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The Imagined Village|Empire & Love

Empire & Love

The Imagined Village

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Langue disponible : anglais

The first Imagined Village release was an attempt to reinterpret English music in a multicultural context. But the host of big names and the arrangements made the English element appear bolted on. Fast forward to this album, and a real band that's spent time gigging and coalescing. There are fewer major names and the arrangements come together much better, such as the version of "Scarborough Fair." It's deliciously performed, with a magical vocal from Chris Wood, East and West working well behind him in a swell of strings (especially on the reprise that closes the disc). Much of the material is made up of well-known folk songs, but the way they're done, including the subtle electronics, has a very organic feel that was missing from the debut. The track that's going to raise eyebrows is Martin Carthy's interpretation of Slade's "Cum on Feel the Noize." An unlikely choice, yes, but he opens it up and adds a darkness to it that was never evident in the original. Maybe it's still not a folk song, but it's become part of the fabric of English music, which makes this perfectly valid. The musicians here do reflect the makeup of the country and bring their pasts to this musical blender. This one works, and works quite beautifully.
© Chris Nickson /TiVo

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Empire & Love

The Imagined Village

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1
My Son John
00:06:09

The Imagined Village, MainArtist - Carthy Eliza Amy Forbes, Composer - Carthy Martin, Composer - Emmerson Simon Daniel, Composer - Gangadeen Andrew, Composer - Richmond Simon Daniel, Composer - Friend Alistair Bruce Henry, Composer - Kalsi Johnny, Composer - Mukherjee Sheema, Composer

2010 DMF Records 2010 DMF Records

2
Sweet Jane
00:07:47

The Imagined Village, MainArtist - Carthy Eliza Amy Forbes, Composer - Gangadeen Andrew, Composer - Richmond Simon Daniel, Composer - Mukherjee Sheema, Composer - Friend Ali, Composer - Wood Chris, Composer

2010 DMF Records 2010 DMF Records

3
Space Girl
00:03:55

The Imagined Village, MainArtist - Mac-Coll Ewan, Composer - Seeger Peggy, Composer

2010 DMF Records 2010 DMF Records

4
Byker Hill
00:06:02

The Imagined Village, MainArtist - Boden Jonathan James, Composer

2010 DMF Records 2010 DMF Records

5
Scarborough Fair
00:06:50

The Imagined Village, MainArtist

2010 DMF Records 2010 DMF Records

6
Mermaid
00:06:05

The Imagined Village, MainArtist - Kessel Barney, Composer

2010 DMF Records 2010 DMF Records

7
The Hand Weaver and the Factory Maid
00:05:08

The Imagined Village, MainArtist - Flood Peter Quentin Daniel, Composer

2010 DMF Records 2010 DMF Records

8
The Lark in the Morning
00:04:09

The Imagined Village, MainArtist - Lewin Giles Francis, Composer

2010 DMF Records 2010 DMF Records

9
Rose Buds in June / Mrs Preston's Hornpipe
00:06:45

The Imagined Village, MainArtist

2010 DMF Records 2010 DMF Records

10
Cum on Feel the Noize
00:04:12

The Imagined Village, MainArtist - Holder Neville, Composer - Lea James, Composer

2010 DMF Records 2010 DMF Records

11
Scarborough Fair (String Reprise)
00:06:50

The Imagined Village, MainArtist

2010 DMF Records 2010 DMF Records

12
Space Girl (Demo Bonus Track)
00:03:50

The Imagined Village, MainArtist - Mac-Coll Ewan, Composer - Seeger Peggy, Composer

2010 DMF Records 2010 DMF Records

13
The Handweaver and the Factory Maid (Demo Bonus Track)
00:05:00

The Imagined Village, MainArtist - Beasant Edwin Alistair, Composer - Kitching Thomas David, Composer - Wright Lucy Joanne, Composer

2010 DMF Records 2010 DMF Records

Chronique

The first Imagined Village release was an attempt to reinterpret English music in a multicultural context. But the host of big names and the arrangements made the English element appear bolted on. Fast forward to this album, and a real band that's spent time gigging and coalescing. There are fewer major names and the arrangements come together much better, such as the version of "Scarborough Fair." It's deliciously performed, with a magical vocal from Chris Wood, East and West working well behind him in a swell of strings (especially on the reprise that closes the disc). Much of the material is made up of well-known folk songs, but the way they're done, including the subtle electronics, has a very organic feel that was missing from the debut. The track that's going to raise eyebrows is Martin Carthy's interpretation of Slade's "Cum on Feel the Noize." An unlikely choice, yes, but he opens it up and adds a darkness to it that was never evident in the original. Maybe it's still not a folk song, but it's become part of the fabric of English music, which makes this perfectly valid. The musicians here do reflect the makeup of the country and bring their pasts to this musical blender. This one works, and works quite beautifully.
© Chris Nickson /TiVo

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