il mar e col sussurro: II. Recitativo. "Fileno abbandonato"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:01:00

Anonymous, Lyricist - Nicola Antonio Porpora, Composer - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

7
Freme il mar e col sussurro: III. Aria. "La pastorella lascia la villa"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:05:18

Anonymous, Lyricist - Nicola Antonio Porpora, Composer - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

8
Il ritorno di ulisse alla patria: II. Aria with Flute. "È prigioniero questo mio core"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:03:35

Giuseppe Porsile, Composer - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Giovanni Andrea Moniglia, Lyricist - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

9
Non lasciarmi o bella speme: I. Aria. "Non lasciarmi o bella speme"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:05:21

Anonymous, Composer, Lyricist - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

10
Non lasciarmi o bella speme: II. Recitativo. "Togli dalla mia mente"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:01:07

Anonymous, Composer, Lyricist - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

11
Non lasciarmi o bella speme: III. Aria. "Non m'è si grave la lontananza"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:04:08

Anonymous, Composer, Lyricist - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

12
Il ritorno di Ulisse alla patria: III. Aria with Flute. "Ho visto al pianto mio"
Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli
00:04:42

Giuseppe Porsile, Composer - Fabio Catania, Bass Viol - Antonello Dorigo, Countertenor - Giovanni Andrea Moniglia, Lyricist - Pierluigi Morelli, Harpsichord - Brilliant Classics, MusicPublisher - Giuseppina Ledda, Flute - Antonello Dorigo, Giuseppina Ledda, Fabio Catania & Pierluigi Morelli, MainArtist

2019 Brilliant Classics 2019 Brilliant Classics

13
Filli mia, tu infedele: I. I. Recitativo. "Filli mia"
Antonello Dorigo & Giuseppina Ledda
00:00:34

Anonymous, Lyricist - Francesco Mancini, Composer - Antonello Dorigo, Countertenor - Brilliant Classics, MusicPublisher - Antonello Dorigo & Giuseppina Ledda, MainArtist - Giuseppina Ledda, Flute

2019 Brilliant Classics 2019 Brilliant Classics

14
Filli mia, tu infedele: II. Aria. "Io sono in braccio al duolo"
Antonello Dorigo & Giuseppina Ledda
00:03:03

Anonymous, Lyricist - Francesco Mancini, Composer - Antonello Dorigo, Countertenor - Brilliant Classics, MusicPublisher - Antonello Dorigo & Giuseppina Ledda, MainArtist - Giuseppina Ledda, Flute

2019 Brilliant Classics 2019 Brilliant Classics

15
Filli mia, tu infedele: III. Recitativo. "Ma no, la pace tua"
Antonello Dorigo & Giuseppina Ledda
00:00:28

Anonymous, Lyricist - Francesco Mancini, Composer - Antonello Dorigo, Countertenor - Brilliant Classics, MusicPublisher - Antonello Dorigo & Giuseppina Ledda, MainArtist - Giuseppina Ledda, Flute

2019 Brilliant Classics 2019 Brilliant Classics

16
Filli mia, tu infedele: IV. Aria. "No, non lo far cupido"
Antonello Dorigo & Giuseppina Ledda
00:04:04

Anonymous, Lyricist - Francesco Mancini, Composer - Antonello Dorigo, Countertenor - Brilliant Classics, MusicPublisher - Antonello Dorigo & Giuseppina Ledda, MainArtist - Giuseppina Ledda, Flute

2019 Brilliant Classics 2019 Brilliant Classics

Chronique

Naples was the eighth-largest city in the world in 1750, and it was a wealthy place of considerable cultural importance. Its noblemen and merchants had the money to hire composers from far away, like Johann Adolf Hasse (whom the Neapolitans called "Il caro Sassone," the dear Saxon), featured in the first slot on this release from the budget Dutch label Brilliant. The size of the repertory is shown by the fact that the performers here could put together not only an all-Neapolitan vocal program, but a specialized subset: all the pieces here feature a solo flute and are, in effect, duets for singer and flute. The variety of ways in which this is handled is attractive, as is the agile work of flutist Giuseppina Ledda, playing a copy of a 1750 flute from Turin. (All the instruments are modeled on historical examples.) Italian Baroque enthusiasts will also welcome the repertory in general, ranging from the only moderately known (Hasse, and Haydn's teacher Nicola Porpora) to the completely unknown (Giuseppe Porsile, represented by arias that serve as interludes between the little cantatas, Francesco Mancini, and even an anonymous work). The weakness is the countertenor voice of Antonello Dorigo, which has a raw, strained quality not at the top, as you might expect, but in its midrange. The countertenor voice is very much a matter of taste, and your mileage may vary. But sample one of the finales by Hasse or Porpora to make sure you know what you're getting into.

© TiVo

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