Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
In 1956, trumpeter Art Farmer was teamed with tenor saxophonist Hank Mobley and pianist Horace Silver in one of the most vital and important modern jazz groups of the seminal hard bop era. But it was Farmer here who was emerging as a leader, with Mobley tagging along on this excellent date. Not to say that Mobley was a slouch, and indeed far from it as a peer of Sonny Rollins and John Coltrane. Fact is, Mobley led the band with Farmer and Silver, but achieved his greatest acclaim alongside trumpeters Lee Morgan, and eventually Miles Davis. For Farmer, this recording was a coming out party, establishing him not only as a fine player, but a composer who lyricists were attracted to. "Farmer's Market" with its by now immortal swift hard bop melody and harmony courtesy of the Farmer/Mobley tandem, and the languid ballad "Reminiscing" with Mobley out but pianist Kenny Drew adding reinforcement a hundredfold, were covered vocally later on by Annie Ross and Earl Coleman respectively. Twin brother Addison Farmer stokes the coals on bass for the hard swinging "Wailin' with Hank," goes for a cool blues groove as the horns play a unison line on "Ad-Dis-Un," and strokes a bluesy swing during "By Myself" as another feature for the trumpeter, in this case with mute, and Mobley sitting out. Drummer Elvin Jones, who sounds like a more sensitive rhythm pilot instead of the powerhouse he would become with John Coltrane, plays his role as an intent listener and firm contributor without pushing the envelope. His style on the recording deserves a close inspection, vis à vis what he would become a decade later. Considering this is early period Farmer, and that his work after leaving the U.S. for Europe led him to playing the softer toned flugelhorn and trumpet exclusively, it is an important document in his legacy, comparing favorably alongside peers Clifford Brown, Miles Davis, and an also emerging Donald Byrd or Lee Morgan.
© Michael G. Nastos /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Mobley, Saxophone, AssociatedPerformer - Art Farmer, Trumpet, AssociatedPerformer - Addison Farmer, AssociatedPerformer, Bass (Vocal) - Kenny Drew, Piano, AssociatedPerformer, ComposerLyricist - Elvin Jones, Drums, AssociatedPerformer - Bob Weinstock, Producer - Art Farmer Quintet, MainArtist
℗ 1958 New Jazz Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Mobley, Saxophone, AssociatedPerformer - Art Farmer, Trumpet, AssociatedPerformer - Addison Farmer, AssociatedPerformer, Bass (Vocal) - Kenny Drew, Piano, AssociatedPerformer, ComposerLyricist - Elvin Jones, Drums, AssociatedPerformer - Bob Weinstock, Producer - Art Farmer Quintet, MainArtist
℗ 1958 Fantasy, Inc.
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Mobley, Saxophone, AssociatedPerformer - Art Farmer, Trumpet, AssociatedPerformer, ComposerLyricist - Addison Farmer, AssociatedPerformer, Bass (Vocal) - Annie Ross, ComposerLyricist - Kenny Drew, Piano, AssociatedPerformer - Elvin Jones, Drums, AssociatedPerformer - Bob Weinstock, Producer - Art Farmer Quintet, MainArtist
℗ 1958 New Jazz Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Art Farmer, Trumpet, AssociatedPerformer - Addison Farmer, AssociatedPerformer, Bass (Vocal) - Gigi Gryce, ComposerLyricist - Kenny Drew, Piano, AssociatedPerformer - Elvin Jones, Drums, AssociatedPerformer - Bob Weinstock, Producer - Art Farmer Quintet, MainArtist
℗ 1958 New Jazz Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Art Farmer, Trumpet, AssociatedPerformer - Addison Farmer, AssociatedPerformer, Bass (Vocal) - Howard Dietz, ComposerLyricist - Arthur Schwartz, ComposerLyricist - Kenny Drew, Piano, AssociatedPerformer - Elvin Jones, Drums, AssociatedPerformer - Bob Weinstock, Producer - Art Farmer Quintet, MainArtist
℗ 1958 New Jazz Records
Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Mobley, Saxophone, AssociatedPerformer, ComposerLyricist - Art Farmer, Trumpet, MainArtist, AssociatedPerformer - Addison Farmer, AssociatedPerformer, Bass (Vocal) - Kenny Drew, Piano, AssociatedPerformer - Elvin Jones, Drums, AssociatedPerformer - Bob Weinstock, Producer
℗ 1958 New Jazz Records
Chronique
In 1956, trumpeter Art Farmer was teamed with tenor saxophonist Hank Mobley and pianist Horace Silver in one of the most vital and important modern jazz groups of the seminal hard bop era. But it was Farmer here who was emerging as a leader, with Mobley tagging along on this excellent date. Not to say that Mobley was a slouch, and indeed far from it as a peer of Sonny Rollins and John Coltrane. Fact is, Mobley led the band with Farmer and Silver, but achieved his greatest acclaim alongside trumpeters Lee Morgan, and eventually Miles Davis. For Farmer, this recording was a coming out party, establishing him not only as a fine player, but a composer who lyricists were attracted to. "Farmer's Market" with its by now immortal swift hard bop melody and harmony courtesy of the Farmer/Mobley tandem, and the languid ballad "Reminiscing" with Mobley out but pianist Kenny Drew adding reinforcement a hundredfold, were covered vocally later on by Annie Ross and Earl Coleman respectively. Twin brother Addison Farmer stokes the coals on bass for the hard swinging "Wailin' with Hank," goes for a cool blues groove as the horns play a unison line on "Ad-Dis-Un," and strokes a bluesy swing during "By Myself" as another feature for the trumpeter, in this case with mute, and Mobley sitting out. Drummer Elvin Jones, who sounds like a more sensitive rhythm pilot instead of the powerhouse he would become with John Coltrane, plays his role as an intent listener and firm contributor without pushing the envelope. His style on the recording deserves a close inspection, vis à vis what he would become a decade later. Considering this is early period Farmer, and that his work after leaving the U.S. for Europe led him to playing the softer toned flugelhorn and trumpet exclusively, it is an important document in his legacy, comparing favorably alongside peers Clifford Brown, Miles Davis, and an also emerging Donald Byrd or Lee Morgan.
© Michael G. Nastos /TiVo
À propos
- 1 disque(s) - 6 piste(s)
- Durée totale : 00:36:28
- Artistes principaux : Clifford Brown & Art Farmer Swedish All-Stars
- Compositeur : Various Composers
- Label : Original Jazz Classics
- Genre : Jazz
© 1989 Fantasy, Inc. ℗ 1958 New Jazz Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.