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David Essex|Be-Bop The Future

Be-Bop The Future

David Essex

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Langue disponible : anglais

You've got to hand it to him. When David Essex wants a change in direction, he makes sure everybody sees him swerving. Recorded in 1981 with an all-star session band convened by Al Kooper, and highlighted by such names as John Bundrick, Herbie Flowers, and Jeff Baxter, Be Bop the Future is the sound of Essex embracing the electro-dance scene some months ahead of even his best-heeled contemporaries, and pulling it off with room to spare. Edgy dynamism is the motivating force, wrapped around some of Essex's gutsiest vocals in a while. The low-life crime epic "Sunday Papers," with its spectral flashbacks to the protagonist's childhood innocence, draws as much on his acting talents as his singing abilities, while "Life Support System" is layered in a gently futuristic vibe pervasive enough to survive even Baxter's classic rock guitar solo. The impressively Afro-charged "Silly Little Baby Running," meanwhile, gets a head start in the proto-world department, even if its simplicity has not dated well, while the strangely sinister "Showgirls" ricochets around old "Rock On" territory, without ever sounding like anything Essex has done before. The album's peak, however -- and the performance that both named the LP and determined its mood -- is "Be-Bop-A-Lula," reinvented as a turbulent duet for Linn Drum and sequencer, and bisected by some startling Kooper-played synths. Essex himself plays the vocal line straight, a trick that only amplifies the modernity shaping itself around him. Despite such, and so many, virtues, Be Bop the Future not only continued Essex's recent run of lousy luck chartwise, it actually fared even worse than usual, becoming his first album ever to miss the U.K. chart, and the first not to spark at least a minor hit single. Pop fans can be so mystifying, sometimes.

© Dave Thompson /TiVo

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Be-Bop The Future

David Essex

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1
Totally Secure
00:03:24

Jerry Whitman, Background Vocalist, AssociatedPerformer - Herbie Flowers, Bass Guitar, AssociatedPerformer - Gene Morford, Background Vocalist, AssociatedPerformer - STEVE LUKATHER, Guitar, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - Al Kooper, Producer, Synthesizer, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - John Bähler, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Mitch Gordon, Background Vocalist, AssociatedPerformer - John "Rabbit" Bundrick, Piano, AssociatedPerformer - Peter May, Drums, AssociatedPerformer - Jim Hass, Background Vocalist, AssociatedPerformer

℗ 1981 Mercury Records Limited

2
Sunday Papers
00:03:56

Jerry Whitman, Background Vocalist, AssociatedPerformer - Geoff Westley, Piano, AssociatedPerformer - Herbie Flowers, Bass Guitar, AssociatedPerformer - Gene Morford, Background Vocalist, AssociatedPerformer - STEVE LUKATHER, Guitar, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - Al Kooper, Producer, Guitar, Synthesizer, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - John Bähler, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Mitch Gordon, Background Vocalist, AssociatedPerformer - Peter May, Drums, AssociatedPerformer - Jim Hass, Background Vocalist, AssociatedPerformer - John Brewer, Vocals, AssociatedPerformer

℗ 1981 Mercury Records Limited

3
The Magician
00:03:33

Jerry Whitman, Background Vocalist, AssociatedPerformer - Gene Morford, Background Vocalist, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - JEFF BAXTER, Guitar, AssociatedPerformer - Al Kooper, Producer, Guitar, Synthesizer, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - John Bähler, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Mitch Gordon, Background Vocalist, AssociatedPerformer - Peter May, Drums, AssociatedPerformer - Jim Hass, Background Vocalist, AssociatedPerformer - Brian Cumming, Saxophone, AssociatedPerformer

℗ 1981 Mercury Records Limited

4
The Politician
00:05:20

Geoff Westley, Piano, AssociatedPerformer - Herbie Flowers, Bass Guitar, AssociatedPerformer - Gene Morford, Background Vocalist, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Paul Jones, Harmonica, AssociatedPerformer - Al Kooper, Producer, Guitar, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - Oren Waters, Background Vocalist, AssociatedPerformer - John Lehman, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Augie Johnson, Background Vocalist, AssociatedPerformer - Peter May, Drums, AssociatedPerformer

℗ 1981 Mercury Records Limited

5
Sunshine Girl
00:03:02

Marilyn McLeod, ComposerLyricist - Jerry Whitman, Background Vocalist, AssociatedPerformer - Jerry Riopelle, ComposerLyricist - Herbie Flowers, Bass Guitar, AssociatedPerformer - Gene Morford, Background Vocalist, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - JEFF BAXTER, Guitar, AssociatedPerformer - Al Kooper, Producer, Synthesizer, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - John Bähler, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer - Mitch Gordon, Background Vocalist, AssociatedPerformer - John "Rabbit" Bundrick, Piano, AssociatedPerformer - Peter May, Drums, AssociatedPerformer - Smokey Roberds, ComposerLyricist - Jim Hass, Background Vocalist, AssociatedPerformer

℗ 1981 Mercury Records Limited

6
Be Bop A Lula
00:03:26

Tex Davis, ComposerLyricist - Gene Morford, Background Vocalist, AssociatedPerformer - Gene Vincent, ComposerLyricist - Ron Hicklin, Background Vocalist, AssociatedPerformer - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Al Kooper, Producer, Guitar, Bass Guitar, Synthesizer, AssociatedPerformer - Oren Waters, Background Vocalist, AssociatedPerformer - John Lehman, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer - Augie Johnson, Background Vocalist, AssociatedPerformer

℗ 1981 Mercury Records Limited

7
Life Support System
00:03:04

Jerry Whitman, Background Vocalist, AssociatedPerformer - Herbie Flowers, Bass Guitar, AssociatedPerformer - Gene Morford, Background Vocalist, AssociatedPerformer - STEVE LUKATHER, Guitar, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - JEFF BAXTER, Guitar, AssociatedPerformer - Al Kooper, Producer, Guitar, Synthesizer, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - John Bähler, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Mitch Gordon, Background Vocalist, AssociatedPerformer - John "Rabbit" Bundrick, Piano, AssociatedPerformer - Peter May, Drums, AssociatedPerformer - Jim Hass, Background Vocalist, AssociatedPerformer

℗ 1981 Mercury Records Limited

8
Showgirls
00:03:18

Gene Morford, Background Vocalist, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Al Kooper, Producer, Guitar, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - Oren Waters, Background Vocalist, AssociatedPerformer - John Lehman, Background Vocalist, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Augie Johnson, Background Vocalist, AssociatedPerformer - John "Rabbit" Bundrick, Piano, AssociatedPerformer - Peter May, Drums, AssociatedPerformer - Brian Cumming, Saxophone, AssociatedPerformer

℗ 1981 Mercury Records Limited

9
Silly Little Baby Running
00:04:22

Gene Morford, Background Vocalist, AssociatedPerformer - Michael Boddicker, Synthesizer, AssociatedPerformer - Ron Hicklin, Background Vocalist, AssociatedPerformer - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Emil Richards, Percussion, AssociatedPerformer - Al Kooper, Guitar, Background Vocalist, AssociatedPerformer - Steve Forman, Percussion, AssociatedPerformer - Oren Waters, Background Vocalist, AssociatedPerformer - John Lehman, Background Vocalist, AssociatedPerformer - Bob Zimmitti, Percussion, AssociatedPerformer - David Essex, Producer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Augie Johnson, Background Vocalist, AssociatedPerformer

℗ 1981 Mercury Records Limited

10
Pick Up The Future
00:04:19

Al Kooper, Producer, Synthesizer, AssociatedPerformer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - BOB CARPENTER, Synthesizer, AssociatedPerformer

℗ 1981 Mercury Records Limited

11
Don't Leave Me This Way
00:02:47

David Essex, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1981 Mercury Records Limited

12
Secret Lover
00:02:34

Al Kooper, Producer - David Essex, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1981 Mercury Records Limited

Chronique

You've got to hand it to him. When David Essex wants a change in direction, he makes sure everybody sees him swerving. Recorded in 1981 with an all-star session band convened by Al Kooper, and highlighted by such names as John Bundrick, Herbie Flowers, and Jeff Baxter, Be Bop the Future is the sound of Essex embracing the electro-dance scene some months ahead of even his best-heeled contemporaries, and pulling it off with room to spare. Edgy dynamism is the motivating force, wrapped around some of Essex's gutsiest vocals in a while. The low-life crime epic "Sunday Papers," with its spectral flashbacks to the protagonist's childhood innocence, draws as much on his acting talents as his singing abilities, while "Life Support System" is layered in a gently futuristic vibe pervasive enough to survive even Baxter's classic rock guitar solo. The impressively Afro-charged "Silly Little Baby Running," meanwhile, gets a head start in the proto-world department, even if its simplicity has not dated well, while the strangely sinister "Showgirls" ricochets around old "Rock On" territory, without ever sounding like anything Essex has done before. The album's peak, however -- and the performance that both named the LP and determined its mood -- is "Be-Bop-A-Lula," reinvented as a turbulent duet for Linn Drum and sequencer, and bisected by some startling Kooper-played synths. Essex himself plays the vocal line straight, a trick that only amplifies the modernity shaping itself around him. Despite such, and so many, virtues, Be Bop the Future not only continued Essex's recent run of lousy luck chartwise, it actually fared even worse than usual, becoming his first album ever to miss the U.K. chart, and the first not to spark at least a minor hit single. Pop fans can be so mystifying, sometimes.

© Dave Thompson /TiVo

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