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Bumble Bee Slim|Bumble Bee Slim 1934 -1937

Bumble Bee Slim 1934 -1937

Bumble Bee Slim

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Langue disponible : anglais

Like many other Southern blues musicians looking for work during the Depression, Bumble Bee Slim (aka Amos Easton) made his way to the industrial cities of the northern Mississippi. From Chicago to Detroit, Slim and his contemporaries molded the easygoing sound of Southern, rural blues to the complex and sonorous backdrop of the metropolis, and, in the process, laid the groundwork for the electric blues revolution of the '40s and '50s. Wolf Records' compilation 1934-1937 includes many of the Georgia native's prime cuts from this time, and spotlights the blues luminaries who backed him up. Big Bill Broonzy, Tampa Red, Memphis Minnie, and Black Bob standout on fine tracks like "When Somebody Loses" and "New Orleans Stop Time," producing an ensemble sound that combines the rough feel of Delta blues with the tighter sound of the Chicago style. This sophisticated blend reaches an apex in the excellent work of boogie-woogie piano master Albert Ammons and guitarist Lonnie Johnson on "I'm Having So Much Trouble." With his Leroy Carr-inspired, easygoing voice, Slim expertly oversees the fine backing, infusing his many tales of a rough and rambling life with humor and even a sense of detachment ("When The Music Sounds Good" includes a parody of the kind of uptight, white producer Slim, no doubt, ran into). In addition to Document Records' 1931-1937, this Wolf title provides a nice introduction to the music of Bumble Bee Slim. For fans who want all of Slim's sides, there's Document's Complete Recorded Works series.
© Stephen Cook /TiVo

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Bumble Bee Slim 1934 -1937

Bumble Bee Slim

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À partir de 12,49€/mois

1
Burned Down Mill
00:03:14

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

2
You Can't Take it, Baby
00:02:54

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

3
Bleeding Heart Blues
00:02:43

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

4
Policy Dream Blues
00:02:56

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

5
Right From Wrong
00:03:04

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

6
Hay Lawdy Mama
00:02:58

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

7
Steady Roll Mama Blues
00:03:34

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

8
When the Sun Goes Down
00:02:48

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

9
Cold Blooded Murder No 2
00:02:58

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

10
How Long How Long Blues
00:02:45

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

11
When Somebody Loses
00:02:59

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

12
Ramblin' with That Woman
00:03:00

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

13
New Orleans Stop Time
00:03:03

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

14
When the Music Sounds Good
00:02:58

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

15
New Bricks in My Pillow
00:02:46

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

16
Ant Time at Night
00:03:05

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

17
Slave Man Blues
00:02:59

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

18
Green Country Gal
00:02:57

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

19
My Big Moments
00:03:15

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

20
Big Six
00:02:59

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

21
Rough Treatment
00:02:44

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

22
I'm Having So Much Trouble
00:02:58

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

23
Going Back to Florida
00:03:00

Bumble Bee Slim, Composer, MainArtist

2000 Wolf Records International GmbH 2000 Wolf Records International GmbH

Chronique

Like many other Southern blues musicians looking for work during the Depression, Bumble Bee Slim (aka Amos Easton) made his way to the industrial cities of the northern Mississippi. From Chicago to Detroit, Slim and his contemporaries molded the easygoing sound of Southern, rural blues to the complex and sonorous backdrop of the metropolis, and, in the process, laid the groundwork for the electric blues revolution of the '40s and '50s. Wolf Records' compilation 1934-1937 includes many of the Georgia native's prime cuts from this time, and spotlights the blues luminaries who backed him up. Big Bill Broonzy, Tampa Red, Memphis Minnie, and Black Bob standout on fine tracks like "When Somebody Loses" and "New Orleans Stop Time," producing an ensemble sound that combines the rough feel of Delta blues with the tighter sound of the Chicago style. This sophisticated blend reaches an apex in the excellent work of boogie-woogie piano master Albert Ammons and guitarist Lonnie Johnson on "I'm Having So Much Trouble." With his Leroy Carr-inspired, easygoing voice, Slim expertly oversees the fine backing, infusing his many tales of a rough and rambling life with humor and even a sense of detachment ("When The Music Sounds Good" includes a parody of the kind of uptight, white producer Slim, no doubt, ran into). In addition to Document Records' 1931-1937, this Wolf title provides a nice introduction to the music of Bumble Bee Slim. For fans who want all of Slim's sides, there's Document's Complete Recorded Works series.
© Stephen Cook /TiVo

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