Tampa Red
Out of the dozens of fine slide guitarists who recorded blues, only a handful -- Elmore James, Muddy Waters, and Robert Johnson, for example -- left a clear imprint on tradition by creating a recognizable and widely imitated instrumental style. Tampa Red was another influential musical model. During his heyday in the '20s and '30s, he was billed as "The Guitar Wizard," and his stunning slide work on electric or National steel guitar shows why he earned the title. His 30-year recording career produced hundreds of sides: hokum, pop, and jive, but mostly blues (including classic compositions "Anna Lou Blues," "Black Angel Blues," "Crying Won't Help You," "It Hurts Me Too," and "Love Her with a Feeling"). Early in Red's career, he teamed up with pianist, songwriter, and latter-day gospel composer Georgia Tom Dorsey, collaborating on double-entendre classics like "Tight Like That."
Listeners who only know Tampa Red's hokum material are missing the deeper side of one of the mainstays of Chicago blues. His peers included Big Bill Broonzy, with whom he shared a special friendship. Members of Lester Melrose's musical mafia and drinking buddies, they once managed to sleep through both games of a Chicago White Sox doubleheader. Eventually alcohol caught up with Red, and he blamed his latter-day health problems on an inability to refuse a drink.
During Red's prime, his musical venues ran the gamut of blues institutions: down-home jukes, the streets, the vaudeville theater circuit, and the Chicago club scene. Due to his polish and theater experience, he is often described as a city musician or urban artist in contrast to many of his more limited musical contemporaries. Furthermore, his house served as the blues community's rehearsal hall and an informal booking agency. According to the testimony of Broonzy and Big Joe Williams, Red cared for other musicians by offering them a meal and a place to stay and generally easing their transition from country to city life.
Today's listener will enjoy Tampa Red's expressive vocals and perhaps be taken aback by his kazoo solos. His songwriting has stood the test of time, and any serious slide guitar student had better be familiar with Red's guitar wizardry.
© Barry Lee Pearson /TiVo
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Bottleneck Guitar 1928-1937
Blues - Released by Yazoo on 1 Jan 1974
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Tampa Red The Guitar Wizard
Blues - Released by Legacy - Columbia on 1 Oct 1975
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Presenting Tampa Red
Blues - Released by Universal Digital Enterprises on 3 Dec 1928
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Song Collection
Blues - Released by Jazz Experience on 26 Sep 2017
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Slide Guitar Wizard, Chicago - 1931-1946
Blues - Released by Fremeaux Heritage on 14 Apr 1961
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The Bluebird Recordings 1934-1936
Blues - Released by RCA Bluebird on 28 Oct 1997
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Tampa Red Vol. 5 (1931 - 1934)
Blues - Released by Document Records on 1 May 1991
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Tampa Red Vol. 2 (1929)
Blues - Released by Document Records on 1 Feb 1991
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Greatest Blues Licks 1931-1946
Blues - Released by Master Classics Records on 1 Oct 2010
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The Wizard - Tampa Red
Jazz - Released by Bela Records on 25 Jan 2009
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Tampa Red Vol. 3 (1929 - 1930)
Blues - Released by Document Records on 4 Mar 1991
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Tampa Red Vol. 12 1941-1945
Blues - Released by Document Records on 10 Apr 1994
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Tampa Red Vol. 11 1939-1940
Blues - Released by Document Records on 10 Mar 1994
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Tampa Red Vol. 15 1951-1953
Blues - Released by Document Records on 10 Sep 1994
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Tampa Red Vol. 9 1937-1938
Blues - Released by Document Records on 10 Oct 1993
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The best of the guitar wizard (1928-1940)
Jazz - Released by EPM on 29 Oct 1996
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Tampa Red Vol. 13 1945-1947
Blues - Released by Document Records on 10 May 1994
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Tampa Red Vol. 6 1934-1935
Blues - Released by Document Records on 10 May 1993
16-Bit CD Quality 44.1 kHz - Stereo