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Banyan|Banyan

Banyan

Banyan

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Langue disponible : anglais

Banyan's eponymous debut suffers from the same problem as many self-consciously "experimental" side projects -- it is rarely intriguing and consistently self-indulgent. Stephen Perkins and David Turin -- with the help of engineers the Dust Brothers, Mike Watt, Nels Cline and the Freeway Keyboardist -- do come up with a handful of provocative sounds, but never turn them into either compositions or effective soundscapes. Instead, it's a dull mess of samples, loops, found sounds, and noodling instrumentals that doesn't say much of anything.

© Stephen Thomas Erlewine /TiVo

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Banyan

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1
Baby Grace And The Indians
00:02:42

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

2
People Find It Hard
00:03:39

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

3
At The Blowhole
00:03:48

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

4
Christmas Tree Park
00:11:35

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

5
What's Left Of Autumn
00:07:31

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

6
Cooking For Now
00:03:06

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

7
The Roots Of Banyan
00:11:10

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

8
A Good Looking Couple
00:09:25

Banyan, Composer, MainArtist

(C) 1997 Higher Octave Music, Inc ℗ 1997 Higher Octave Music, Inc.

Chronique

Banyan's eponymous debut suffers from the same problem as many self-consciously "experimental" side projects -- it is rarely intriguing and consistently self-indulgent. Stephen Perkins and David Turin -- with the help of engineers the Dust Brothers, Mike Watt, Nels Cline and the Freeway Keyboardist -- do come up with a handful of provocative sounds, but never turn them into either compositions or effective soundscapes. Instead, it's a dull mess of samples, loops, found sounds, and noodling instrumentals that doesn't say much of anything.

© Stephen Thomas Erlewine /TiVo

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