Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Its amateurish musicianship, less-than-honed singing, and thick, dubwise rhythms might not be for everyone, but there's little denying the crucial nature of the Slits' first record. Along with more recognized post-punk records like Public Image Limited's Metal Box, the Pop Group's Y, and less-recognized fare like the Ruts DC and Mad Professor's Rhythm Collision Dub, Cut displayed a love affair with the style of reggae that honed in on deep throbs, pulses, and disorienting effects, providing little focus on anything other than that and periodic scrapes from guitarist Viv Albertine. But more importantly, Cut placed the Slits along with the Raincoats and Lydia Lunch as major figureheads of unbridled female expression in the post-punk era. Sure, Hole, Sleater-Kinney, and Bikini Kill would have still happened without this record (there were still the Pretenders and Patti Smith, just to mention a few of the less-subversive groundbreakers), but Cut placed a rather indelible notch of its own in the "influential" category, providing a spirited level rarely seen since. Heck, the Slits themselves couldn't match it again. You could call some of these songs a reaction to the Nuggets bands, or the '60s garage acts that would find as many ways as possible to say "women are evil." Songs like "Instant Hit" (about PiL guitarist Keith Levene), "So Tough" (about Sid Vicious and Johnny Rotten), "Ping Pong Affair," and "Love Und Romance" point out the shortcomings of the opposite sex and romantic involvements with more precision and sass than the boys were ever able to. "Spend Spend Spend" and "Shoplifting" target consumerism with an equal sense of humor ("We pay f*ck all!"). Despite the less-than-polished nature and street-tough ruggedness, Cut is entirely fun and catchy; it's filled with memorable hooks, whether they're courtesy of the piano lick that carries "Typical Girls" or Ari Up's exuberant vocals. (One listen to Up will demonstrate that Björk might not be as original as you've been led to believe.) Island's 2000 reissue blows away the 1990 CD version in sound and presentation. A mammoth improvement is made with the sound, and extensive liner notes and photos are included. Movie fans should also check out High Fidelity, in which a copy of Cut makes more appearances than many of its co-stars.
© Andy Kellman /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, Guitar, AssociatedPerformer, ComposerLyricist - Tessa Pollitt, Bass Guitar, AssociatedPerformer, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Peter Edward Clarke, Drums, Percussion, AssociatedPerformer - Ariane Forster, Vocals, AssociatedPerformer, ComposerLyricist - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Barrett Strong, ComposerLyricist - Norman Whitfield, ComposerLyricist - Viviane Albertine, Guitar, AssociatedPerformer - Tessa Pollitt, Bass Guitar, AssociatedPerformer - The Slits, Producer, MainArtist - Réma, Producer - Ariane Forster, Vocals, AssociatedPerformer - Max Edwards, Drums, Percussion, AssociatedPerformer - Stuart Henderson, Producer - Mike Dunne, Engineer, StudioPersonnel
℗ 1979 Island Records, a division of Universal Music Operations Limited
Dennis Bovell, Producer - Viviane Albertine, ComposerLyricist - Tessa Pollitt, ComposerLyricist - Paloma Romero, ComposerLyricist - The Slits, MainArtist - Ariane Forster, ComposerLyricist
℗ 1979 Island Records, a division of Universal Music Operations Limited
Chronique
Its amateurish musicianship, less-than-honed singing, and thick, dubwise rhythms might not be for everyone, but there's little denying the crucial nature of the Slits' first record. Along with more recognized post-punk records like Public Image Limited's Metal Box, the Pop Group's Y, and less-recognized fare like the Ruts DC and Mad Professor's Rhythm Collision Dub, Cut displayed a love affair with the style of reggae that honed in on deep throbs, pulses, and disorienting effects, providing little focus on anything other than that and periodic scrapes from guitarist Viv Albertine. But more importantly, Cut placed the Slits along with the Raincoats and Lydia Lunch as major figureheads of unbridled female expression in the post-punk era. Sure, Hole, Sleater-Kinney, and Bikini Kill would have still happened without this record (there were still the Pretenders and Patti Smith, just to mention a few of the less-subversive groundbreakers), but Cut placed a rather indelible notch of its own in the "influential" category, providing a spirited level rarely seen since. Heck, the Slits themselves couldn't match it again. You could call some of these songs a reaction to the Nuggets bands, or the '60s garage acts that would find as many ways as possible to say "women are evil." Songs like "Instant Hit" (about PiL guitarist Keith Levene), "So Tough" (about Sid Vicious and Johnny Rotten), "Ping Pong Affair," and "Love Und Romance" point out the shortcomings of the opposite sex and romantic involvements with more precision and sass than the boys were ever able to. "Spend Spend Spend" and "Shoplifting" target consumerism with an equal sense of humor ("We pay f*ck all!"). Despite the less-than-polished nature and street-tough ruggedness, Cut is entirely fun and catchy; it's filled with memorable hooks, whether they're courtesy of the piano lick that carries "Typical Girls" or Ari Up's exuberant vocals. (One listen to Up will demonstrate that Björk might not be as original as you've been led to believe.) Island's 2000 reissue blows away the 1990 CD version in sound and presentation. A mammoth improvement is made with the sound, and extensive liner notes and photos are included. Movie fans should also check out High Fidelity, in which a copy of Cut makes more appearances than many of its co-stars.
© Andy Kellman /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:40:37
- Artistes principaux : The Slits
- Compositeur : Various Composers
- Label : Island Records
- Genre : Pop/Rock Pop
© 2009 Island Def Jam Records, Inc. This Compilation ℗ 2009 Island Def Jam Records, Inc.
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.