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Shelby Lynne|Epic Recordings

Epic Recordings

Shelby Lynne

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Langue disponible : anglais

Shelby Lynne's early career on Epic Records frustrated fans of her rich, soulful contralto because, though she placed three albums and nine singles in the country charts between 1988 and 1991, she never scored the big hit needed to propel her to star status. Not all collections are hit oriented, of course, but Epic Recordings makes a particular point of second-guessing Epic's singles choices. Of the 16 tracks drawn from the 30 recordings released on her three Epic albums, Sunrise, Tough All Over, and Soft Talk, only one, "I'll Lie Myself to Sleep," was released as a single. That leaves the compilers plenty of room to emphasize Lynne's diversity, from her Western swing renditions of Duke Ellington's "Don't Get Around Much Anymore" and the Louis Armstrong hit "I'm Confessin'" to a stirring country-rock version of Charlie Rich's "Lonely Weekends" and a fierce performance of Johnny Cash's "I Walk the Line." There are also plenty of lesser album tracks, but it remains odd that the opportunity of an anthology did not inspire Lucky Dog to put Lynne's non-LP chart singles "Under Your Spell Again" and "Don't Cross Your Heart" on disc or to select some of her better-known material. You can't help wondering whether parent label Sony denied Lucky Dog the right to use those songs, preferring to hold them for a Lynne release in its popular Super Hits or 16 Biggest Hits series. It's significant that this album is not billed as a "best-of"; what it really constitutes is "the rest of Shelby Lynne."

© William Ruhlmann /TiVo

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Epic Recordings

Shelby Lynne

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1
Don't Get Around Much Anymore (Album Version)
00:02:50

Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - Margie Hunt, Executive Producer - D. ELLINGTON, Composer - D. ELLINGTON, Lyricist - Randy Kling, Mastering Engineer - Bob Montgomery, Producer - B. Russell, Composer - B. Russell, Lyricist

1990 Sony Music Entertainment Inc.

2
Till You Were Gone (Album Version)
00:03:28

Kay Smith, A&R Coordinator - Shelby Lynne, Performer - R. M. Bourke, Composer - R. M. Bourke, Lyricist - Tonya Derry, A&R Coordinator - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer - M. Reid, Composer - M. Reid, Lyricist

1989 Sony Music Entertainment Inc.

3
Lonely Weekends (Album Version)
00:02:22

Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - C. Rich, Composer - C. Rich, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer

1990 Sony Music Entertainment Inc.

4
I'm Confessin' (Album Version)
00:03:40

D. Daugherty, Composer - D. Daugherty, Lyricist - Margie Hunt, Executive Producer - E. Reynolds, Composer - E. Reynolds, Lyricist - Billy Sherrill, Producer - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - A. J. Neiburg, Composer - A. J. Neiburg, Lyricist - Randy Kling, Mastering Engineer - Kay Smith, A&R Coordinator

1989 Sony Music Entertainment Inc.

5
Don't Mind If I Do (Album Version)
00:02:40

Donald Sampson, Composer - Donald Sampson, Lyricist - Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - Skip Ewing, Composer - Skip Ewing, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer

(P) 1990 Sony Music Entertainment Inc.

6
Your Love Stays With Me (Album Version)
00:02:55

Kay Smith, A&R Coordinator - Shelby Lynne, Performer - R. M. Bourke, Composer - R. M. Bourke, Lyricist - Tonya Derry, A&R Coordinator - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer - M. Reid, Composer - M. Reid, Lyricist

1989 Sony Music Entertainment Inc.

7
A Lighter Shade Of Blue (Album Version)
00:03:47

M.D. Barnes, Composer - M.D. Barnes, Lyricist - James Stroud, Producer - Margie Hunt, Executive Producer - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - T. SEALS, Composer - T. SEALS, Lyricist - S. Ewing, Composer - S. Ewing, Lyricist - Randy Kling, Mastering Engineer - Kay Smith, A&R Coordinator

1991 Sony Music Entertainment Inc.

8
Dog Day Afternoon (Album Version)
00:03:39

Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - W. Carson, Composer - W. Carson, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer

1990 Sony Music Entertainment Inc.

9
Soft Talk (Album Version)
00:03:39

T. SEALS, Composer - T. SEALS, Lyricist - Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - E. SETSER, Composer - E. SETSER, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - James Stroud, Producer

1991 Sony Music Entertainment Inc.

10
I Walk The Line (Album Version)
00:02:36

J.R. Cash, Composer - J.R. Cash, Lyricist - Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer

1990 Sony Music Entertainment Inc.

11
I'll Lie Myself To Sleep (Album Version)
00:04:03

Kay Smith, A&R Coordinator - T. Mensy, Composer - T. Mensy, Lyricist - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - T. Haselden, Composer - T. Haselden, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer

1990 Sony Music Entertainment Inc.

12
Thinking About You Again (Album Version)
00:03:04

Kay Smith, A&R Coordinator - Stephony Smith, Composer - Stephony Smith, Lyricist - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - Bob Montgomery, Producer - Michael Porter, Composer - Michael Porter, Lyricist

1989 Sony Music Entertainment Inc.

13
You Can't Break A Broken Hart (Album Version)
00:03:14

Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - C. Jones, Composer - C. Jones, Lyricist - C. Waters, Composer - C. Waters, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - James Stroud, Producer

1991 Sony Music Entertainment Inc.

14
I've Learned To Live (Album Version)
00:03:51

D. Dillon, Lyricist - D. Dillon, Composer - Kay Smith, A&R Coordinator - Shelby Lynne, Performer - F. Dycus, Composer - F. Dycus, Lyricist - Tonya Derry, A&R Coordinator - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - James Stroud, Producer

1991 Sony Music Entertainment Inc.

15
Stop Me (Album Version)
00:03:41

Kay Smith, A&R Coordinator - Shelby Lynne, Performer - J. Lauderdale, Composer - J. Lauderdale, Lyricist - Tonya Derry, A&R Coordinator - J. Leventhal, Composer - J. Leventhal, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - James Stroud, Producer

1991 Sony Music Entertainment Inc.

16
It Might Be Me (Album Version)
00:04:21

J.D. Martin, Composer - J.D. Martin, Lyricist - Kay Smith, A&R Coordinator - Shelby Lynne, Performer - Tonya Derry, A&R Coordinator - C. Jones, Composer - C. Jones, Lyricist - Margie Hunt, Executive Producer - Randy Kling, Mastering Engineer - James Stroud, Producer

1991 Sony Music Entertainment Inc.

Chronique

Shelby Lynne's early career on Epic Records frustrated fans of her rich, soulful contralto because, though she placed three albums and nine singles in the country charts between 1988 and 1991, she never scored the big hit needed to propel her to star status. Not all collections are hit oriented, of course, but Epic Recordings makes a particular point of second-guessing Epic's singles choices. Of the 16 tracks drawn from the 30 recordings released on her three Epic albums, Sunrise, Tough All Over, and Soft Talk, only one, "I'll Lie Myself to Sleep," was released as a single. That leaves the compilers plenty of room to emphasize Lynne's diversity, from her Western swing renditions of Duke Ellington's "Don't Get Around Much Anymore" and the Louis Armstrong hit "I'm Confessin'" to a stirring country-rock version of Charlie Rich's "Lonely Weekends" and a fierce performance of Johnny Cash's "I Walk the Line." There are also plenty of lesser album tracks, but it remains odd that the opportunity of an anthology did not inspire Lucky Dog to put Lynne's non-LP chart singles "Under Your Spell Again" and "Don't Cross Your Heart" on disc or to select some of her better-known material. You can't help wondering whether parent label Sony denied Lucky Dog the right to use those songs, preferring to hold them for a Lynne release in its popular Super Hits or 16 Biggest Hits series. It's significant that this album is not billed as a "best-of"; what it really constitutes is "the rest of Shelby Lynne."

© William Ruhlmann /TiVo

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