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Ensemble Marsyas|Barsanti & Handel: Edinburgh 1742 (Parte seconda)

Barsanti & Handel: Edinburgh 1742 (Parte seconda)

Ensemble Marsyas and Peter Whelan

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Francesco Barsanti (1690-1775) played in Handel's opera orchestra in London and then moved to Edinburgh, where he worked for the gentlemen of the Edinburgh Musical Society. This is one of a pair of albums devoted to his concertos and other works by Ensemble Marsyas, released on the Linn label. Barsanti seems for all the world a direct follower of Handel, and the inclusion of the overture to Handel's opera Atalanta, HWV 35, seems to confirm the link. Yet what gives the music here its particular flavor are the hints of progressive musical thought. Worth the price of admission are the four lively works from A Collection of Old Scots Tunes, played here on violin and Baroque guitar; Barsanti was not the first composer to set down vernacular musical materials in this way, but the practice was quite new in the 1720s when he created the present pieces. (There are more on Ensemble Marsyas' earlier Barsanti release.) The concerti grossi, too, have fresh touches. They were apparently the first ones anywhere to include a timpanI part, and the melody instruments, trumpets and oboes, break off from harmony from time to time to add little bits of texture, a clear anticipation of the coming Classical style. In general, the album is attractive, of interest to both Baroque enthusiasts and general listeners, but the church sound, from All Saints' Church of East Finchley, London, of all places, is too live and does not resemble the music society rooms where this music would originally have been heard.

© TiVo

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Barsanti & Handel: Edinburgh 1742 (Parte seconda)

Ensemble Marsyas

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Concerto Grosso in C Major, Op. 3 No. 6 (Francesco Barsanti)

1
I. Sostenuto
Ensemble Marsyas
00:02:11

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

2
II. Allegro
Ensemble Marsyas
00:02:48

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

3
III. Adagio
Ensemble Marsyas
00:01:26

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

4
IV. Allegro
Ensemble Marsyas
00:01:50

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

Concerto Grosso in C Major, Op. 3 No. 7 (Francesco Barsanti)

5
I. Sostenuto
Ensemble Marsyas
00:02:13

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

6
II. Allegro
Ensemble Marsyas
00:01:40

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

7
III. Andante largo
Ensemble Marsyas
00:02:11

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

8
IV. Menuet
Ensemble Marsyas
00:03:17

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

Concerto Grosso in C Major, Op. 3 No. 8 (Francesco Barsanti)

9
I. Largo
Ensemble Marsyas
00:01:17

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

10
II. Allegro
Ensemble Marsyas
00:02:12

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

11
III. Adagio
Ensemble Marsyas
00:01:50

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

12
IV. Allegro
Ensemble Marsyas
00:02:14

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

13
A Collection of Old Scots Tunes: Dumbarton’s Drums
Colin Scobie
00:01:26

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Elizabeth Kenny, MainArtist - Colin Scobie, MainArtist

2020 Outhere 2020 Linn Records

14
A Collection of Old Scots Tunes: Ettrick Banks
Colin Scobie
00:01:30

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Elizabeth Kenny, MainArtist - Colin Scobie, MainArtist

2020 Outhere 2020 Linn Records

15
A Collection of Old Scots Tunes: The bush Aboon Traquair
Colin Scobie
00:01:09

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Elizabeth Kenny, MainArtist - Colin Scobie, MainArtist

2020 Outhere 2020 Linn Records

16
A Collection of Old Scots Tunes: Cornriggs Are Bonnie
Colin Scobie
00:01:57

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Elizabeth Kenny, MainArtist - Colin Scobie, MainArtist

2020 Outhere 2020 Linn Records

Overture to Atalanta, HWV 35 (Georg Friedrich Händel)

17
I. [Untitled]
Ensemble Marsyas
00:01:34

George Frideric Handel, Composer - Copyright Control, MusicPublisher - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

18
II. Allegro
Ensemble Marsyas
00:02:25

George Frideric Handel, Composer - Copyright Control, MusicPublisher - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

Concerto grosso in D Major, Op. 3 No. 9 (Francesco Barsanti)

19
I. Tempo di March, Grave
Ensemble Marsyas
00:01:26

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

20
II. Allegro
Ensemble Marsyas
00:02:37

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

21
III. Adagio
Ensemble Marsyas
00:01:08

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

22
IV. Menuet (Allegro)
Ensemble Marsyas
00:02:23

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

Concerto grosso in D Major, Op. 3 No. 10 (Francesco Barsanti)

23
I. Largo
Ensemble Marsyas
00:01:25

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

24
II. Allegro
Ensemble Marsyas
00:03:47

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

25
III. Largo
Ensemble Marsyas
00:01:51

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

26
IV. Allegro
Ensemble Marsyas
00:00:28

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

27
V. Andantino
Ensemble Marsyas
00:00:48

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

28
VI. Allegro
Ensemble Marsyas
00:00:32

Copyright Control, MusicPublisher - Francesco Barsanti, Composer - Peter Whelan, MainArtist - Ensemble Marsyas, MainArtist

2020 Outhere 2020 Linn Records

Chronique

Francesco Barsanti (1690-1775) played in Handel's opera orchestra in London and then moved to Edinburgh, where he worked for the gentlemen of the Edinburgh Musical Society. This is one of a pair of albums devoted to his concertos and other works by Ensemble Marsyas, released on the Linn label. Barsanti seems for all the world a direct follower of Handel, and the inclusion of the overture to Handel's opera Atalanta, HWV 35, seems to confirm the link. Yet what gives the music here its particular flavor are the hints of progressive musical thought. Worth the price of admission are the four lively works from A Collection of Old Scots Tunes, played here on violin and Baroque guitar; Barsanti was not the first composer to set down vernacular musical materials in this way, but the practice was quite new in the 1720s when he created the present pieces. (There are more on Ensemble Marsyas' earlier Barsanti release.) The concerti grossi, too, have fresh touches. They were apparently the first ones anywhere to include a timpanI part, and the melody instruments, trumpets and oboes, break off from harmony from time to time to add little bits of texture, a clear anticipation of the coming Classical style. In general, the album is attractive, of interest to both Baroque enthusiasts and general listeners, but the church sound, from All Saints' Church of East Finchley, London, of all places, is too live and does not resemble the music society rooms where this music would originally have been heard.

© TiVo

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