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Ensemble Polyharmonique|Briegel: Zwölff madrigalische Trost-Gesänge & Fugen durch die 8 Kirchentöne

Briegel: Zwölff madrigalische Trost-Gesänge & Fugen durch die 8 Kirchentöne

Ensemble Polyharmonique

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Langue disponible : anglais

“End, good; everything, good”

Wolfgang Carl Briegel placed these very consoling words at the center of the dedication that he formulated in 1671 for his Zwölff madrigalische Trost-Gesänge for five or six voices together with basso continuo. After Briegel had served without interruption over two decades at Gotha’s ducal court, he resigned from his post as court music director and solemnly bade farewell to his employer, the local lord Ernst I, Duke of Saxe-Gotha, with the publication of these twelve songs of lament.

Born in Königsberg, Upper Franconia, Briegel received his initial instruction in music from Johann Andreas Herbst. Through this teacher and through Johann Erasmus Kindermann, he made indirect contact with the latest Italian styles of composition and performance. His Trost-Gesänge in very large part involve the setting of Biblical verses in the form of so-called "Spruch-Motetten", in which each phrase of the sacred text is given its own musical delineation. On the whole, the collection exhibits numerous original settings of Biblical and poetic material.

Some organ fugues by Briegel have been included in the work series - one in each of the eight church modes. They are very short works, but the themes are richly varied and lend expression to the special characteristics and qualities of the various modes.

The interpretation by the Polyharmonique Ensemble makes this rediscovery an absolute listening delight! © CPO

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Briegel: Zwölff madrigalische Trost-Gesänge & Fugen durch die 8 Kirchentöne

Ensemble Polyharmonique

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12 Madrigalische Trostgesänge (Wolfgang Carl Briegel)

1
No. 1, Wer Gott vertraut
Ensemble Polyharmonique
00:04:59

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer - Joachim Magdeburg, Lyricist

(C) 2022 CPO (P) 2022 CPO

2
No. 2, Ach, Herr, lehre doch mich
Ensemble Polyharmonique
00:04:56

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

3
No. 3, Valet will ich dir geben
Ensemble Polyharmonique
00:03:37

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer - Valerius Herberger, Lyricist

(C) 2022 CPO (P) 2022 CPO

4
No. 4, Ach, wie gar nichts
Ensemble Polyharmonique
00:02:46

Michael Franck, Lyricist - Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

Fugen durch die 8 Kirchentöne (Wolfgang Carl Briegel)

5
No. 1, Fuga primi toni
Klaus Eichhorn
00:01:28

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

6
No. 2, Fuga secundi toni
Klaus Eichhorn
00:01:41

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

12 Madrigalische Trostgesänge (Wolfgang Carl Briegel)

7
No. 5, Du aber, Daniel
Ensemble Polyharmonique
00:03:13

Nikolaus Herman, Lyricist - Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

Fugen durch die 8 Kirchentöne (Wolfgang Carl Briegel)

8
No. 3, Fuga tertii toni
Klaus Eichhorn
00:01:32

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

9
No. 4, Fuga quarti toni
Klaus Eichhorn
00:01:33

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

12 Madrigalische Trostgesänge (Wolfgang Carl Briegel)

10
No. 6, Ich habe dich ein klein Augenblick verlassen
Ensemble Polyharmonique
00:04:21

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

Fugen durch die 8 Kirchentöne (Wolfgang Carl Briegel)

11
No. 5, Fuga quinti toni
Klaus Eichhorn
00:01:38

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

12 Madrigalische Trostgesänge (Wolfgang Carl Briegel)

12
No. 7, Si bona suscepimus
Ensemble Polyharmonique
00:03:38

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

Fugen durch die 8 Kirchentöne (Wolfgang Carl Briegel)

13
No. 6, Fuga sexti toni
Klaus Eichhorn
00:01:20

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

12 Madrigalische Trostgesänge (Wolfgang Carl Briegel)

14
No. 8, Der Gerechte, ob er gleich zu zeitlich
Ensemble Polyharmonique
00:04:02

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

Fugen durch die 8 Kirchentöne (Wolfgang Carl Briegel)

15
No. 7, Fuga septimi toni
Klaus Eichhorn
00:01:18

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

16
No. 8, Fuga octavi toni
Klaus Eichhorn
00:01:21

Klaus Eichhorn, Artist, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

12 Madrigalische Trostgesänge (Wolfgang Carl Briegel)

17
No. 9, Wir sind getrost allezeit
Ensemble Polyharmonique
00:04:27

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

18
No. 10, Ach, lieben Christen, seyd getrost
Ensemble Polyharmonique
00:04:43

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

19
No. 11, Es ist ein elend jämmerlich Ding
Ensemble Polyharmonique
00:05:51

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

20
No. 12, Wahrlich ich sage euch
Ensemble Polyharmonique
00:03:41

Ensemble Polyharmonique, Ensemble, MainArtist - Wolfgang Carl Briegel, Composer

(C) 2022 CPO (P) 2022 CPO

Chronique

“End, good; everything, good”

Wolfgang Carl Briegel placed these very consoling words at the center of the dedication that he formulated in 1671 for his Zwölff madrigalische Trost-Gesänge for five or six voices together with basso continuo. After Briegel had served without interruption over two decades at Gotha’s ducal court, he resigned from his post as court music director and solemnly bade farewell to his employer, the local lord Ernst I, Duke of Saxe-Gotha, with the publication of these twelve songs of lament.

Born in Königsberg, Upper Franconia, Briegel received his initial instruction in music from Johann Andreas Herbst. Through this teacher and through Johann Erasmus Kindermann, he made indirect contact with the latest Italian styles of composition and performance. His Trost-Gesänge in very large part involve the setting of Biblical verses in the form of so-called "Spruch-Motetten", in which each phrase of the sacred text is given its own musical delineation. On the whole, the collection exhibits numerous original settings of Biblical and poetic material.

Some organ fugues by Briegel have been included in the work series - one in each of the eight church modes. They are very short works, but the themes are richly varied and lend expression to the special characteristics and qualities of the various modes.

The interpretation by the Polyharmonique Ensemble makes this rediscovery an absolute listening delight! © CPO

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