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Orville Peck|Bronco

Bronco

Orville Peck

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Tout ça, c’est pour de faux, la beauté de l’art dans l’artifice et du culte dans la pop culture. Orville Peck est apparu en 2019 comme dans un rêve agité : un cow-boy queer spectral et néanmoins glamour, le visage caché derrière un masque à franges et prenant des poses à la Elvis dans des costumes avec encore plus de franges. Succès immédiat auprès de ceux qui aiment avoir l’image sans le son. Mais avec le son, c’était bien aussi. Son premier album Pony ressemblait à une compile d’obscures pépites de country sans terroir, terrain de jeu d’un enfant de la new wave découvrant la voix de Roy Orbison et les guitares western. Un fantasme indé très personnel et touchant, transformé aujourd’hui avec un deuxième album aux ambitions beaucoup plus vastes. De Pony à Bronco, Peck assume le changement de monture. Il a enregistré ces nouvelles chansons à Nashville, avec beaucoup plus de musiciens et de moyens, et sans doute moins de liberté. Il plonge tête masquée la première dans le souvenir de la country-pop des années 60, très arrangée et formatée. Assez méconnaissable, son chant rappelle Charlie Rich, Glen Campbell, Elvis ou toujours Roy Orbison. A la limite de l’imitation emphatique, pas très sauvage pour un bronco, Orville Peck risque ici de perdre la frange indé de ses fans, qui regretteront le charme bancal et personnel de son premier album. Pourtant, le disque est joliment arrangé et riche en mélodies, il reste du bon côté de la parodie. On peut très bien se laisser prendre par les sentiments et adorer ces chansons qui évoquent un âge d’or de l’americana, donnent envie de ressortir des vinyles cornés. On imagine très bien cet album dans l’autoradio de Lana Del Rey, roulant sans but sur une highway au bord du Pacifique. © Stéphane Deschamps/Qobuz

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Bronco

Orville Peck

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1
Daytona Sand
00:03:15

Jay Joyce, Producer, Keyboards, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar - Bria Salmena, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Drums, Acoustic Guitar, Electric Guitar, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

2
The Curse of the Blackened Eye
00:04:10

Jay Joyce, Producer, Electric Guitar, Keyboards, Mixing Engineer, Other - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Christopher Stracey, Composer, Lyricist - Kyle Connolly, Bass - Luke Schneider, Steel Guitar - Tobias Jesso, Jr., Composer, Lyricist - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar, Keyboards - Bria Salmena, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Mandolin, Percussion, Piano, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

3
Outta Time
00:04:18

Jay Joyce, Producer, Keyboards, Percussion, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Composer, Lyricist, Bass - Luke Schneider, Steel Guitar - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar, Keyboards - Bria Salmena, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Acoustic Guitar, Executive Producer, MainArtist, AssociatedPerformer, Background Vocal, Vocal - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

4
Lafayette
00:03:02

Jay Joyce, Producer, Keyboards, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar - Bria Salmena, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Acoustic Guitar, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums, Percussion

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

5
C'mon Baby, Cry
00:03:30

Jay Joyce, Producer, Electric Guitar, Keyboards, Programmer, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Pete Min, Recording Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Christopher Stracey, Composer, Lyricist, Organ, Recording Engineer - Kyle Connolly, Bass - Luke Schneider, Steel Guitar - Tobias Jesso, Jr., Composer, Lyricist, Acoustic Guitar - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar - Bria Salmena, Background Vocal - Orville Peck, Composer, Lyricist, Percussion, Executive Producer, Celeste, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

6
Iris Rose
00:02:48

Jay Joyce, Producer, Piano, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Noam Pikelny, Banjo - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Emmanuel Echem, Trumpet - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar - Bria Salmena, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Acoustic Guitar, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums, Percussion

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

7
Kalahari Down
00:04:49

Jay Joyce, Producer, Keyboards, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Jordan Lehning, Strings - Kyle Connolly, Bass - Luke Schneider, Steel Guitar - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Kristin Weber, Violin - Laura Epling, Violin - Austin Hoke, Cello - Duncan Hay Jennings, Electric Guitar, Organ - Bria Salmena, Acoustic Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Electric Guitar, Executive Producer, Harmonica, MainArtist, AssociatedPerformer, Vocal - Nicole Neely, Viola - Kristopher Bowering, Drums, Percussion

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

8
Bronco
00:03:28

Jay Joyce, Producer, Percussion, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Luke Schneider, Steel Guitar - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar - Bria Salmena, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Electric Guitar, Percussion, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

9
Trample Out the Days
00:03:48

Jay Joyce, Producer, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar - Bria Salmena, Acoustic Guitar, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Electric Guitar, Executive Producer, MainArtist, AssociatedPerformer, Background Vocal, Vocal, 12-String Guitar - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

10
Blush
00:03:36

Jay Joyce, Producer, Keyboards, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar, Organ - Bria Salmena, Electric Guitar, Background Vocal - Orville Peck, Composer, Lyricist, Acoustic Guitar, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

11
Hexie Mountains
00:03:11

Jay Joyce, Producer, Electric Guitar, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Noam Pikelny, Banjo - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Bria Salmena, Keyboards - Orville Peck, Composer, Lyricist, Acoustic Guitar, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Percussion

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

12
Let Me Drown
00:03:19

Jay Joyce, Producer, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Jordan Lehning, Strings - Kyle Connolly, Bass - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Kristin Weber, Violin - Laura Epling, Violin - Austin Hoke, Cello - Duncan Hay Jennings, Electric Guitar - Orville Peck, Composer, Lyricist, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Nicole Neely, Viola - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

13
Any Turn
00:02:16

Jay Joyce, Producer, Keyboards, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Electric Guitar - Bria Salmena, Electric Guitar - Orville Peck, Composer, Lyricist, Acoustic Guitar, Electric Guitar, Percussion, Executive Producer, MainArtist, AssociatedPerformer, Vocal - Kristopher Bowering, Drums, Percussion

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

14
City of Gold
00:04:04

Jay Joyce, Producer, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Luke Schneider, Steel Guitar - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Orville Peck, Composer, Lyricist, Acoustic Guitar, Executive Producer, MainArtist, AssociatedPerformer, Vocal

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

15
All I Can Say
00:03:56

Jay Joyce, Producer, Mixing Engineer - Andrew Mendelson, Mastering Engineer - Jason Hall, Mixing Engineer, Recording Engineer - Kyle Connolly, Bass - Luke Schneider, Steel Guitar - Jimmy Mansfield, Assistant Engineer - Jaxon Hargrove, Assistant Engineer - Duncan Hay Jennings, Composer, Lyricist, Guitar, Electric Guitar, Keyboards, Organ - Bria Salmena, Composer, Lyricist, Electric Guitar, Vocal - Orville Peck, Composer, Lyricist, Acoustic Guitar, Percussion, Executive Producer, MainArtist, AssociatedPerformer, Vocal, 12-String Guitar - Kristopher Bowering, Drums

(P) 2022 Columbia Records, a Division of Sony Music Entertainment

Descriptif de l'album

Tout ça, c’est pour de faux, la beauté de l’art dans l’artifice et du culte dans la pop culture. Orville Peck est apparu en 2019 comme dans un rêve agité : un cow-boy queer spectral et néanmoins glamour, le visage caché derrière un masque à franges et prenant des poses à la Elvis dans des costumes avec encore plus de franges. Succès immédiat auprès de ceux qui aiment avoir l’image sans le son. Mais avec le son, c’était bien aussi. Son premier album Pony ressemblait à une compile d’obscures pépites de country sans terroir, terrain de jeu d’un enfant de la new wave découvrant la voix de Roy Orbison et les guitares western. Un fantasme indé très personnel et touchant, transformé aujourd’hui avec un deuxième album aux ambitions beaucoup plus vastes. De Pony à Bronco, Peck assume le changement de monture. Il a enregistré ces nouvelles chansons à Nashville, avec beaucoup plus de musiciens et de moyens, et sans doute moins de liberté. Il plonge tête masquée la première dans le souvenir de la country-pop des années 60, très arrangée et formatée. Assez méconnaissable, son chant rappelle Charlie Rich, Glen Campbell, Elvis ou toujours Roy Orbison. A la limite de l’imitation emphatique, pas très sauvage pour un bronco, Orville Peck risque ici de perdre la frange indé de ses fans, qui regretteront le charme bancal et personnel de son premier album. Pourtant, le disque est joliment arrangé et riche en mélodies, il reste du bon côté de la parodie. On peut très bien se laisser prendre par les sentiments et adorer ces chansons qui évoquent un âge d’or de l’americana, donnent envie de ressortir des vinyles cornés. On imagine très bien cet album dans l’autoradio de Lana Del Rey, roulant sans but sur une highway au bord du Pacifique. © Stéphane Deschamps/Qobuz

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