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Truls Mørk/Mariss Jansons/Oslo Philharmonic Orchestra - Dvorak Cello Concerto

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Dvorak Cello Concerto

Truls Mørk/Mariss Jansons/Oslo Philharmonic Orchestra

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Langue disponible : anglais

Though written barely 20 years apart, Dvorák's Cello Concerto and Tchaikovsky Rococo Variations draw their inspiration from two entirely different epochs. Dvorák's lush, Romantic concerto has hints of Czech motherland and even adaptations of his own previous works. The accompaniment is densely scored with tutti sections that could easily be right out of one of his symphonies. Rococo, on the other hand, harkens back to one of Tchaikovsky's bygone eras and employs only minimal orchestral forces. Even with their clear contrasts, both works have become cornerstones of the cello's repertoire. Performing on this Virgin Classics reissue of a 1993 disc is Norwegian cellist Truls Mørk with the Oslo Philharmonic Orchestra under Mariss Jansons. Mørk's technical prowess on his instrument is undeniable; the high technical demands in both works are tossed off with ease and elegance. Intonation is nearly flawless, articulation is crisp and clear, shifts are impeccably controlled, and passage work is nimble. Mørk's sound is not the biggest in the cello community, particularly on the lower strings; this works better in the more lightly scored Tchaikovsky than in the assertive, forceful Dvorák. Connection between Mørk and the orchestra, particularly in the Dvorák, is fleeting at best. Mørk is rather heavy-handed with his application of rubato, often leaving the orchestra in the dust as he accelerates through passages in the third movement. Rococo gets less rubato and is therefore played with a greater connection between soloist and orchestra. For listeners interested in a technically polished performance, this one certainly fits the bill. There are others available, however, that have a more unified offering and there are cellists with a bit meatier sound.
© TiVo

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Dvorak Cello Concerto

Truls Mørk/Mariss Jansons/Oslo Philharmonic Orchestra

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1
Cello Concerto in B Minor, Op. 104, B. 191: I. Allegro
Oslo Philharmonic Orchestra
00:15:03

John Fraser, Producer - Mark Vigars, Engineer - Antonín Dvorák, Composer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

2
Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo
Oslo Philharmonic Orchestra
00:11:59

John Fraser, Producer - Mark Vigars, Engineer - Antonín Dvorák, Composer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

3
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato
Oslo Philharmonic Orchestra
00:12:08

John Fraser, Producer - Mark Vigars, Engineer - Antonín Dvorák, Composer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

4
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Introduction
Truls Mørk
00:00:53

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

5
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Thema. Moderato semplice
Truls Mørk
00:01:39

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

6
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Variation I. Tempo della Thema
Truls Mørk
00:00:50

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

7
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Variation II. Tempo della Thema
Truls Mørk
00:01:13

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

8
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Variation III. Andante sostenuto
Truls Mørk
00:03:50

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

9
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Variation IV. Andante grazioso
Truls Mørk
00:01:49

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

10
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Variation V. Allegro moderato
Truls Mørk
00:03:39

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

11
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Variation VI. Andante
Truls Mørk
00:02:34

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

12
Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33: Variation VII - Coda. Allegro vivo
Truls Mørk
00:02:10

John Fraser, Producer - Mariss Jansons, Conductor, MainArtist - Oslo Philharmonic Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Truls Mørk, Cello, MainArtist

© 2006 EMI Records Ltd./Virgin Classics A Warner Classics/Erato release, ℗ 1993 Parlophone Records Limited

Descriptif de l'album

Though written barely 20 years apart, Dvorák's Cello Concerto and Tchaikovsky Rococo Variations draw their inspiration from two entirely different epochs. Dvorák's lush, Romantic concerto has hints of Czech motherland and even adaptations of his own previous works. The accompaniment is densely scored with tutti sections that could easily be right out of one of his symphonies. Rococo, on the other hand, harkens back to one of Tchaikovsky's bygone eras and employs only minimal orchestral forces. Even with their clear contrasts, both works have become cornerstones of the cello's repertoire. Performing on this Virgin Classics reissue of a 1993 disc is Norwegian cellist Truls Mørk with the Oslo Philharmonic Orchestra under Mariss Jansons. Mørk's technical prowess on his instrument is undeniable; the high technical demands in both works are tossed off with ease and elegance. Intonation is nearly flawless, articulation is crisp and clear, shifts are impeccably controlled, and passage work is nimble. Mørk's sound is not the biggest in the cello community, particularly on the lower strings; this works better in the more lightly scored Tchaikovsky than in the assertive, forceful Dvorák. Connection between Mørk and the orchestra, particularly in the Dvorák, is fleeting at best. Mørk is rather heavy-handed with his application of rubato, often leaving the orchestra in the dust as he accelerates through passages in the third movement. Rococo gets less rubato and is therefore played with a greater connection between soloist and orchestra. For listeners interested in a technically polished performance, this one certainly fits the bill. There are others available, however, that have a more unified offering and there are cellists with a bit meatier sound.
© TiVo

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