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Langue disponible : anglais
As a champion of his fellow composers' music, Franz Liszt was a generous arranger and tireless performer, and he lavished special attention on the music of his friend Hector Berlioz, whose large-scale orchestral and operatic works languished in France and were seldom heard across Europe. In addition to his faithful piano adaptation of Berlioz's Symphonie fantastique, from which the L'idée fixe and the Marche au supplice are excerpted on Complete Piano Music, Vol. 46, Liszt also arranged Harold en Italie, the overtures King Lear and Les Francs-Juges, as well as selections from La Damnation de Faust and Benvenuto Cellini. These transcriptions are remarkably true to the originals, notwithstanding the occasional virtuosic touches that Liszt added for embellishment or to imitate orchestral sonorities. By 19th century standards, the music was fairly represented, and many listeners gained their first knowledge of Berlioz from these transcriptions. Feng Bian's manner is likely quite close to Liszt's intentions, not overly flashy or bombastic, but technically brilliant and expressive, and these engaging performances give an idea of how enjoyable the transcriptions were for Liszt's audiences. Feng's enthusiasm is clear in his energetic playing, though he also displays considerable sensitivity and delicacy, as in his performances of the Danse des Sylphs and the free fantasy on the L'idée fixe, which reflect Liszt's quieter side.
© TiVo
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Berlioz - Danse des Sylphes de La damnation de Faust, S475/R142 (Franz Liszt)
Franz Liszt, Composer - Feng Bian, Artist, MainArtist - Matthew LeFevre, Editor
(C) 2017 Naxos (P) 2017 Naxos
Berlioz - Benvenuto Cellini: Bénédiction et Serment, S396/R141 (Franz Liszt)
Franz Liszt, Composer - Feng Bian, Artist, MainArtist - Matthew LeFevre, Editor
(C) 2017 Naxos (P) 2017 Naxos
Berlioz - Ouverture du Roi Lear, S474/R140 (Franz Liszt)
Franz Liszt, Composer - Feng Bian, Artist, MainArtist - Matthew LeFevre, Editor
(C) 2017 Naxos (P) 2017 Naxos
Berlioz - Symphonie fantastique: L'idée fixe: Andante amoroso, S395/R135 (Franz Liszt)
Franz Liszt, Composer - Feng Bian, Artist, MainArtist - Matthew LeFevre, Editor
(C) 2017 Naxos (P) 2017 Naxos
Marche au supplice de la Sinfonie fantastique, S. 470a (1865 Version) [After H. Berlioz] (Franz Liszt)
Franz Liszt, Composer - Feng Bian, Artist, MainArtist - Matthew LeFevre, Editor
(C) 2017 Naxos (P) 2017 Naxos
Franz Liszt, Composer - Feng Bian, Artist, MainArtist
(C) 2017 Naxos (P) 2017 Naxos
Berlioz - Harold en Italie: II. Marche des pélerins chantant la prière du soir, S473/2/R139 (2nd version) (Franz Liszt)
Franz Liszt, Composer - Feng Bian, Artist, MainArtist - Matthew LeFevre, Editor
(C) 2017 Naxos (P) 2017 Naxos
Berlioz - Les Francs-Juges: Ouverture, S471/R137 (Franz Liszt)
Franz Liszt, Composer - Feng Bian, Artist, MainArtist - Matthew LeFevre, Editor
(C) 2017 Naxos (P) 2017 Naxos
Chronique
As a champion of his fellow composers' music, Franz Liszt was a generous arranger and tireless performer, and he lavished special attention on the music of his friend Hector Berlioz, whose large-scale orchestral and operatic works languished in France and were seldom heard across Europe. In addition to his faithful piano adaptation of Berlioz's Symphonie fantastique, from which the L'idée fixe and the Marche au supplice are excerpted on Complete Piano Music, Vol. 46, Liszt also arranged Harold en Italie, the overtures King Lear and Les Francs-Juges, as well as selections from La Damnation de Faust and Benvenuto Cellini. These transcriptions are remarkably true to the originals, notwithstanding the occasional virtuosic touches that Liszt added for embellishment or to imitate orchestral sonorities. By 19th century standards, the music was fairly represented, and many listeners gained their first knowledge of Berlioz from these transcriptions. Feng Bian's manner is likely quite close to Liszt's intentions, not overly flashy or bombastic, but technically brilliant and expressive, and these engaging performances give an idea of how enjoyable the transcriptions were for Liszt's audiences. Feng's enthusiasm is clear in his energetic playing, though he also displays considerable sensitivity and delicacy, as in his performances of the Danse des Sylphs and the free fantasy on the L'idée fixe, which reflect Liszt's quieter side.
© TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 01:04:38
- 1 Livret Numérique
- Artistes principaux : Feng Bian
- Compositeur : Franz Liszt
- Label : Naxos
- Genre : Classique
(C) 2017 Naxos (P) 2017 Naxos
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