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Gunter Herbig|Ex oriente

Ex oriente

Günter Herbig

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The idea of playing the music of the mystic G.I. Gurdjieff on an electric guitar might seem to be out in left field, but it works quite well in the hands of guitarist Gunther Herbig. This is partly because some of the music, played by Gurdjieff as part of mystical discussions or rituals, originated with ideas on an acoustic guitar; the music was filled out for piano ("transcribed" is not a sufficient word) by composer Thomas de Hartmann. More than that, though, the electric guitar properly conveys the interior, meditative quality of the music. It needs somehow to live in the present rather than having any antique connotations. The representational matter of Gurdjieff's pieces ranges from Sayyid chant to a Tibetan Dance to The Resurrection of Christ (sample this) to a piece called When Gafar and Zeinab Walk in a Somnambulistic State. Everything is minimalistic in texture and suitably quiet (the guitar is at the bottom of its dynamic range), but evocative in its way. BIS captures Herbig clearly in a New Zealand studio. Certainly what one thinks of Gurdjieff depends on what one thinks of musical mysticism more generally, but this recording is not the pure curiosity it seems to be; it does justice to its material.

© James Manheim /TiVo

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Ex oriente

Gunter Herbig

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Music for the Piano, Vol. 2 (G. I. Gurdjieff)

1
No. 9, Sayyid Chant & Dance (Arr. G. Herbig for Guitar)
00:04:22

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

2
As If the Stormy Years Had Passed (Arr. G. Herbig for Guitar)
00:04:03

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

3
The Bokharian Dervish (Arr. G. Herbig for Guitar)
00:04:45

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

4
Prayer (Arr. G. Herbig for Guitar)
00:02:43

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

5
Sayyid Chant & Dance No. 42 (Arr. G. Herbig for Guitar)
00:06:48

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

Fragments from "The Struggle of the Magicians" (Arr. G. Herbig for Guitar) (G. I. Gurdjieff)

6
No. 3, When Gafar and Zeinab Walk in a Somnambulistic State
00:04:34

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

7
Sayyid Chant & Dance No. 29 (Arr. G. Herbig for Guitar)
00:05:10

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

8
No. 6, Tibetan Dance
00:02:10

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

9
Molto lento e liberamente (Arr. G. Herbig for Guitar)
00:02:42

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

10
No. 4, —
00:04:52

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

11
The Resurrection of Christ (Arr. G. Herbig for Guitar)
00:03:16

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

12
Méditation (Arr. G. Herbig for Guitar)
00:02:21

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

13
Reading from a Sacred Book (Arr. G. Herbig for Guitar)
00:08:11

Günter Herbig, Arranger, MainArtist, AssociatedPerformer - G. I. Gurdjieff, Composer

2019 BIS 2019 (P) BIS

Chronique

The idea of playing the music of the mystic G.I. Gurdjieff on an electric guitar might seem to be out in left field, but it works quite well in the hands of guitarist Gunther Herbig. This is partly because some of the music, played by Gurdjieff as part of mystical discussions or rituals, originated with ideas on an acoustic guitar; the music was filled out for piano ("transcribed" is not a sufficient word) by composer Thomas de Hartmann. More than that, though, the electric guitar properly conveys the interior, meditative quality of the music. It needs somehow to live in the present rather than having any antique connotations. The representational matter of Gurdjieff's pieces ranges from Sayyid chant to a Tibetan Dance to The Resurrection of Christ (sample this) to a piece called When Gafar and Zeinab Walk in a Somnambulistic State. Everything is minimalistic in texture and suitably quiet (the guitar is at the bottom of its dynamic range), but evocative in its way. BIS captures Herbig clearly in a New Zealand studio. Certainly what one thinks of Gurdjieff depends on what one thinks of musical mysticism more generally, but this recording is not the pure curiosity it seems to be; it does justice to its material.

© James Manheim /TiVo

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