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The Shadows|From Hank, Bruce, Brian and John (1999 Remaster)

From Hank, Bruce, Brian and John (1999 Remaster)

The Shadows

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Langue disponible : anglais

By 1967, the Shadows were at the end of their hitmaking career, and very close to breaking up altogether. Before they went, however, they had one final classic to deliver, an album that arrived packaged up like a parcel, which, when unwrapped, revealed a host of solid gems, evidence that no matter how far pop music had moved from the model they helped style a decade earlier, the Shadows had no intention of being left behind. From Hank, Bruce, Brian, and John peaks with a typically well-crafted Graham Gouldman original, "Naughty Nippon Nights," but from start to finish, it rattles with a defiance that makes a mockery of the band's so-called "veteran" status. No matter that they scored their first hits (with Cliff Richard) while Lennon and McCartney were still killing time in the Quarrymen. For all that the Beatles brought to the '60s, none of it would have been possible without the Shadows, and their blistering version of "You're a Better Man Than I," the jokey "Snap Crackle and How's Your Father," and excellent covers of "The Last Train to Clarksville" and "The Letter" are career best album tracks (even if they can't compete with the band's best 45s). Plus they play with a ferocity that borders on menacing at times, even when slowing everything down and welcoming Cliff Richard into the pack for the hit "The Day I Met Marie"; it's a beautiful, dreamy song, but there's something oddly menacing about it as well, a moodiness that taps so thoroughly into the underbelly of psychedelia that, if this wasn't good ol' Cliff and the Shads, it could have been almost anyone.

© Dave Thompson /TiVo

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From Hank, Bruce, Brian and John (1999 Remaster)

The Shadows

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1
Snap, Crackle and How's Your Dad (1999 Remaster)
00:02:10

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Welch, Composer - Bennett, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

2
Evening Glow (1999 Remaster)
00:02:08

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Nakamura, Composer - Kasakawa, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

3
A Thing of Beauty (1999 Remaster)
00:02:09

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Harper, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

4
Naughty Nippon Nights (1999 Remaster)
00:02:08

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Gouldman, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

5
The Wild Roses (1999 Remaster)
00:02:42

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Ichikawa, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

6
San Francisco (1999 Remaster)
00:02:42

John Phillips, Composer - The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

7
The Letter (1999 Remaster)
00:02:03

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Wayne Carson, Writer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

8
The Tokaido Line (1999 Remaster)
00:02:29

John Rostill, Composer - Bruce Welch, Composer - The Shadows, Performance, MainArtist - Hank Marvin, Composer - Brian Bennett, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

9
Holy Cow (1999 Remaster)
00:02:48

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Allen Toussaint, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

10
Alentejo (1999 Remaster)
00:02:36

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Peter R Vince, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

11
Last Train to Clarksville (1999 Remaster)
00:02:15

Bobby Hart, Writer - Tommy Boyce, Writer - The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

12
Let Me Take You There (1999 Remaster)
00:02:27

John Rostill, Composer - The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Brian Bennett, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

13
The Day I Met Marie (1999 Remaster)
00:02:32

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Hank Marvin, Writer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

14
A Better Man Than I (1999 Remaster)
00:03:01

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Hank Marvin, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

15
Snap, Crackle and How's Your Dad (1999 Remaster)
00:02:10

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Welch, Composer - Bennett, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

16
Evening Glow (1999 Remaster)
00:02:09

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Nakamura, Composer - Kasakawa, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

17
A Thing of Beauty (1999 Remaster)
00:02:09

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Harper, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

18
Naughty Nippon Nights (1999 Remaster)
00:02:08

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Gouldman, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

19
The Wild Roses (1999 Remaster)
00:02:42

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Ichikawa, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

20
San Francisco (1999 Remaster)
00:02:43

John Phillips, Composer - The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

21
The Letter (1999 Remaster)
00:02:09

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Wayne Carson, Writer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

22
The Tokaido Line (1999 Remaster)
00:02:30

John Rostill, Composer - Bruce Welch, Composer - The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Hank Marvin, Composer - Brian Bennett, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

23
Holy Cow (1999 Remaster)
00:02:47

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Allen Toussaint, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

24
Alentejo (1999 Remaster)
00:02:37

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Peter R Vince, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

25
Last Train to Clarksville (1999 Remaster)
00:02:14

Bobby Hart, Writer - Tommy Boyce, Writer - The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

26
Let Me Take You There (1999 Remaster)
00:02:31

John Rostill, Composer - The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Brian Bennett, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

27
The Day I Met Marie (1999 Remaster)
00:02:39

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Hank Marvin, Writer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

28
A Better Man Than I (1999 Remaster)
00:02:50

The Shadows, MainArtist - Peter Mew, Engineer, Digital Remasterer - Hank Marvin, Composer

© 1999 Parlophone Records Ltd, a Warner Music Group Company ℗ 1999 Parlophone Records Ltd, a Warner Music Group Company

Chronique

By 1967, the Shadows were at the end of their hitmaking career, and very close to breaking up altogether. Before they went, however, they had one final classic to deliver, an album that arrived packaged up like a parcel, which, when unwrapped, revealed a host of solid gems, evidence that no matter how far pop music had moved from the model they helped style a decade earlier, the Shadows had no intention of being left behind. From Hank, Bruce, Brian, and John peaks with a typically well-crafted Graham Gouldman original, "Naughty Nippon Nights," but from start to finish, it rattles with a defiance that makes a mockery of the band's so-called "veteran" status. No matter that they scored their first hits (with Cliff Richard) while Lennon and McCartney were still killing time in the Quarrymen. For all that the Beatles brought to the '60s, none of it would have been possible without the Shadows, and their blistering version of "You're a Better Man Than I," the jokey "Snap Crackle and How's Your Father," and excellent covers of "The Last Train to Clarksville" and "The Letter" are career best album tracks (even if they can't compete with the band's best 45s). Plus they play with a ferocity that borders on menacing at times, even when slowing everything down and welcoming Cliff Richard into the pack for the hit "The Day I Met Marie"; it's a beautiful, dreamy song, but there's something oddly menacing about it as well, a moodiness that taps so thoroughly into the underbelly of psychedelia that, if this wasn't good ol' Cliff and the Shads, it could have been almost anyone.

© Dave Thompson /TiVo

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