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Orchestra Of The Age Of Enlightenment|Bach: Mass in B Minor, BWV 232

Bach: Mass in B Minor, BWV 232

Orchestra Of The Age Of Enlightenment, Stephen Layton, The Choir of Trinity College Cambridge

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The Bach Mass in B minor, BWV 232, assembled from bits and pieces over some years, coheres in its final form in ways that perhaps only the composer understood. This recording by the Choir of Trinity College Cambridge and Orchestra of the Age of Enlightenment under Stephen Layton has been road-tested in performances around Britain for several years, but it hasn't lost the enthusiasm of its youthful singers. With a choir of 40+, it's not a recording for the historical-performance crowd, but it's musical, filled with clear, bright contrasts, and really quite grand. Layton takes a deliberate approach to the score, catching its long lines and letting the choir swell and surprise when they want to. The contrasts also involve the soloists, a varied bunch of well-known names that keep things exciting. The bloomy voice of soprano Katherine Watson might or might not be to your taste, but it plays well off the others. Sample the slow polyphony of the final Dona nobis pacem for a taste of the choir's Romantic approach, which one suspects wouldn't have sounded too unfamiliar to Mendelssohn. Whatever your own verdict, the support the singers get from Hyperion engineer David Hinitt and producer Adrian Peacock, working at the Trinity College Chapel, is superb: In a difficult situation, the various sound groups are kept clear, and there's not a trace of mush.

© TiVo

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Bach: Mass in B Minor, BWV 232

Orchestra Of The Age Of Enlightenment

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1
Mass in B Minor, BWV 232: Kyrie: I. Kyrie eleison (Chorus)
Stephen Layton
00:09:56

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

2
Mass in B Minor, BWV 232: Kyrie: II. Christe eleison (Soprano I, II)
Orchestra Of The Age Of Enlightenment
00:04:57

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - Katherine Watson, Soprano, MainArtist, AssociatedPerformer - Helen Charlston, Mezzo-Soprano, MainArtist, AssociatedPerformer

℗ 2018 Hyperion Records Limited

3
Mass in B Minor, BWV 232: Kyrie: III. Kyrie eleison (Chorus)
The Choir of Trinity College Cambridge
00:03:24

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

4
Mass in B Minor, BWV 232: Gloria: I. Gloria in excelsis Deo (Chorus)
Orchestra Of The Age Of Enlightenment
00:01:44

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

5
Mass in B Minor, BWV 232: Gloria: II. Et in terra pax hominibus (Chorus)
The Choir of Trinity College Cambridge
00:04:26

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

6
Mass in B Minor, BWV 232: Gloria: III. Laudamus te (Soprano II)
Stephen Layton
00:04:22

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - Katherine Watson, Soprano, MainArtist, AssociatedPerformer

℗ 2018 Hyperion Records Limited

7
Mass in B Minor, BWV 232: Gloria: IV. Gratias agimus tibi (Chorus)
The Choir of Trinity College Cambridge
00:03:14

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

8
Mass in B Minor, BWV 232: Gloria: V. Domine Deus (Soprano I, Tenor)
Katherine Watson
00:05:30

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - Katherine Watson, Soprano, MainArtist, AssociatedPerformer - Gwilym Bowen, Tenor, MainArtist, AssociatedPerformer

℗ 2018 Hyperion Records Limited

9
Mass in B Minor, BWV 232: Gloria: VI. Qui tollis peccata mundi (Chorus)
Stephen Layton
00:03:04

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

10
Mass in B Minor, BWV 232: Gloria: VII. Qui sedes ad dexteram Patris (Alto)
Iestyn Davies
00:04:28

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - Iestyn Davies, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2018 Hyperion Records Limited

11
Mass in B Minor, BWV 232: Gloria: VIII. Quoniam tu solus sanctus (Bass)
Stephen Layton
00:04:28

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Neal Davies, MainArtist, AssociatedPerformer, Bass (Vocal) - Stephen Layton, Conductor, MainArtist

℗ 2018 Hyperion Records Limited

12
Mass in B Minor, BWV 232: Gloria: IX. Cum Sancto Spiritu (Chorus)
The Choir of Trinity College Cambridge
00:03:42

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

DISQUE 2

1
Mass in B Minor, BWV 232: Credo: I. Credo in unum Deum (Chorus)
Stephen Layton
00:01:59

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

2
Mass in B Minor, BWV 232: Credo: II. Patrem omnipotentem (Chorus)
Stephen Layton
00:02:04

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

3
Mass in B Minor, BWV 232: Credo: III. Et in unum Dominum (Duet)
Orchestra Of The Age Of Enlightenment
00:04:23

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - Iestyn Davies, Counter-Tenor, MainArtist, AssociatedPerformer - Katherine Watson, Soprano, MainArtist, AssociatedPerformer

℗ 2018 Hyperion Records Limited

4
Mass in B Minor, BWV 232: Credo: IV. Et incarnatus est (Chorus)
Orchestra Of The Age Of Enlightenment
00:03:23

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

5
Mass in B Minor, BWV 232: Credo: V. Crucifixus etiam pro nobis (Chorus)
The Choir of Trinity College Cambridge
00:03:23

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

6
Mass in B Minor, BWV 232: Credo: VI. Et resurrexit tertia die (Chorus)
Stephen Layton
00:04:04

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

7
Mass in B Minor, BWV 232: Credo: VII. Et in Spiritum Sanctum (Aria)
Neal Davies
00:05:18

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Neal Davies, MainArtist, AssociatedPerformer, Bass (Vocal) - Stephen Layton, Conductor, MainArtist

℗ 2018 Hyperion Records Limited

8
Mass in B Minor, BWV 232: Credo: VIII. Confiteor unum baptisma (Chorus)
Stephen Layton
00:03:55

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

9
Mass in B Minor, BWV 232: Credo: IX. Et exspecto resurrectionem (Chorus)
The Choir of Trinity College Cambridge
00:02:05

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

10
Mass in B Minor, BWV 232: Sanctus: I. Sanctus, Domine Deus (Chorus)
The Choir of Trinity College Cambridge
00:05:12

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

11
Mass in B Minor, BWV 232: Sanctus: II. Osanna in excelsis (Chorus)
Stephen Layton
00:02:42

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

12
Mass in B Minor, BWV 232: Benedictus: I. Benedictus qui venit (Tenor)
Orchestra Of The Age Of Enlightenment
00:04:16

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - Gwilym Bowen, Tenor, MainArtist, AssociatedPerformer

℗ 2018 Hyperion Records Limited

13
Mass in B Minor, BWV 232: Benedictus: II. Osanna in excelsis (Chorus)
The Choir of Trinity College Cambridge
00:02:45

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

14
Mass in B Minor, BWV 232: Agnus Dei: I. Agnus Dei (Aria)
Stephen Layton
00:05:16

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - Iestyn Davies, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2018 Hyperion Records Limited

15
Mass in B Minor, BWV 232: Agnus Dei: II. Dona nobis pacem (Chorus)
Orchestra Of The Age Of Enlightenment
00:03:30

Orchestra Of The Age Of Enlightenment, Orchestra, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2018 Hyperion Records Limited

Chronique

The Bach Mass in B minor, BWV 232, assembled from bits and pieces over some years, coheres in its final form in ways that perhaps only the composer understood. This recording by the Choir of Trinity College Cambridge and Orchestra of the Age of Enlightenment under Stephen Layton has been road-tested in performances around Britain for several years, but it hasn't lost the enthusiasm of its youthful singers. With a choir of 40+, it's not a recording for the historical-performance crowd, but it's musical, filled with clear, bright contrasts, and really quite grand. Layton takes a deliberate approach to the score, catching its long lines and letting the choir swell and surprise when they want to. The contrasts also involve the soloists, a varied bunch of well-known names that keep things exciting. The bloomy voice of soprano Katherine Watson might or might not be to your taste, but it plays well off the others. Sample the slow polyphony of the final Dona nobis pacem for a taste of the choir's Romantic approach, which one suspects wouldn't have sounded too unfamiliar to Mendelssohn. Whatever your own verdict, the support the singers get from Hyperion engineer David Hinitt and producer Adrian Peacock, working at the Trinity College Chapel, is superb: In a difficult situation, the various sound groups are kept clear, and there's not a trace of mush.

© TiVo

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