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Choir of Keble College, Oxford|Ceremonial Oxford: Music for the Georgian University by William Hayes

Ceremonial Oxford: Music for the Georgian University by William Hayes

Choir of Keble College, Oxford, Instruments of Time & Truth & Matthew Martin

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Langue disponible : anglais

William Hayes, an organist and a professor of music at Oxford, has been neglected among Handel's successors, and this fine release by the Choir of Keble College, Oxford and the historical-performance group Instruments of Time and Truth under Matthew Martin strongly suggests that the omission has been a major one. Hayes, 23 years younger, was clearly a follower of Handel and conducted his works on a number of occasions. A few of the anthems here reflect Handel's style, yet most of them look either forward or backward: there are aspects of the mid-century Italian and Viennese styles, and strong reminiscences of Purcell, the polyphony of the early 17th century, and even earlier Renaissance music. Hayes was clearly a talented organist, and you could sample the Organ Concerto in G major, an assured, elegant work even though Hayes did not have many models to work with. The English anthems and psalm settings are clear and attractive, whether Handelian or lighter and more galant in style. Most intriguing are the imposing excerpts from the oratorio The Fall of Jericho, which strongly suggest that this work needs a full performance pronto. Handelians and lovers of English music should not delay in hearing this, for it's going to rewrite some history books: Hayes was known not only in Oxford but across England, for several decades. A Voluntary by the Oxford organist and composer William Walond, even less known than Hayes, is included. The youthful choristers enunciate the texts clearly and seem to reflect the music's freshness, in its own time and ours.
© TiVo

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Ceremonial Oxford: Music for the Georgian University by William Hayes

Choir of Keble College, Oxford

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1
The Passions: Overture - An Ode To Music
Instruments of Time & Truth
00:04:04

William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

2
The Passions: Chorus - Thy wide extended pow'r
Instruments of Time & Truth
00:05:18

The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

3
O Worship the Lord
Instruments of Time & Truth
00:08:17

Edward Higginbottom, MainArtist - The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

4
Psalm 23: Lo! My Shepherd's hand divine
Instruments of Time & Truth
00:03:40

Edward Higginbottom, MainArtist - The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

5
Lord, how long wilt thou be angry
Instruments of Time & Truth
00:03:40

The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

6
Organ Concerto in G Major: I. Allegro
Instruments of Time & Truth
00:06:14

William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

7
Organ Concerto in G Major: II. Andante
Instruments of Time & Truth
00:04:06

William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

8
Organ Concerto in G Major: III. Minuetto allegro
Instruments of Time & Truth
00:04:33

William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

9
Save, Lord, and hear us
Instruments of Time & Truth
00:06:27

Edward Higginbottom, MainArtist - The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

10
Voluntary in G Major: I. Adagio
Instruments of Time & Truth
00:01:51

William Hayes, Composer - Matthew Martin, Conductor, MainArtist - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

11
Voluntary in G Major: II. Allegro
Instruments of Time & Truth
00:03:39

William Hayes, Composer - Matthew Martin, Conductor, MainArtist - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

12
Lord, thou has been our refuge
Instruments of Time & Truth
00:05:44

Edward Higginbottom, MainArtist - The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

13
Psalm 120: To God I cry'd with anguish stung
Instruments of Time & Truth
00:03:04

The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble - Rory Moules, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

14
O be joyful I God, all ye lands
Instruments of Time & Truth
00:05:54

Edward Higginbottom, MainArtist - The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble

(C) 2017 CRD Records (P) 2017 CRD Records

15
The Fall of Jericho: I. Andante
Instruments of Time & Truth
00:02:53

William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

16
The Fall of Jericho: II. Allegro
Instruments of Time & Truth
00:02:37

William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

17
The Fall of Jericho: Chorus: Whom then does Jericho deride - Will she in gates of brass rejoice
Instruments of Time & Truth
00:03:24

The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

18
The Hundredth Psalm
Instruments of Time & Truth
00:03:35

The Choir of Keble College, Oxford, MainArtist - William Hayes, Composer - Matthew Martin, Conductor - Instruments of Time & Truth, Ensemble, MainArtist

(C) 2017 CRD Records (P) 2017 CRD Records

Chronique

William Hayes, an organist and a professor of music at Oxford, has been neglected among Handel's successors, and this fine release by the Choir of Keble College, Oxford and the historical-performance group Instruments of Time and Truth under Matthew Martin strongly suggests that the omission has been a major one. Hayes, 23 years younger, was clearly a follower of Handel and conducted his works on a number of occasions. A few of the anthems here reflect Handel's style, yet most of them look either forward or backward: there are aspects of the mid-century Italian and Viennese styles, and strong reminiscences of Purcell, the polyphony of the early 17th century, and even earlier Renaissance music. Hayes was clearly a talented organist, and you could sample the Organ Concerto in G major, an assured, elegant work even though Hayes did not have many models to work with. The English anthems and psalm settings are clear and attractive, whether Handelian or lighter and more galant in style. Most intriguing are the imposing excerpts from the oratorio The Fall of Jericho, which strongly suggest that this work needs a full performance pronto. Handelians and lovers of English music should not delay in hearing this, for it's going to rewrite some history books: Hayes was known not only in Oxford but across England, for several decades. A Voluntary by the Oxford organist and composer William Walond, even less known than Hayes, is included. The youthful choristers enunciate the texts clearly and seem to reflect the music's freshness, in its own time and ours.
© TiVo

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