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The Exit|Home For An Island

Home For An Island

The Exit

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Langue disponible : anglais

There aren't that many guitar bands that can incorporate elements of synth pop without starting to sound like a synth pop band, and even fewer that can incorporate elements of dubwise reggae without starting to sound like a wannabe reggae band. But the Exit has done the seemingly impossible -- taken familiar elements and combined them into something that's not so much unique as uniquely personal and smart, and yet immediately accessible. Even when the band's influences are less than fully digested ("Back to the Rebels" sounds like Counting Crows doing a cover version of "Watching the Detectives"), the result feels more like a creative collage than a derivative cut-and-paste. One of the things that makes this album so satisfying is the way it builds slowly to its climax, a gorgeous and emotionally powerful song called "So Leave Then," on which a slightly dislocated rhythm supports a heart-on-the-sleeve melody and unabashedly immediate three-chord guitar (and even a few bars of make-believe steel drum). It's hard to put a finger on what makes this album so special, but you'll get it when you hear it. Highly recommended.

© Rick Anderson /TiVo

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Home For An Island

The Exit

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1
Don't Push
00:04:12

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

2
Let's Go To Haiti
00:02:22

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

3
Back To The Rebels
00:03:14

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

4
Home For An Island
00:05:04

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

5
Pressure Cooker
00:03:38

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

6
Tell Me All Again
00:03:31

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

7
The Sun Will Rise In Queens
00:04:35

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

8
Soldier
00:03:59

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

9
Warm Summer Days
00:05:34

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

10
Darlin
00:04:06

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

11
So Leave Then
00:04:02

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

12
Already Gone
00:04:54

The Exit, MainArtist - Gunnar, Composer, Author - Jeff DaRosa, Composer, Author - Ben Brewer, Composer, Author

℗ 2005 The Bicycle Music Company

Chronique

There aren't that many guitar bands that can incorporate elements of synth pop without starting to sound like a synth pop band, and even fewer that can incorporate elements of dubwise reggae without starting to sound like a wannabe reggae band. But the Exit has done the seemingly impossible -- taken familiar elements and combined them into something that's not so much unique as uniquely personal and smart, and yet immediately accessible. Even when the band's influences are less than fully digested ("Back to the Rebels" sounds like Counting Crows doing a cover version of "Watching the Detectives"), the result feels more like a creative collage than a derivative cut-and-paste. One of the things that makes this album so satisfying is the way it builds slowly to its climax, a gorgeous and emotionally powerful song called "So Leave Then," on which a slightly dislocated rhythm supports a heart-on-the-sleeve melody and unabashedly immediate three-chord guitar (and even a few bars of make-believe steel drum). It's hard to put a finger on what makes this album so special, but you'll get it when you hear it. Highly recommended.

© Rick Anderson /TiVo

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