The decision to award a Qobuzism is made unanimously by the Qobuz team. In most cases, a Qobuzism is given to a “crossover” album in the best sense of the term, in that it will speak to all of our users.

By awarding a Qobuzism, we aim to draw attention to standout albums across a wide range of genres. In theory a Qobuzism is intended to alert you to an artist’s debut which has ventured into unexplored territory; but albums which merit this distinction can, in practice, come from anywhere! In each instance Qobuz endorses the album entirely, working with the artist in order to give them the greatest exposure possible – both within and outside of Qobuz. 

What we love is to give our Qobuz users the chance to discover recordings which are not necessarily what they would normally go for.

Albums

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Alternative & Indie - Released October 26, 2018 | CRYBABY

Hi-Res Booklet Distinctions Qobuzissime
Francis Mallari, Elliot Berthault, Maxime Gendre, Simon Dubourg, Guillaume Rottier: five lads making beautiful, violent French post-punk. Rendez-Vous have something of a fresh Eighties chill flavour. And they don’t sound French. From Fad Gadget to Soft Moon, the quintet blends together a huge range of influences, without ever falling into imitation. After two EPs, Rendez-Vous in 2014 and Distance in 2016, the Parisians have dug deep into the blackness of a punk style that's dark but fine, elegant and worn, and never too gritty. This is a classy and romantic rendez-vous in black and white. The group are held together by a strong spine made up of Francis' rough and husky voice, the choppy guitar and busted synths and above all the intense, unwavering bassline (Sentimental Animal, Paralyzed) which creates a rhythm that's certainly upbeat but not rushed: Superior State says it all: from the first track, until the final bow. Excellent. © Charlotte Saintoin/Qobuz
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Alternative & Indie - Released October 19, 2018 | Communion Group Ltd

Hi-Res Distinctions 4F de Télérama - Qobuzissime
It wouldn't be right to reduce Tamino-Amir Moharam Fouad simply to an heir of Jeff Buckley with hints of Radiohead from their earlier years. The Belgian songwriter, only 21 years old, offers much more than that on his first album, even if Colin Greenwood, the bassist from Radiohead, does feature on the album... Tamino, an Antwerp-native and John Lennon-admirer, has always kept his Egyptian origins preserved in a corner of his head, under his jet-black mane. The Arabic music that his mother played at home must have been all the more influential when it was the work of Muharram Fouad, his singer-actor grandfather, a star in Cairo in the sixties... This eclecticism is at the heart of Tamino's music, which owes as much to Buckley folk music as it does to Beatles pop and even to the nonchalant melancholy of Leonard Cohen, another one of his idols. To fuse these disparate influences, the mysterious young man possesses a deadly weapon: his voice. It’s an equally versatile organ, capable of stretching slowly and transforming itself into a stunning falsetto, an impressive technique that he never abuses. It is this voice that transforms Amir into a long and poignant novel. A coming-of-age story that alternates between the dreamer (the pure folk on Verses) and the lyrical poet as on So It Goes, Each Time and Intervals, conceived around a section of Arabic strings. A Qobuzissime album that’s oozing with original and touching poetry. © Marc Zisman/Qobuz
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Alternative & Indie - Released October 12, 2018 | Kitsune Musique

Hi-Res Booklet Distinctions Qobuzissime
The story of Parcels is both a childhood dream and a wonderful human adventure. Formed just four years ago, for what is the “first real band” for each of its members, the quintet (music-lovers and Steely Dan-addicts) quickly sold out their first concerts in Byron Bay, a surfing spot on the East coast of Australia. But despite being half a world away, the smell of Berlin nights lured them over to try their luck in Europe. Good move: the international music hub that is the German capital lead them to a signing with the Parisian label Kitsuné. After two EPs where they demonstrated their compatibility, Thomas Bangalter came to congratulate them and give them some advice following a concert in Paris, producing their single Overnight a few months later. Now equipped with Daft Punk’s totem of protection, the Aussies have launched their debut album with an emphasis on the collective – symbolised by the title of the album, Parcels – a pop-funk wave that sounds like an album by The Beatles with Nile Rodgers on the guitar. Amongst these twelve tracks (three of which have already turned heads: Tieduprightnow, Bemyself and Lightenup), you realise that this group really is a group in the true sense of the word and that these guys love nothing more than jamming out. The lyrics on Lightenup were written collectively – proof that Parcels plan to head down this road together (or at least that their lead singer isn’t a complete megalomaniac). And as long as they keep their spirits up this high, nothing will stop them from cruising on down this sunny highway. © Smaël Bouaici/Qobuz
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Alternative & Indie - Released August 31, 2018 | Jazz Village

Hi-Res Booklet Distinctions 4F de Télérama - Qobuzissime
Dying today. In Creole, mo jodi. The title says it all for Delgres’ first album, an impeccable trio that could easily be compared to what would happen if the Black Keys dropped their anchor in the Antilles… Delgres for Louis Delgrès, an abolitionist infantry colonel born in Saint-Pierre, famous for his anti-slavery proclamation, a high point of Guadeloupe’s resistance against Napoleonic troops who wanted to restore the slave trade. When Louis Delgrès and his 300 men realised all was lost when faced with Bonaparte’s soldiers, they decided to commit suicide using their explosives, by virtue of the revolutionary emblem live free or die… However, this historic name doesn’t constrain Pascal Danaë, Baptiste Brondy and Rafgee to only be a “band with a message”. Delgres proudly waves its name and the ideals that go with it, but focuses first and foremost on making rock with a touch of garage, fed with some primitive blues, raw soul music and sounds from New Orleans. Combining dobro guitar, drums and sousaphone – an atypical tuba popular in the carnival fanfares of the Antilles and New Orleans −, the trio assert their originality. In his writing too, Danaë goes back and forth − with great ease − between Creole and English, blurring the lines between his influences, which he has always treated with taste throughout his long career (he was for instance involved in Rivière Noire, best World Music album at the 2015 Victoires de la Musique). A stylistic kaleidoscope, illustrated by the ballad Séré mwen pli fo, sung in duo with Morcheeba’s Skye Edwards. In its edgier moments as well as nostalgic and absorbing sequences, Mo Jodi talks about History, but also hope, and builds bridges between continents and centuries to create a blissful journey of rock’n’blues’n’soul that will take you by the guts! © Marc Zisman/Qobuz
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Alternative & Indie - Released June 8, 2018 | Easy Eye Sound

Hi-Res Booklet Distinctions Qobuzissime
After buccaneering around the West Coast with the Clams, Shannon Shaw has headed to Nashville, as Dusty Springfield did in 1968. With a clear nod to Dusty in Memphis, this first solo effort marks the beginnings of an emancipated life. Shannon & The Clams is a group from Oakland, California, which owes as much to Primus as it does to Devo, Missing Person or Roy Orbison. They have mastered the art of disguise, putting out absurd shorts, and invite journalists into their tiny rooms. They're signed on Burger Records. Their poetry is written in punk, rockabilly, doo-wop and garage. Even punkier, and rawer, were Hunx and His Punx, which Shannon joined at Seth Bogart's invitation. Now flying solo, Shannon is showing us a different face. Her husky voice has the doo-wop soul of the great girl groups, the Ronettes, Shirelles and the Shangri-Las: you could already hear it on the Clams' Onion, produced by Dan Auerbach. And though Shannon's still on bass, now she has centre stage. A fan of the Clams, the Black Keys singer invited Shannon to do a turn in his Easy Eye Sound studio. With six songs in her pocket, our glamorous blonde leapt at the chance to join a clique off over-qualified musicians, and to fulfil her destiny. These old-timers recorded with Aretha, Elvis and Dusty... Which must have raised the pulse. And here they raise the ghosts of her broken, sorry loves, and push the great singer's feline, charming voice to its limit. Scintillating sixties melodies, cinematic arrangements straight out of James Bond: Auerbach has crafted this album painstakingly. It's classy, and classic, with a little touch of glockenspiel, vibraphone and some chimes, and a faintly musty retro whiff. Dan has played Phil Spector, and brought out Shaw's genius, and revealed the diva. © Charlotte Saintoin/Qobuz
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Alternative & Indie - Released May 18, 2018 | Marathon Artists

Hi-Res Distinctions 4F de Télérama - Qobuzissime
Courtney Barnett’s second studio album is as magnificent as it is simple. But not simplistic, no, just simple. The young Australian creates a rock’n’roll of an almost disarming purity and clarity. For the simple reason that the songs presented here are absolutely brilliant. Indeed, songs. That “detail” that can make or break an album… Just like the compilation of her first two EPs ( A Sea of Split Peas), her first album (Sometimes I Sit And Think, And Sometimes I Just Sit), and her duo album with Kurt Vile (Lotta Sea Lice), this Tell Me How You Really Feel strings together ten trips that perfectly blend cynical humour and sincere confession. Most importantly, Courtney Barnett appears more introspective than in years past. And because things are firing on all cylinders for her, both in her career (with an impressive critical and popular success on the global stage) and personal life (she’s been sharing her life with her peer Jen Cloher for quite a long time now), it becomes clear that the Australian artist took her time to polish perfectly each of these ten compositions. Even more impressive as she combines well-worn themes (her loves, anxieties, frustrations and opinions) while never sounding cliché. As per usual, Courtney Barnett wraps her prose in an impeccable indie rock on the guitar, that never feels overproduced. She’s been influenced by big names such as Lou Reed, Kurt Cobain, Neil Young and Jonathan Richman, including a collaboration on two tracks with the Deal sisters, Kim and Kelley, from The Breeders. What was Neil Young saying again on his famous Hey Hey, My My? Rock’n’roll can never die? © Marc Zisman/Qobuz
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Alternative & Indie - Released April 6, 2018 | Transgressive

Hi-Res Distinctions Qobuzissime
Adventurer. Storyteller. Artisan. Collector. And above all, Writer. Cosmo Sheldrake is all that. And more! A virtuoso one-man orchestra, master of an indecent number of instruments, the young Brit crafts magical and genre-defying little symphonies. These songs evoke Beirut's fanfare (a thing we often find ourselves thinking about) as much as they do repetitive minimalist music, world music, the baroque pop of the Kinks' Village Green Preservation Society and the late sixties, the iconoclast Moondog and countless other sounds. These are sounds that Cosmo Sheldrake merrily collects from across the globe, with his little tape recorder in hand. But the power of The Much Much How How And I lies in its refusal to wallow in experimental self-indulgence. On the contrary! Songs, real ones, with a beginning, middle and end – plus a chorus and a melody – remain his holy grail. His album is touching and beautiful because it was conceived with this unique goal in mind. With electro producer Matthew Herbert at the console, himself no stranger to bizarre collages, The Much Much How How And I has all the fertile imagination of a Lewis Carroll story, and all the colours of the rainbow. This has to be the most Cosmo-politan Qobuzissime yet! © Marc Zisman/Qobuz
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Alternative & Indie - Released March 2, 2018 | Domino Recording Co

Hi-Res Distinctions Qobuzissime
Confusion guaranteed! They are Australian, Japanese, English, Korean and they have dropped their anchor in the UK capital. They love the pop of yesterday as much as the pop of today. They make musical collages look as easy as breathing in and out. What if Superorganism were THE group that captured all that's best in our times? This young collective of international musicians, all big fans of pop culture, met on YouTube; and they composed, recorded and produced their first album in a studio in East London, where they now live together! This sunny record is a rainbow of minimalist indie pop, synthetic and racing, as extravagant as it is kaleidoscopic, bringing praise from artists like Frank Ocean and Ezra Koenig from Vampire Weekend. For some this will bring to mind those distant cousins of the The Avalanches, The Go! Team or I'm From Barcelona: but Superorganism has a light touch and a dreamlike, soothing quality which are all their own, and which have made this album a heartwarming Qobuzissime. © Marc Zisman/Qobuz
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Alternative & Indie - Released January 26, 2018 | LasVegas Records

Distinctions Qobuzissime
Ever since the release of their debut album Spanish Disco in 2015, Leyya’s music has been playing on loop on Austrian radio stations. The two young Vienna-based artists, producer and composer Marco Kleebauer and the singer Sophie Lindinger, have been accomplices since childhood, forming a duo in 2014 that becomes a quartet when they perform live. Their style is dominated by electronic sounds, which they have further developed for their second work, Sauna. Marco’s synth sounds are transformed into dreamy melodies and contemporary pop, enhanced by Sophie’s light, fresh voice that occasionally sounds like Feist. The duo composed the songs during their 2017 European tour, taking the time to reflect, a characteristic that’s not just unique to a Suana by the way. Leyya perform like painters that apply the utmost care to each and every brushstroke. On Sauna, a place for sweating and meeting people, the duo leave the beats running drop by drop (Oh Wow), turn up the heat (Drumsolo, Heat) and let the bubbling be heard (Candy). After this sudorific experience, you can’t help wanting to slide down their rainbow. Leyya transforms winter into summer and colours the fog. A Qobuzissime album that comes out just at the right time! © SD/Qobuz
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Alternative & Indie - Released January 12, 2018 | Dead Oceans

Hi-Res Distinctions 4F de Télérama - Qobuzissime
As intense as an XS G-string stretched around an XL derrière, Shame isn’t here to joke around. The concentrated post-punk that is at the heart of this debut album from the London quintet stands out through its charisma, violence and originality. Songs Of Praise even sounds like the soundtrack to a really grey, frustrated England. There’s a lot of The Fall, Gang Of Four and Killing Joke in this sonic bundle of nerves, but it never sounds retro or backwards. Like Fat White Family, Ought or even Vietnam, Shame belongs in 2018 and you can definitely hear it! Straight from Brixton, singer Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, drummer Charlie Forbes and bass player Josh Finerty produce and cage their seemingly visceral irritation on punchy songs (Dust On Trial) that are sometimes poisonous and throbbing (The Lick) but at other points more genial (One Rizla). Here, Shame play brazen, uncompromising and unapologetic rock. Just one listen to Songs Of Praise and your body will come out bruised, yet you will keep asking for more. © MZ/Qobuz
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Alternative & Indie - Released November 10, 2017 | La Castanya

Hi-Res Distinctions Qobuzissime
Psych pop, surf music, shoegaze and dream pop isn’t just confined to America or the UK. Even in Barcelona they master the notions of this blend of electronic notes and dreamer harmonies. There in the heart of the Catalonian capital, we find two Chileans and two Spaniards; all experts in sugary melodies oozing with dreamlike guitars and reverb, The Zephyr Bones have concocted a superb sun-drenched record. The aptly named album Secret Place is a little island of hedonistic pop where the crystalline six-strings and muffled voices make the rules. A refined treaty that brings together a blend of their contemporary influences (DIIV, Beach House, Black Lips, Wild Nothing, Real Estate, Beach Fossils) while retaining a very personal tone. This warm and sunny Qobuzissime is more than perfect to keep you toasty as winter comes creeping in... © MZ/Qobuz
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Alternative & Indie - Released October 13, 2017 | Downtown JV

Hi-Res Booklet Distinctions Qobuzissime
In the latest edition of the hipster series, Lawrence Rothman seems to be the world champion. An androgynous face (and voice) made for the glossy pages of fashion magazines, a passion for the noteworthy transformations in Cindy Sherman’s photography (Rothman changes his look with every clip!) and packed full with friends who came to lend a helping hand (Kim Gordon from Sonic Youth, Angel Olsen, Marissa Nadler, Duff McKagan from Guns’N’Roses, Stella Mozgawa from Warpaint, Tom Krell a.k.a. How To Dress Well, the bassist Pino Palladino, Kristin Kontrol from Dum Dum Girls…the list goes on!). To our ears, Rothman sounds like the soul dandy/R&B from the 80s. Talk Talk often comes to mind, as well as David Bowie, Depeche Mode or sometimes Prince and, a little closer to home, Ariel Pink and How To Dress Well. But under the glitzy varnish, this début album holds songs with staggering melodies. Some compositions bring a rather cathartic style of writing with which Rothman displays his personal quest for an identity that he defines as non-binary (gender queer). This Californian, who was born in Los Angeles 35 years ago and who claims to love Charles Bukowski just as much as R. Kelly and Tupac Shakur as much as Leonard Cohen, has assured that The Book Of Law is one of the most moving albums of 2017. A highly refined Qobuzissime. © MZ/Qobuz
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Alternative & Indie - Released October 6, 2017 | Abbey Records

Hi-Res Distinctions Qobuzissime
England possesses a unique capacity to reinvent the wheel of rock’n’roll. Although it seems to have been said time and time again, the country regularly gives birth to young groups that come to add their unique stone to an already solidly constructed building. And even if the influences may seem obvious from the outset, each personal touch elbows its way through to the front. Pale Seas belongs to this breed of musicians - the type whose music bursts on the palate from the very first taste. By the sea in Southhampton, the singer Jacob Scott, guitarist Graham Poole, bassist Mathew Bishop and drummer Andrew Richardson drew from the early albums from the likes of Radiohead and Suede in order to establish their own rock’n’roll rulebook. But even though this distinct taste for the English rock of the 90s jumps to mind throughout Stargazing For Beginners, this British foursome manages to draw up a guitar landscape, making their first album truly original. Largely recorded at night in an old Abbey, here’s a Qobuzism disc that teases the animal instincts of guitar band fans. A true revelation. © CM/Qobuz
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Alternative & Indie - Released September 8, 2017 | Bonsound

Hi-Res Distinctions Qobuzissime
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€14.49

Alternative & Indie - Released July 21, 2017 | Columbia

Hi-Res Booklet Distinctions Qobuzissime
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Alternative & Indie - Released July 7, 2017 | Vertigo - Capitol

Hi-Res Distinctions Qobuzissime
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Alternative & Indie - Released May 19, 2017 | ATO Records

Hi-Res Booklet Distinctions Qobuzissime
First of all, that voice. Anything but refined, Nick Hakim's singing is cloaked in a kind of otherness. A distant song, as if from another galaxy: the American who grew up in Washington before casting anchor in Brooklyn unfurls around her a diaphanous soul. And it certainly is soul that lies at the heart of her magnificent first album Green Twins. It is as if Nick Hakim had resuscitated Marvin Gaye and Curtis Mayfield, but taking care to make them over a little, with a dash of folk here, or a blush of pop there. Through the melody there runs here an unexpected rhythm or there a surprising instrument: her musical imagination is vast enough to take in South American music she heard at home (her mother is Chilean and her father is Peruvian), or hip-hop from her teenage years... On Roller Skates, a deliberately rickety drum-machine backs up a piercing guitar, itself sickly-sounding, while Nicky Hakim's voice, in a halo of reverb, transforms the song into a waking dream. Every melody on Green Twins is bathed in a softness (never blandness) that reinforces the music's dreamlike quality. Because even if Hakim's voice could thrill fans of Curtis Harding, Cody Chesnutt, Roland Gift and Bilal, the music here is all very much her own, so much so that one wonders if she has in fact invented the gospel music of the third millennium. To be sure, this is the most spellbinding Qobuzissime of the year. © MZ/Qobuz
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A/B

Alternative & Indie - Released June 10, 2016 | Elektra (NEK)

Hi-Res Booklet Distinctions Qobuzissime
Opening with a track entitled No Good? A surefire way to help listeners understand that what comes next is rock’n’roll inspired by the golden age of guitar. It’s easy to see why the TV series Vinyl chose the the track to integrate into their soundtrack. Kaleo mark their territory definitively here with energetic rock, deft instrumentalism and some great folk ballads. The vocals of JJ Julius Son goes from are at times rough, and at others, crystalline – the dynamism is impressive from start to finish. There is an element of brilliance on their album A/B (Way Down We Go). With the likes of the Jacquire King (Kings of Leon) and Mike Crossey (Arctic Monkeys), Kaleo has definitely ensured the quality of production – and the sound on this album is a testament to that fact. An incredibly diverse project well deserving of our Qobuzism award!
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Alternative & Indie - Released June 3, 2016 | Marathon Artists

Hi-Res Booklet Distinctions Qobuzissime
No effects. No frills. No guests. No nada. Just songs, nothing but songs. Max Jury hasn’t completed a quarter century on this earth, yet his obsession remains with a timeless art of old: writing. The young American is clearly a man of taste and his world visibly (and audibly) collides with that of Neil Young, Townes Van Zandt, Gram Parsons, Randy Newman, Paul McCartney, Harry Nilsson and Tony Joe White, among others. His first album brings together many songs that you’ll be humming to yourself at the end of the night. On the facade of this almost-classicism, Jury integrates sublime melodies and sophisticated arrangements. He has opted for the piano rather than guitar here, interestingly enough. Jury has long since realized the inextricable link between country music and soul. Knowing this makes the heart of his art truly jubilant. © MZ / Qobuz
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Alternative & Indie - Released October 16, 2015 | Universal Music Division Barclay

Hi-Res Booklet Distinctions Qobuzissime