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Claude Delangle|Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra

Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra

Claude Delangle

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Sweden's BIS label has focused a series of releases on creating a modest revival of the virtuoso ideal, focusing especially on music of the early twentieth century. Several have been successful, both in purely technical terms and in making a convincing case for abandoned repertoire, but none has offered as much sheer fun as this album of saxophone-and-orchestra music -- which also scores on each of the first two counts. The album's title denotes its contents, which are not just French but emanate from or refer to the country's southern, Mediterranean regions. The mood, bright and joyous, is inflected slightly differently in a series of works ranging from moderately familiar (Milhaud's Scaramouche, more often played on clarinet, and a saxophone version of the Pavane pour une infante défunte) to the almost forgotten but festive Tableaux de Provence of female composer Paule Maurice. All the music testifies to the level of craft composers of the period attained; it lies superbly on the saxophone, which sounds at different times like most of the other members of the wind family. All the works except for the Ravel consist of several short movements, colorful and sharp, with plenty to keep French saxophonist Claude DeLangle occupied. He's an attractive player who is on top of the music's technical challenges, but the real star is the Singapore Symphony Orchestra under Lan Shui. The ensemble adopts a light, sharp, festive tone that's perfect for the music and forms a nice foil for the varied sonic palette realized by DeLangle. The sound is an ideal complement to the sounds produced by the players: it is live, detailed, and brilliant to a point that would be called harsh if it did not fit this music so well. A joy to hear and to share, Under the Sign of the Sun may be the perfect classical album for summer listening.

© TiVo

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Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra

Claude Delangle

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Concertino da camera (Jacques Ibert)

1
I. Allegro con moto
00:04:11

Jacques Ibert, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

2
II. Larghetto, poi animato molto
00:08:03

Jacques Ibert, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

Saxophone Concerto (Henri Tomasi)

3
I. Andante - Allegro
00:12:40

Henri Tomasi, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

4
II. Giration: Allegro
00:06:26

Henri Tomasi, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

5
Pavane pour une infante defunte (Arr. T. Nodaira for soprano saxophone and orchestra)
00:06:14

Maurice Ravel, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer - Tami Nodaira, Arranger

2007 BIS 2007 (P) BIS

Tableaux de Provence (Paule Maurice)

6
I. Farandoulo di Chatouno
00:02:24

Paule Maurice, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

7
II. Cansoun per ma mio
00:01:55

Paule Maurice, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

8
III. La Boumanio
00:01:09

Paule Maurice, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

9
IV. Dis Alyscamps, l'amo souspire
00:05:28

Paule Maurice, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

10
V. Lou Cabridan
00:03:42

Paule Maurice, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

11
Legende, Op. 66
00:11:44

Florent Schmitt, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

Scaramouche, Op. 165c (Darius Milhaud)

12
I. Vif
00:02:53

Darius Milhaud, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

13
II. Modéré
00:04:00

Darius Milhaud, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

14
III. Brazileira
00:02:51

Darius Milhaud, Composer - Singapore Symphony Orchestra, Orchestra, MainArtist - Lan Shui, Conductor, MainArtist - Claude Delangle, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

Chronique

Sweden's BIS label has focused a series of releases on creating a modest revival of the virtuoso ideal, focusing especially on music of the early twentieth century. Several have been successful, both in purely technical terms and in making a convincing case for abandoned repertoire, but none has offered as much sheer fun as this album of saxophone-and-orchestra music -- which also scores on each of the first two counts. The album's title denotes its contents, which are not just French but emanate from or refer to the country's southern, Mediterranean regions. The mood, bright and joyous, is inflected slightly differently in a series of works ranging from moderately familiar (Milhaud's Scaramouche, more often played on clarinet, and a saxophone version of the Pavane pour une infante défunte) to the almost forgotten but festive Tableaux de Provence of female composer Paule Maurice. All the music testifies to the level of craft composers of the period attained; it lies superbly on the saxophone, which sounds at different times like most of the other members of the wind family. All the works except for the Ravel consist of several short movements, colorful and sharp, with plenty to keep French saxophonist Claude DeLangle occupied. He's an attractive player who is on top of the music's technical challenges, but the real star is the Singapore Symphony Orchestra under Lan Shui. The ensemble adopts a light, sharp, festive tone that's perfect for the music and forms a nice foil for the varied sonic palette realized by DeLangle. The sound is an ideal complement to the sounds produced by the players: it is live, detailed, and brilliant to a point that would be called harsh if it did not fit this music so well. A joy to hear and to share, Under the Sign of the Sun may be the perfect classical album for summer listening.

© TiVo

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