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Kenny Davern|Live at Vineyard: Kenny Davern and Dick Wellstood - Never in a Million Years...

Live at Vineyard: Kenny Davern and Dick Wellstood - Never in a Million Years...

Kenny Davern & Dick Wellstood

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When risk-takers like Chick Corea and Pat Metheny fearlessly hurl themselves into a variety of musical situations, one cannot help but admire their sense of adventure. But at the same time, there is a lot to be said for playing with someone you have long enjoyed a strong rapport with -- and Kenny Davern certainly enjoyed a strong rapport with the late pianist Dick Wellstood. Recorded live at New York's Vineyard Theater in January 1984 -- only three years before Wellstood's death -- Never in a Million Years finds the improvisers joining forces for a concert of mostly clarinet/piano duets. This time, Davern sticks to the clarinet and doesn't play any soprano sax at all. Not many surprises occur, but the performances are predictably excellent -- and Davern and Wellstood are very much in sync on the usual swing repertoire (which includes "On the Sunny Side of the Street," Benny Goodman's "If Dreams Come True," and Earl Hines' "Rosetta"). Although this concert was recorded in the '80s, the performances recall the swing era of the '30s and early '40s -- Davern and Wellstood were never innovative, but they were always great at what they did. On a few occasions, one of the improvisers will lay out and give the other a chance to play by himself. That would be risky for lesser musicians, but for players of Davern and Wellstood's caliber, being occasionally unaccompanied is a good thing. Davern is triumphant when he delivers an unaccompanied clarinet solo on Duke Ellington's "Mood Indigo," and Wellstood is equally successful when he plays by himself on a six-minute Ellington medley that unites "The Mooche" with "Birmingham Breakdown." But most of the time, Davern and Wellstood play together on this fine Dutch release.

© Alex Henderson /TiVo

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Live at Vineyard: Kenny Davern and Dick Wellstood - Never in a Million Years...

Kenny Davern

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1
Oh, Lady Be Good (Live)
Kenny Davern
00:04:59

George Gershwin, Composer - Ira Gershwin, Composer - Copyright Control, MusicPublisher - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

2
Travelin' All Alone (Live)
Kenny Davern
00:06:27

James Johnson, Composer - Copyright Control, MusicPublisher - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

3
Don't Get Around Much Any More (Live)
Kenny Davern
00:07:03

Duke Ellington, Composer - Copyright Control, MusicPublisher - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

4
Wellstood Remarks (Live)
Dick Wellstood
00:01:15

Copyright Control, MusicPublisher - Dick Wellstood, Composer, Lyricist, Piano, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

5
If Dreams Come True (Live)
Kenny Davern
00:04:53

Irving Mills, Composer - Benny Goodman, Composer - Edgar Sampson, Composer - Copyright Control, MusicPublisher - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

6
Please Don't Talk About Me When I'm Gone (Live)
Kenny Davern
00:07:17

Copyright Control, MusicPublisher - Sidney Clare, Composer - SAM STEPT, Composer - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

7
Davern Remarks (Live)
Kenny Davern
00:01:07

Copyright Control, MusicPublisher - Kenny Davern, Composer, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

8
Mood Indigo (Live)
Kenny Davern
00:03:47

Duke Ellington, Composer - Copyright Control, MusicPublisher - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

9
On the Sunny Side of the Street (Live)
Kenny Davern
00:06:26

Copyright Control, MusicPublisher - Jimmy McHugh, Composer - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

10
Wellstood Remarks (Part 2 [Live])
Dick Wellstood
00:01:11

Copyright Control, MusicPublisher - Dick Wellstood, Composer, Lyricist, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

11
The Mooche / Birmingham Breakdown (Live)
Kenny Davern
00:06:45

Duke Ellington, Composer - Copyright Control, MusicPublisher - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

12
Summertime (Live)
Kenny Davern
00:06:44

George Gershwin, Composer - Copyright Control, MusicPublisher - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

13
Rosetta (Live)
Kenny Davern
00:05:22

Earl Hines, Composer - Copyright Control, MusicPublisher - Dick Wellstood, Piano, Artist, MainArtist - Kenny Davern, Clarinet, Artist, MainArtist

2021 Baseline Jazz 2021 Baseline Jazz

Chronique

When risk-takers like Chick Corea and Pat Metheny fearlessly hurl themselves into a variety of musical situations, one cannot help but admire their sense of adventure. But at the same time, there is a lot to be said for playing with someone you have long enjoyed a strong rapport with -- and Kenny Davern certainly enjoyed a strong rapport with the late pianist Dick Wellstood. Recorded live at New York's Vineyard Theater in January 1984 -- only three years before Wellstood's death -- Never in a Million Years finds the improvisers joining forces for a concert of mostly clarinet/piano duets. This time, Davern sticks to the clarinet and doesn't play any soprano sax at all. Not many surprises occur, but the performances are predictably excellent -- and Davern and Wellstood are very much in sync on the usual swing repertoire (which includes "On the Sunny Side of the Street," Benny Goodman's "If Dreams Come True," and Earl Hines' "Rosetta"). Although this concert was recorded in the '80s, the performances recall the swing era of the '30s and early '40s -- Davern and Wellstood were never innovative, but they were always great at what they did. On a few occasions, one of the improvisers will lay out and give the other a chance to play by himself. That would be risky for lesser musicians, but for players of Davern and Wellstood's caliber, being occasionally unaccompanied is a good thing. Davern is triumphant when he delivers an unaccompanied clarinet solo on Duke Ellington's "Mood Indigo," and Wellstood is equally successful when he plays by himself on a six-minute Ellington medley that unites "The Mooche" with "Birmingham Breakdown." But most of the time, Davern and Wellstood play together on this fine Dutch release.

© Alex Henderson /TiVo

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