Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Among the ten Mahler symphonies via eight conductors that the Berlin Philharmonic has released this year on its own label – captured at various points over the past decade – their 2017 account of No. 9 with Bernard Haitink is undoubtedly one of its highlights. No wonder, perhaps, when Haitink has been known for his Mahler ever since he contributed to his home country's Mahler renaissance from the early 1960s, as Chief Conductor of the Amsterdam Concertgebouw.
Back to the Berliners, with whom his relationship is equally a longstanding and close one, and you know you're in for a treat right from the off: lucid textures filling the Philharmonie's warmly analytical space; endless long lines; the sheen and polish of the strings, first appearing meltingly soft before graduating to a searing luminosity, matched by equally searing, burnished brass; climaxes for which “searing” is again the word, turning on a pin from radiant to shattering, and delivered with a devastating intensity and forwards propulsion; the simple dignity of the first violin's solo at the recapitulation, all the more affecting for its emotional restraint.
From the central two movements there's then a constantly shifting blend of elegance and rustic edge, intimate in pointe chamber playing and hard-voiced tutti power, and multi-shaded humour and hysteria. The woodwind's town band impressions are on the sophisticated end of the scale, but that's no bad thing, and the glossy acidic bite and semi-hysteria the strings bring to their second movement downwards slides is delicious. Perhaps the third movement's final explosion could be more satisfyingly cataclysmic if it were a shade darker and heavier, but the final movement's gradual relinquishing of life is all you could hope for in its soft-voiced intensity – you're hanging off not just their every note, but also the weighted silence of the Philharmonie itself. Indeed, when it's possible to feel taken on such a spellbinding journey from the humdrum surroundings of one's own home, sitting in the hall with them must have been unforgettable. © Charlotte Gardner/Qobuz
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Gustav Mahler, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Bernard Haitink, Conductor, MainArtist
2020 Berlin Phil Media GmbH 2020 Berlin Phil Media GmbH
Gustav Mahler, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Bernard Haitink, Conductor, MainArtist - Universal Edition, MusicPublisher
2020 Berlin Phil Media GmbH 2020 Berlin Phil Media GmbH
Gustav Mahler, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Bernard Haitink, Conductor, MainArtist - PUBLIC DOMAIN, MusicPublisher
2020 Berlin Phil Media GmbH 2020 Berlin Phil Media GmbH
Gustav Mahler, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Bernard Haitink, Conductor, MainArtist - PUBLIC DOMAIN, MusicPublisher
2020 Berlin Phil Media GmbH 2020 Berlin Phil Media GmbH
Chronique
Among the ten Mahler symphonies via eight conductors that the Berlin Philharmonic has released this year on its own label – captured at various points over the past decade – their 2017 account of No. 9 with Bernard Haitink is undoubtedly one of its highlights. No wonder, perhaps, when Haitink has been known for his Mahler ever since he contributed to his home country's Mahler renaissance from the early 1960s, as Chief Conductor of the Amsterdam Concertgebouw.
Back to the Berliners, with whom his relationship is equally a longstanding and close one, and you know you're in for a treat right from the off: lucid textures filling the Philharmonie's warmly analytical space; endless long lines; the sheen and polish of the strings, first appearing meltingly soft before graduating to a searing luminosity, matched by equally searing, burnished brass; climaxes for which “searing” is again the word, turning on a pin from radiant to shattering, and delivered with a devastating intensity and forwards propulsion; the simple dignity of the first violin's solo at the recapitulation, all the more affecting for its emotional restraint.
From the central two movements there's then a constantly shifting blend of elegance and rustic edge, intimate in pointe chamber playing and hard-voiced tutti power, and multi-shaded humour and hysteria. The woodwind's town band impressions are on the sophisticated end of the scale, but that's no bad thing, and the glossy acidic bite and semi-hysteria the strings bring to their second movement downwards slides is delicious. Perhaps the third movement's final explosion could be more satisfyingly cataclysmic if it were a shade darker and heavier, but the final movement's gradual relinquishing of life is all you could hope for in its soft-voiced intensity – you're hanging off not just their every note, but also the weighted silence of the Philharmonie itself. Indeed, when it's possible to feel taken on such a spellbinding journey from the humdrum surroundings of one's own home, sitting in the hall with them must have been unforgettable. © Charlotte Gardner/Qobuz
À propos
- 1 disque(s) - 4 piste(s)
- Durée totale : 01:29:37
- 1 Livret Numérique
- Artistes principaux : Berliner Philharmoniker Bernard Haitink
- Compositeur : Gustav Mahler
- Label : Berlin Philharmonic Orchestra
- Genre : Classique
2020 Berlin Phil Media GmbH 2020 Berlin Phil Media GmbH
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.